Brazil: A Report on Torture | |
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Directed by | Haskell Wexler, Saul Landau |
Edited by | Robert Estrin |
Release date |
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Brazil: A Report on Torture is a 1971 documentary film directed by Haskell Wexler and Saul Landau. [1] The film had its premiere on October 21, 1971 at the Whitney Museum in New York City. [2]
The documentary tells the story of Brazilians who were tortured while imprisoned in Brazil and were then living in exile in Chile. It is the first film to document such torture in Latin America. [3]
The film features interviews conducted with 17 of the 70 Brazilians brought to Chile in January of that year as part of an exchange for the Swiss ambassador Giovanni Bucher, who was kidnapped the month before in Rio de Janeiro by the armed guerilla group VPR (Popular Revolutionary Vanguard). In addition to testimonies, reenactments are conducted by the former prisoners which demonstrate the cruelty suffered—including the use of the pau de arara method. [4]
The film premiered at the Whitney Museum in New York City on October 21, 1971, where it was accompanied by an interview with Salvador Allende, the 29th President of Chile. Later that same year it was broadcast on WNET, followed by a discussion that included the scholar Alfred Stepan. [5]
In August 2012 Brazil: A Report on Torture was broadcast on Brazilian television, marking its television broadcast debut in Brazil. [6] It also received a screening at the Instituto Moreira Salles in Rio de Janeiro in November 2012, followed by a discussion including subjects interviewed in the film. [7] [8] This marked the first time that some of the film's participants had seen the film in its entirety. [7]
The Brazilian diplomat Jom Tob Azulay held a private screening of the film for Brazilian performers Antônio Carlos Jobim and Elis Regina in the 1970s, which led to him being persecuted by Brazil's military government as a result. [9] [10] He later commented on the film's obscurity in Brazil, stating that it was "unbelievable" and was likely due to the "repressed society" and the effect that the "veil of forgetfulness plays on torture". [10]
In a 2012 review in Piauí magazine, film director and editor Eduardo Escorel was extremely critical of the movie, criticizing Wexler and Landau for staging re-enactments of torture with the former torture victims, which he felt showed a "total lack of restraint, decorum and modesty". Escorel went on to say that this, along with other criticisms, "might explain why it was so many years in obscurity." [11]
In contrast, film historians James and Sara T. Combs felt that the movie was an "excellent example of the "appeal to conscience"" and the movie has received praise from diplomat Jom Tob Azulay. [4] [10] The film was also honored in a 2014 film festival at the Brazilian Consulate in New York and was featured in the 2015 documentary Rebel Citizen , directed by Pamela Yates. [12] [13]
Regina Blois Duarte is a Brazilian actress who briefly served as Special Secretary of Culture, a cabinet position in President Jair Bolsonaro's federal administration, from March to May 2020.
Jom Tob Azulay is a filmmaker and former diplomat. He has taught film at Federal University of the State of Rio de Janeiro.
Zuleika Angel Jones, better known as Zuzu Angel, was a Brazilian fashion designer, who became famous for opposing the Brazilian military dictatorship after the forced disappearance of her son, Stuart. She was also the mother of journalist Hildegard Angel.
Doces Bárbaros is a 1976 album by the Música popular brasileira supergroup of the same name. It was recorded June 24 of that year at Anhembi Stadium in São Paulo. Its members were Gilberto Gil, Caetano Veloso, Maria Bethânia and Gal Costa, four of the biggest names in the history of the music of Brazil. The band was the subject of a 1977 documentary directed by Jom Tob Azulay. In 1994, they performed a tribute concert to Mangueira school of samba.
Sérgio Fernando Paranhos Fleury was a Brazilian police deputy during the Brazilian military dictatorship. He was chief of DOPS, the Brazilian "Department for Political and Social Order", which had a major role during the years of the Brazilian military government. Fleury was known for his violent temper and was officially accused of torture and homicide of numerous people, but drowned at sea before being tried.
Lauro Escorel Filho, most known as Lauro Escorel, is an American-born Brazilian cinematographer and film director. He was born during his father, a Ministry of External Relations, stay in Washington, DC. He first worked as an assistant to Dib Lutfi and Affonso Beato, and made his debut in 1971 on Leon Hirszman's São Bernardo, which won Gramado Film Festival Best Cinematography Award. He directed the short film Libertários, winner of Margarida de Prata Award from the National Conference of Bishops of Brazil, in 1976. In 1978, he would win again the Gramado Film Festival Best Cinematography Award for his work on Héctor Babenco's Lúcio Flávio, o Passageiro da Agonia. His first feature film, Sonho sem Fim, won the Jury Special Award at the 1986 Gramado Film Festival. Ironweed (1987), another Babenco's film, would make him more known internationally.
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Inês Etienne Romeu was a Brazilian political prisoner held in extrajudicial detention in a Brazilian torture camp in the early 1970s. Romeu has been described as the sole captive to survive the camp.
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In Brazil, the use of torture – either as a means of obtaining evidence through confession or as a form of punishment for prisoners – dates back to colonial times. A legacy of the Inquisition, torture never ceased to be applied in Brazil during the 322 years of the colonial period, nor later, during the 67 years of the Empire and the republican period.
Carlos Alberto Brilhante Ustra was a Brazilian army officer, politician and known and convicted torturer who served as a colonel in the Brazilian Army.
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Susana Schnarndorf Ribeiro is a Brazilian Paralympic swimmer. In 2005, after a lengthy triathlon career, at the age of 37, Schnarndorf began to experience the first symptoms of a mysterious degenerative disease that was later diagnosed as multiple system atrophy (MSA). After a break from professional athletics, Schnarndorf returned to the sports world as a swimmer and is presently a member of the Brazilian Paralympic Swimming Team.
Muito Prazer is a 1979 Brazilian film directed by David Neves.
A Verdade Sufocada - A História que a Esquerda não quer que o Brasil conheça (2006) is the second memoir of the retired colonel of the Brazilian Army, Carlos Alberto Brilhante Ustra, the first Brazilian military man convicted of practicing torture during the military dictatorship in Brazil (1964-1985).
Ternuma is a non-governmental organization formed in 1998 by military, ex-military, family members and their sympathizers that aims to interdict and deny the past about the military dictatorship in Brazil from 1964 to 1985.
LHT HIGGS Produções Audiovisuais LTDA, better known by its trade name Brasil Paralelo, is a Brazilian company founded in 2016, in Porto Alegre, that produces documentaries offering conservative viewpoints on politics, history and current events. The videos are published on YouTube and have been shown since December 9, 2019 on TV Escola, a state television channel linked to the Ministry of Education and, since April 6, 2021, on the Panflix platform of the Jovem Pan group.
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