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Bread, Love and Jealousy | |
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Directed by | Luigi Comencini |
Written by | Luigi Comencini Ettore Margadonna |
Produced by | Marcello Girosi |
Starring | Vittorio De Sica Gina Lollobrigida |
Cinematography | Arturo Gallea |
Edited by | Mario Serandrei |
Music by | Alessandro Cicognini |
Distributed by | Titanus (Italy) Distributors Corporation of America (USA) |
Release date |
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Running time | 97 minutes |
Country | Italy |
Language | Italian |
Bread, Love and Jealousy (Italian : Pane, amore e gelosia), known as Frisky in the US, is a 1954 Italian romantic comedy film directed by Luigi Comencini. It is the second part of the Italian trilogy, preceded by Bread, Love and Dreams and followed by Scandal in Sorrento .
Antonio (Vittorio De Sica) is in love with the midwife Annarella (Marisa Merlini), knowing that she has a son. Both of them are in love with each other, until the father of the kid, who also serves in the military, appears and, with the help of the priest Don Emidio (Virgilio Riento), is reunited with his son.
Having to spend the next twenty months far from the village, Pietro (Roberto Risso) asks the marshal to take care of Maria (Gina Lollobrigida). Despite not being happy to spend time with the captain, because of her poverty and her need to collect the dowry, she goes to serve at the marshal’s house, since his maid, Caramella (Tina Pica), is ill.
The villagers start spreading gossips about the marshal and Maria, which will reach to Pietro too. One day, during a lunch at the house of Maria's cousin, the marshal dances with her and is seen by both Pietro and Annarella. Seeing them dancing intimately, Maria and Pietro break up. As the relationship is over, Maria leaves the house and joins a dancing group. Her mother asks the marshal to help her, saying that she is under-aged. When the marshal goes for an enquiry, the owner of the dance company convinces the mother of Maria with money, while the marshal discovers that she is not actually under age. Maria tries to seduce the marshal but without success.
Finally Pietro and Maria will be reunited and will leave the village. The marshal comes wave them goodbye at the station. While going back, he meets a middle aged bachelor lady who's going to the village as the new midwife.
Pane, amore e gelosia is usually considered one of the most famous examples of Pink neorealism . Tina Pica won the Nastro d'Argento as Best Supporting Actress for this film.
Vittorio De Sica was an Italian film director and actor, a leading figure in the neorealist movement.
Gabriele Ferzetti was an Italian actor with more than 160 credits across film, television, and stage. His career was at its peak in the 1950s and 1960s.
Valeria Moriconi was an Italian actress who appeared both in movies and on stage.
Bread, Love and Dreams is a 1953 Italian romantic comedy film directed by Luigi Comencini. At the 4th Berlin International Film Festival it won the Silver Bear award. In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978".
Luigi Comencini was an Italian film director. Together with Dino Risi, Ettore Scola, and Mario Monicelli he was considered among the masters of the "commedia all'italiana" genre.
Commedia all'italiana, or Italian-style comedy, is an Italian film genre born in Italy in the 1950s and developed in the 1960s and 1970s. It is widely considered to have started with Mario Monicelli's Big Deal on Madonna Street in 1958, and derives its name from the title of Pietro Germi's Divorce Italian Style (1961). According to most of the critics, La Terrazza (1980) by Ettore Scola is the last work considered part of the commedia all'italiana.
Scandal in Sorrento is a 1955 Italian comedy film directed by Dino Risi. This is the third film of the trilogy, formed by Bread, Love and Dreams in 1953, Bread, Love and Jealousy in 1954. Innovations include the use of color rather than black and white, as well the location of Sorrento instead of the small village of the previous films of the series. At the 6th Berlin International Film Festival it won the Honorable Mention award.
The Nastro d'Argento is a film award presented annually since 1946 by the Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
Tina Pica was an Italian supporting actress who played character roles on stage. Her film debut came in 1935 with The Three-Cornered Hat.
Marisa Merlini was an Italian character actress active in Italy's post-World War II cinema. Merlini appeared in over fifty films during her career, which spanned from World War II to 2005. In Luigi Comencini's 1953 film Pane, amore e fantasia, she portrayed Annarella, a village midwife, who marries the local police marshal, played by Vittorio De Sica.
Virgilio Riento was an Italian actor and comedian. He appeared in 108 films between 1936 and 1959.
Doctor and the Healer is a 1957 Italian comedy film directed by Mario Monicelli.
The Most Wonderful Moment is a 1957 Italian drama film directed by Luciano Emmer.
In Olden Days is a 1952 Italian comedy drama anthology film directed by Alessandro Blasetti and featuring an ensemble cast that included Gina Lollobrigida, Amedeo Nazzari, Vittorio De Sica, Elisa Cegani, Barbara Florian, Aldo Fabrizi, Andrea Checchi and Alba Arnova. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Dario Cecchi and Veniero Colasanti. It is also known as Times Gone By and Infidelity.
La Flora, o vero Il natal de' fiori is an opera in a prologue and five acts composed by Marco da Gagliano and Jacopo Peri to a libretto by Andrea Salvadori. It was first performed on 14 October 1628 at the Teatro Mediceo in Florence to celebrate the marriage of Margherita de' Medici and Odoardo Farnese, Duke of Parma. Based on the story of Chloris and Zephyrus in Book V of Ovid's Fasti, Salvadori's libretto contains many allegorical references to the transfer of political power, the beauty of Tuscany, and the strength of the Medici dynasty. The score of La Flora is one of only two still in existence out of Gagliano's 14 published stage works. Several of its arias are still performed as concert pieces.
Time of Vacation is a 1956 Italian comedy film directed by Antonio Racioppi, at his directorial debut.
World of Miracles is a 1959 Italian melodrama film directed by Luigi Capuano.
Bread, Love and Andalusia is a 1958 Italian-Spanish comedy film directed by Javier Setó and starring Carmen Sevilla, Vittorio De Sica and Vicente Parra. De Sica reprises his role as the Carabinieri officer Carotenuto from Bread, Love and Dreams. He travels to Seville where he falls in love with a beautiful young dancer.