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Old Lyme is a coastal town in New London County, Connecticut, United States, bounded on the west by the Connecticut River, on the south by the Long Island Sound, on the east by the town of East Lyme, and on the north by the town of Lyme. The town is part of the Lower Connecticut River Valley Planning Region.
Florence Ann Griswold was a resident of Old Lyme, Connecticut, United States who became the nucleus of the "Old Lyme Art Colony" in the early 20th century. Her home has since been made into the Florence Griswold Museum, a National Historic Landmark.
Bessie Potter Vonnoh was an American sculptor best known for her small bronzes, mostly of domestic scenes, and for her garden fountains. Her stated artistic objective, as she told an interviewer in 1925, was to “look for beauty in the every-day world, to catch the joy and swing of modern American life.”
Wilson Henry Irvine was a master American Impressionist landscape painter.
John Brewster Jr. was a prolific, Deaf itinerant painter who produced many charming portraits of well-off New England families, especially their children. He lived much of the latter half of his life in Buxton, Maine, USA, recording the faces of much of Maine's elite society of his time.
Frank Vincent DuMond was one of the most influential teacher-painters in 20th-century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years.
The Florence Griswold Museum is an Art Museum at 96 Lyme Street in Old Lyme, Connecticut centered on the home of Florence Griswold (1850–1937), which was the center of the Old Lyme Art Colony, a main nexus of American Impressionism. The Museum is noted for its collection of American Impressionist paintings. The house was designated a National Historic Landmark in 1993. The site encompasses 12-acres of historic buildings, grounds, gardens, and walking trails.
Edward Charles Volkert (1871–1935) was an American Impressionist artist best known for his colorful and richly painted impressionist landscapes. His trademark subject was that of cattle and plowmen. His style is noted for its impressionist use of light, applied in small dots of paint, while maintaining an interest in the true forms and colors of his subject matter. He has been referred to as America's cattle painter extraordinaire".
Clark Greenwood Voorhees was an American Impressionist and Tonalist landscape painter and one of the founders of the Old Lyme Art Colony.
Matilda Browne was an American Impressionist artist noted for her flower paintings and her farm and cattle scenes. Born in Newark, New Jersey, she was a child prodigy who received early art training from her artist-neighbor, Thomas Moran.
Allen Butler Talcott was an American landscape painter. After studying art in Paris for three years at Académie Julian, he returned to the United States, becoming one of the first members of the Old Lyme Art Colony in Connecticut. His paintings, usually landscapes depicting the local scenery and often executed en plein air, were generally Barbizon and Tonalist, sometimes incorporating elements of Impressionism. He was especially known and respected for his paintings of trees. After eight summers at Old Lyme, he died there at the age of 41.
Lyme Art Association (LAA) is a nonprofit art organization established in 1914, with roots going back to 1902. The LAA maintains a historic art gallery located at 90 Lyme Street in the Old Lyme Historic District, Old Lyme, Connecticut. The gallery was built in 1921 to a design prepared by the architect and artist Charles A. Platt. The association holds exhibitions throughout the year, featuring the work of member artists as well as visiting ones, with an emphasis on representational art The building has a north-light studio, where the association conducts classes year-round.
Annie Traquair Lang was an American Impressionist painter, known for experimental impasto brushstrokes and jewel-tone abstracted forms. She exhibited portraits, still lifes and landscapes at two dozen venues in Europe and the U.S., and institutions including the Metropolitan Museum of Art acquired her works. She was acclaimed in publications including the New York Times and The International Studio. She also earned praise for her collection of paintings by her mentor, William Merritt Chase, with whom she traveled in Europe and California. She was considered the Chase pupil "who best assimilated his technique and verve."
Edith Varian Cockcroft was a Brooklyn-born painter, designer, inventor and ceramist, who exhibited at venues including the Paris Salon, National Academy of Design and Art Institute of Chicago. She was known for portraits of nudes posed against vibrant fabric backdrops as well as landscape paintings, often depicting European seacoasts. She patented and exhibited silks and velvets, produced ceramic dinnerware and designed clothing and theater sets. Her artworks were lauded for "boldness of decorative pattern and fearless use of color" and for their "character and vigor." Among the customers for her garments were the performers Irene Castle and Jeanette MacDonald Edith typically signed her paintings and ceramics "E. Varian Cockcroft" or "Cockcroft," and it was reported in 1920 that her works "have such a strong masculine quality that she is generally thought to be a man." She was a member of the Société Nationale des Beaux Arts and the National Association of Women Painters and Sculptors, and she was a founding member of the New York Society of Women Artists.
Harry Leslie Hoffman (1871–1964) was an American Impressionist painter best known for his brightly colored paintings of underwater marine life.
Lydia Eastwick Longacre was an American painter known especially for her portrait miniatures.
Katherine Langhorne Adams (1885–1977) was an American painter and printmaker. Other sources give her birthdate as c. 1882 or 1890.
Clifford Isaac Addams was an American painter and etcher, and a protégé of James McNeill Whistler.
Mary Way was an American painter, known for her portrait miniatures. She, along with her sister Elizabeth Way Champlain, was among the first women to work as a professional artist in the United States.
References
- 1 2 Jim Lampos; Michaelle Pearson (4 May 2015). Remarkable Women of Old Lyme. Arcadia Publishing Incorporated. pp. 45–. ISBN 978-1-62585-313-4.
- 1 2 "Florence Griswold Museum - Breta Longacre". collections.flogris.org. Retrieved 27 December 2017.
- ↑ "Florence Griswold Museum - Bank of the Lieutenant River". collections.flogris.org. Retrieved 27 December 2017.
- "Florence Griswold Museum - Still Life with Fruit Compote, 1915". collections.flogris.org. Retrieved 27 December 2017.
- "Florence Griswold Museum - Untitled (View of the Griswold House Barn)". collections.flogris.org. Retrieved 27 December 2017.
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