Barney Bubbles was an English graphic artist whose work encompassed graphic design and music video direction. Bubbles, who also sketched and painted privately, is best known for his distinctive contribution to the design practices associated with the British independent music scene of the 1970s and 1980s. His record sleeves, laden with symbols and riddles, were his most recognisable output.
Sir Peter Thomas Blake is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette.
The Camberwell College of Arts is a constituent college of the University of the Arts London, a public art university in London, England. The college offers further and higher education programmes, including postgraduate and PhD awards. The college has retained single degree options within Fine Art, offering specialist Bachelor of Arts courses in painting, sculpture, photography and drawing. It also runs graduate and postgraduate courses in art conservation and fine art as well as design courses such as graphic design, illustration and 3D design. It has been ranked as the top British art school by The Times.
Eileen Gray was an Irish architect with no formal training and furniture designer who became a pioneer of the Modern Movement in architecture. Over her career, she was associated with many notable European artists of her era, including Kathleen Scott, Adrienne Gorska, Le Corbusier, and Jean Badovici, with whom she was romantically involved. Her most famous work is the house known as E-1027 in Roquebrune-Cap-Martin, France.
The Museum of Domestic Design and Architecture (MoDA) is a museum in North London, England, housing one of the most comprehensive collections of 19th- and 20th-century decorative arts for the home. The collection is designated as being of outstanding international value by Arts Council England.
Edward Bawden, was an English painter, illustrator and graphic artist, known for his prints, book covers, posters, and garden metalwork furniture. Bawden taught at the Royal College of Art, where he had been a student, worked as a commercial artist and served as a war artist in World War II. He was a fine watercolour painter but worked in many different media. He illustrated several books and painted murals in both the 1930s and 1960s. He was admired by Edward Gorey, David Gentleman and other graphic artists, and his work and career is often associated with that of his contemporary Eric Ravilious.
David William Gentleman is an English artist. He studied art and painting at the Royal College of Art under Edward Bawden and John Nash. He has worked in watercolour, lithography and wood engraving, at scales ranging from platform-length murals for Charing Cross Underground Station in London to postage stamps and logos.
The Art Workers' Guild is an organisation established in 1884 by a group of British painters, sculptors, architects, and designers associated with the ideas of William Morris and the Arts and Crafts movement. The guild promoted the 'unity of all the arts', denying the distinction between fine and applied art. It opposed the professionalisation of architecture – which was promoted by the Royal Institute of British Architects at this time – in the belief that this would inhibit design. In his 1998 book, Introduction to Victorian Style, University of Brighton's David Crowley stated the guild was "the conscientious core of the Arts and Crafts Movement".
This Is Tomorrow was an art exhibition in August 1956 at the Whitechapel Art Gallery on Whitechapel High Street in London's East End, UK, facilitated by curator Bryan Robertson. The core of the exhibition was the ICA Independent Group.
Benedict William Read, BA, FSA was an English art historian. Usually known as Ben Read, he was the author of numerous books, essays and articles on nineteenth and twentieth century art history, and was one of the most authoritative writers in the second half of the twentieth century on British Victorian sculpture.
Mark Farrow is a British graphic designer known for his work with English music label Factory Records and Manchester nightclub The Haçienda. He has also done work for bands such as Pet Shop Boys and Spiritualized. In 2009 he was named a Royal Designer for Industry (RDI) by the Royal Society of Arts.
Maxwell Ashby Armfield was an English artist, illustrator and writer.
Enid Crystal Dorothy Marx, RDI, was an English painter and designer, best known for her industrial textile designs for the London Transport Board and the Utility furniture Scheme. Marx was the first female engraver to be designated as a Royal Designer for Industry.
The Curwen Press was founded by the Reverend John Curwen in 1863 to publish sheet music for the "tonic sol-fa" system. The Press was based in Plaistow, Newham, east London, England, where Curwen was a pastor from 1844.
Eric Craven Gregory, also known as Peter Gregory, was a publisher and benefactor of modern art and artists.
Robert Adams was an English sculptor and designer. Whilst not widely known outside of artistic circles, he was nonetheless regarded as one of the foremost sculptors of his generation. In a critical review of a retrospective mounted by the Gimpel Fils gallery in London in 1993, Brian Glasser of Time Out magazine described Adams as "the neglected genius of post-war British sculpture", a sentiment echoed by Tim Hilton in the Sunday Independent, who ranked Adams' work above that of his contemporaries, Ken Armitage, Reg Butler, Lynn Chadwick and Bernard Meadows.
Trickett & Webb was a London-based graphic design agency.
Alan Kitching RDI AGI Hon FRCA is a practitioner of letterpress typographic design and printmaking. Kitching exhibits and lectures across the globe, and is known for his expressive use of wood and metal letterforms in commissions and limited-edition prints.
Jan Le Witt (1907–1991) was a Polish-born British abstract artist, graphic designer and illustrator. He had a long professional partnership with George Him. As a design company, Lewitt-Him brought an innovative use of colour, abstraction and symbolism to commercial design. They established a reputation for fine poster work during World War Two and for exhibition displays, most notably with the Guinness clock for the Festival of Britain. The partnership dissolved in 1955 when Le Witt decided to concentrate upon his own, often abstract, art.
