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Antonio Salieri was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy.
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theatre. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period.
Operetta is a form of theatre and a genre of light opera, light in terms of both music and subject matter. It includes spoken dialogue, songs, and dances. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta became a recognizable form in the mid-1800s in France, and its popularity led to the development of many national styles of operetta. Operetta as a genre lost favor in the 1930s and gave way to modern musical theatre. Important operetta composers include Johann Strauss, Jacques Offenbach and Franz Lehar.
Sir Arthur Seymour Sullivan MVO was an English composer. He is best known for 14 operatic collaborations with the dramatist W. S. Gilbert, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord".
Clément Philibert Léo Delibes was a French composer, best known for his ballets and operas. His works include the ballets Coppélia (1870) and Sylvia (1876) and the opera Lakmé (1883).
Sir Edward German was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. Some of his light operas, especially Merrie England, are still performed.
Victor August Herbert was an American composer, cellist and conductor of Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
Franz von Suppé was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire. A composer and conductor of the Romantic period, he is notable for his four dozen operettas.
Einojuhani Rautavaara was a Finnish composer of classical music. He is among the most notable Finnish composers since Jean Sibelius (1865–1957).
The history of opera in the English language commences in the 17th century.
The Opéra-Comique is a Paris opera company, which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with, and for a time took the name of its chief rival the Comédie-Italienne at the Hôtel de Bourgogne, and was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart, is located in Place Boïeldieu, in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France, and to French opera. Its current mission is to reconnect with its history, and discover its unique repertoire, to ensure production and dissemination of operas for the wider public. Mainstays of the repertory at the Opéra-Comique during its history have included the following works which have each been performed more than 1,000 times by the company: Cavalleria Rusticana, Le chalet, La dame blanche, Le domino noir, La fille du régiment, Lakmé, Manon, Mignon, Les noces de Jeannette, Le pré aux clercs, Tosca, La bohème, Werther and Carmen, the last having been performed more than 2,500 times.
Comic opera is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue.
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier comédie en vaudeville and the later Singspiel, its distinguishing characteristic is the use of tunes in a popular style with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported opera seria. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song."
Music Theater Works is a resident professional not-for-profit musical theatre company in Evanston, Illinois. It was founded in 1980 by Philip Kraus, Bridget McDonough, and Ellen Dubinsky.
The Ohio Light Opera is a professional opera company based in Wooster, Ohio that performs the light opera repertory, including Gilbert and Sullivan, American, British and continental operettas, and other musical theatre works, especially of the late 19th and early 20th centuries. The company is also known for its recordings of these works.
In the 19th century, Spieloper was understood to mean a light opera genre, developed from Singspiel. Works typical of the genre include those by Albert Lortzing, such as Zar und Zimmermann, and Otto Nicolai's The Merry Wives of Windsor. A key difference between Spieloper and Singspiel on the one hand, and opera buffa on the other, is that the two former genres contain spoken dialogues instead of recitatives, which is why Conradin Kreutzer's Das Nachtlager in Granada and Friedrich von Flotow's Martha do not belong to this genre.
Elizabeth Forbes was an English author, music critic, and musicologist who specialised in writing about opera. Her main areas of interest were 19th- and 20th-century opera and singers, both historical and present-day. She contributed many reviews and articles to several notable periodicals and newspapers internationally including the Financial Times, The Independent, The Musical Times, Opera, Opera Canada and Opera News among several others.
Vincent is an opera in three acts by Einojuhani Rautavaara first performed in 1990. The libretto is by the composer, and consists of scenes from the life of the artist Vincent van Gogh, told in retrospect.
References
- ↑ Johnson, Lawrence A (7 June 2000). "Longevity Rewarded `Gondoliers' Is Typical of Light Opera Works". Chicago Tribune . p. 2. Retrieved 11 February 2011.
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