Cape Fear is a 1962 American neo-noir psychological thriller film starring Gregory Peck, Robert Mitchum, and Polly Bergen. It was adapted by James R. Webb from the 1957 novel The Executioners by John D. MacDonald. It was directed by J. Lee Thompson and released on April 12, 1962. The film concerns an attorney whose family is stalked by a criminal he helped to send to jail.
John Dann MacDonald was an American writer of novels and short stories. He is known for his thrillers.
Travis McGee is a fictional character, created by American mystery writer John D. MacDonald. McGee is neither a police officer nor a private investigator; instead, he is a self-described "salvage consultant" who recovers others' property for a fee of 50%. McGee appeared in 21 novels, from The Deep Blue Good-by in 1964 to The Lonely Silver Rain in 1984. In 1980, the McGee novel The Green Ripper won a National Book Award in a one-year Mystery category. All 21 books have the theme of a color in the title, one of the earliest examples of detective/mystery fiction series to have a 'title theme'
Rob Roy is a 1995 American biographical historical drama film directed by Michael Caton-Jones. Liam Neeson stars as Rob Roy MacGregor, an 18th-century Scottish clan chief who battles with an unscrupulous nobleman in the Scottish Highlands. Jessica Lange, John Hurt, Tim Roth, Eric Stoltz, Brian Cox, and Jason Flemyng also star. Roth won the BAFTA Award for Best Actor in a Supporting Role and was nominated for the Academy Award for Best Supporting Actor for his portrayal of the treacherous aristocrat Archibald Cunningham.
Bustin' Loose is a 1981 American comedy-drama film directed by Oz Scott and Michael Schultz (uncredited) and written by Lonne Elder III, Richard Pryor and Roger L. Simon. The film stars Pryor, Cicely Tyson, Robert Christian, and George Coe. Bustin' Loose was produced by Michael S. Glick and Pryor.
The Deep Blue Good-by is the first of 21 novels in the Travis McGee series by American author John D. MacDonald.
Max Cady is a fictional character and the primary antagonist of the John D. MacDonald novel The Executioners. He was portrayed by Robert Mitchum in Cape Fear and Robert De Niro in Martin Scorsese's remake.
Nightmare in Pink is the second novel in the Travis McGee series written by John D. McDonald. It was published concurrently with the first book in the series, The Deep Blue Good-by. In Nightmare in Pink, McGee is asked by a friend from his military days to help his sister Nina in the investigation of her fiancé's death and the large sum of money involved. The book's title is a reference to the inclusion of hallucinogenic drugs as a plot device in the climax. Much of the action takes place in New York City and upstate New York, a departure from McGee's usual haunts in Florida.
A Purple Place for Dying (1964) is the third novel in the Travis McGee series by John D. MacDonald.
Darker than Amber is a 1970 film adaptation of John D. MacDonald's 1966 mystery/suspense novel, Darker than Amber. It was directed by Robert Clouse from a screenplay by MacDonald and Ed Waters.
One Fearful Yellow Eye (1966) is the eighth novel in the Travis McGee series by John D. MacDonald. The plot revolves around McGee's attempts to aid his longtime friend Glory Doyle in her quest to uncover the truth about her late husband and the blackmail which made over half a million dollars of his fortune disappear. It is largely set in Chicago, rather than the usual McGee haunt of Florida. When Fortner Geis dies, it becomes clear that his fortune was swindled out of him in his last months. McGee tracks down the money and eventually builds a romantic relationship with Fortner's daughter, Heidi Trumbill.
Pale Gray for Guilt (1968) is the ninth novel in the Travis McGee series by John D. MacDonald. The plot revolves around McGee's investigation into the death of his close friend Tush Bannon, who he suspects has been murdered because of his refusal to sell his waterfront property to developers. In terms of series continuity, Pale Gray for Guilt is particularly important in that it involves a love interest, Puss Killian, who is central to the final book: The Lonely Silver Rain.
The Girl in the Plain Brown Wrapper (1968) is the tenth novel in the Travis McGee series by John D. MacDonald. The plot focuses on McGee's investigation of a beautiful young woman who is mysteriously losing her mind without any apparent physical or mental disease. Along the way, he discovers various troubling facets to the small Florida town where she resides.
A Tan and Sandy Silence (1971) is the thirteenth novel in the Travis McGee series by John D. MacDonald. The plot begins with Harry Broll, husband of McGee's longtime friend Mary, shows up at his houseboat The Busted Flush with a gun, threatening McGee and accusing him of hiding Mary aboard. The rest of the novel involves McGee's search for Mary.
The Dreadful Lemon Sky (1975) is the sixteenth novel in the Travis McGee series by John D. MacDonald. It is the 87th novel in The Top 100 Crime Novels of All Time as compiled by the Mystery Writers of America.
Cinnamon Skin (1982) is the twentieth novel in the Travis McGee series by John D. MacDonald. Like a few other books in the series, McGee ends up traveling to Mexico to solve a crime. His friend Meyer's niece is killed by a bomb on the John Maynard Keynes, Meyer's houseboat, with two other people. As Meyer and McGee investigate the explosion, they discover her husband, Evan Lawrence, did not die, and instead had a dark and dangerous past.
Hit the Road is a 1941 crime comedy film featuring the Dead End Kids and Little Tough Guys.
Travis McGee is a 1983 American TV movie based on the 1978 novel The Empty Copper Sea by John D MacDonald. It was the second film adaptation of the Travis McGee series. It was made by Warner Bros.
One Dangerous Night (1943) is the tenth Lone Wolf film produced by Columbia Pictures. It features Warren William in his seventh and second-to-last performance as the protagonist jewel thief turned detective Lone Wolf, and Warren Ashe as Sidney Shaw, the film's antagonist. The film was directed by Michael Gordon and written by Arnold Phillips, Max Nosseck, and Donald Davis.
