The British Academy of Film and Television Arts is an independent trade association and charity that supports, develops, and promotes the arts of film, television and video games in the United Kingdom. In addition to its annual award ceremonies, BAFTA has an international programme of learning events and initiatives offering access to talent through workshops, masterclasses, scholarships, lectures, and mentoring schemes in the United Kingdom and the United States.
The Society of Motion Picture and Television Engineers (SMPTE), founded in 1916 as the Society of Motion Picture Engineers or SMPE, is a global professional association of engineers, technologists, and executives working in the media and entertainment industry. As an internationally recognized standards organization, SMPTE has published more than 800 technical standards and related documents for broadcast, filmmaking, digital cinema, audio recording, information technology (IT), and medical imaging.
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Culture, Media and Sport, and partially funded under the British Film Institute Act 1949.
David John Francis is a British film archivist. He was the second curator of the UK's National Film and Television Archive from 1974 until 1989, when he was succeeded by Clyde Jeavons. Francis went on to become the Chief of the Motion Picture, Broadcasting and Recorded Sound Division at the Library of Congress.
The Cinematography Mailing List is a website and collection of mailing lists founded by Geoff Boyle in November 1996. The CML is run on a volunteer basis by professional cinematographers "to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturers, rental houses and related businesses."
The National Film and Sound Archive of Australia (NFSA), known as ScreenSound Australia from 1999 to 2004, is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting, and providing access to a national collection of film, television, sound, radio, video games, new media, and related documents and artefacts. The collection ranges from works created in the late nineteenth century when the recorded sound and film industries were in their infancy, to those made in the present day.
Technicolor Creative Studios UK Limited, doing business as The Mill, is a British VFX production company and creative studio headquartered in London, England, with three offices in the United States, three others in Europe and three in Asia. It is owned by Technicolor Group. The Mill produces real-time visual effects, animation, moving images, design, experiential, and digital projects for the advertising, games, and music industries.
Screen International is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company which also owned Broadcast.
The British Society of Cinematographers is an organisation formed in 1949 by Bert Easey, the then head of the Denham and Pinewood studio camera departments, to represent British cinematographers in the British film industry.
Kinematograph Weekly, popularly known as Kine Weekly, was a trade paper catering to the British film industry between 1889 and 1971.
Jeffery Boswall was a British naturalist, broadcaster and educator.
Film London is London's film and media agency – sustaining, promoting and developing London as a major international film-making and film cultural capital. This includes all the screen industries based in London – film, television, video, commercials and new interactive media. Film London is one of nine regional screen agencies throughout the United Kingdom. The not-for-profit organisation is supported by the BFI and the Mayor of London. Film London also receives significant support from Arts Council England London and ScreenSkills.
The British Academy Television Craft Awards is an accolade presented by the British Academy of Film and Television Arts (BAFTA), a charitable organisation established in 1947, which: "supports, promotes and develops the art forms of the moving image – film, television and video games – by identifying and rewarding excellence, inspiring practitioners and benefiting the public."
British Film Editors (BFE) is a not-for profit honorary society of professional British Film and Television Editors.
Mark Roberts Motion Control designs and manufactures motion control equipment for both the TV and Film industry. The company, based in Sussex in the UK, received an Academy Award in 1999 for its contribution to the special effects industry in feature films. The company was acquired by Nikon Corporation in September 2017.
The Antics 2-D Animation software is a proprietary vector-based 2-D application for animators and graphic designers, running under Microsoft Windows. It was created in 1972 by Alan Kitching, the British animator, graphic designer, and software developer. From 1977 to 1998 the Antics software was continuously developed, and was widely used by many studios around the world. The software of that time ran under Unix and Fortran, which by the late 1990s had been superseded by newer multimedia-oriented systems based on C++, and support for the older Antics was discontinued in 1998. In 2006, a project to build a completely new Antics software for C++ and Windows was begun, and the first published version made available in 2010.
Alan Thomas Kitching is a British graphic designer, animator, architect and software developer, who is perhaps best known for his pioneering work in computer animation, creating the Antics 2-D Animation software in 1972.
Amanda Sonia Berry, CBE is the chief executive officer of the Royal Foundation. She also served as CEO of the British Academy of Film and Television Arts (BAFTA) between December 2000 and October 2022.
Ujwal Nirgudkar is a Technical Advisor for India’s National Film Heritage Mission and a chemical engineer by training. He member of the Academy of Motion Picture Arts and Sciences, joining the Class of 2017. He is the first Indian to join the Academy as a member-at-large, having worked in the film industry for 36 years. He started his career at the Filmcenter Laboratory in Tardeo, Mumbai as a Technical Manager in May 1981. When the Filmcenter management closed operations in 2000, he joined Filmlab in Goregaon-East, Mumbai. He was initially appointed as General Technical Manager and took part in setting up a state-of-the-art film processing laboratory. He rose to the position of Technical Director on the Filmlab board of directors in July 2007.
The GBCT is a non-profit organization that serves as a representative body for camera technicians who work in the film and high-end television production industry worldwide. With approximately 450 members, many of whom are also affiliated with other moving image craft organizations such as the British Society of Cinematographers and the Association of Camera Operators, the GBCT operates out of Panavision London offices.
