The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930.
The Circus is a 1928 silent romantic comedy film written, produced, and directed by Charlie Chaplin. The film stars Chaplin, Al Ernest Garcia, Merna Kennedy, Harry Crocker, George Davis and Henry Bergman. The ringmaster of an impoverished circus hires Chaplin's Little Tramp as a clown, but discovers that he can only be funny unintentionally.
An audio commentary is an additional audio track, usually digital, consisting of a lecture or comments by one or more speakers, that plays in real time with a video. Commentaries can be serious or entertaining in nature, and can add information which otherwise would not be disclosed to audience members.
Pál Fejős, known professionally as Paul Fejos, was a Hungarian-American director of feature films and documentaries who worked in a number of countries including the United States. He also studied medicine in his youth and became a prominent anthropologist later in life. During World War I, Fejos worked as a medical orderly for the Imperial Austrian Army on the Italian front lines and also managed a theater that performed for troops. After the war, he returned to Budapest and eventually worked for the Orient-Film production company. He began to direct films in 1919 or 1920 for Mobil Studios in Hungary until he escaped in 1923 to flee the White Terror and the Horthy regime. He made his way to New York City and then eventually to Hollywood where he began production on his first American feature film, The Last Moment, in October 1927. The film proved to be popular, which allowed him to sign with Universal Studios. After a number of other successful films, Fejos left America in 1931 to direct sound films in France. In 1941, he stopped making films altogether and became the director of research and the acting head of the Viking Fund.
King of Jazz is a 1930 American pre-Code color musical film starring Paul Whiteman and his orchestra. The film title refers to Whiteman's popular cultural appellation. At the time the film was made, "jazz", to the general public, meant jazz-influenced syncopated dance music heard on phonograph records, on radio broadcasts, and in dance halls. In the 1920s Whiteman signed and featured white jazz musicians including Joe Venuti and Eddie Lang, Bix Beiderbecke, Frank Trumbauer, and others.
George Peabody Macready Jr. was an American stage, film, and television actor often cast in roles as polished villains.
Godzilla, King of the Monsters! is a 1956 kaiju film directed by Terry O. Morse and Ishirō Honda, with special effects by Eiji Tsuburaya. It is a heavily re-edited American localization, or "Americanization", of the 1954 Japanese film Godzilla. The film was a Japanese-American co-production, with the original footage produced by Toho Co., Ltd., and the new footage produced by Jewell Enterprises. The film stars Raymond Burr, Takashi Shimura, Momoko Kōchi, Akira Takarada, and Akihiko Hirata, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, an American reporter covers a giant reptilian monster's attack on Japan.
Sounds from True Stories, subtitled Music for Activities Freaks, is the soundtrack to David Byrne's 1986 film True Stories. It was initially released on vinyl and cassette, but was given a CD and 2xLP release in 2018.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Pepe is a 1960 American musical comedy film starring Cantinflas in the title role, directed by George Sidney. The film contained a multitude of cameo appearances, attempting to replicate the success of Cantinflas' American debut Around the World in 80 Days.
Broadway is a 1942 crime drama musical film directed by William A. Seiter and starring George Raft as himself and Pat O'Brien as a detective. The supporting cast features Janet Blair and Broderick Crawford.
Glorifying the American Girl is a 1929 American pre-Code musical comedy film produced by Florenz Ziegfeld that highlights Ziegfeld Follies performers. The last third of the film, which was filmed in early Technicolor, is basically a Follies production, with appearances by Rudy Vallee, Helen Morgan, and Eddie Cantor.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
The Last Performance is a 1929 American sound part-talkie film directed by Paul Fejos and starring Conrad Veidt and Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The talking sequences were featured on the last reel.
Hal Mohr, A.S.C. was a famed movie cinematographer who won an Oscar for his work on the 1935 film A Midsummer Night's Dream. He was awarded another Oscar for The Phantom of the Opera in 1943 and received a nomination for The Four Poster in 1952.
A part-talkie is a sound film that includes at least some "talking sequences" or sections with audible dialogue. The remainder of the film is provided with a synchronized musical score with sound effects. These films more often than not contain a main theme song that is played during key scenes in the film and is often sung offscreen on the musical soundtrack. During the portion without audible dialogue, speaking parts are presented as intertitles—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects.
Broadway is a 1926 Broadway play produced by Jed Harris and written and directed by George Abbott and Philip Dunning. It was Abbott's first big hit on his way to becoming "the most famous play doctor of all time" after he "rejiggered" Dunning's play. The crime drama used "contemporary street slang and a hard-boiled, realistic atmosphere" to depict the New York City underworld during Prohibition. It opened on September 16, 1926, at the Broadhurst Theatre and was one of the venue's greatest hits, running for 603 performances.
Lonesome is a 1928 American sound part-talkie comedy drama film directed by Paul Fejös, and starring Barbara Kent and Glenn Tryon. Although containing a few sequences with audible dialog, the majority of the film had a synchronized musical score with sound effects with English intertitles. The film was released in both sound-on-disc and sound-on-film formats. Its plot follows two working-class residents of New York City over a 24-hour-period, during which they have a chance meeting at Coney Island during the Independence Day weekend and swiftly fall in love with one another. It was produced and distributed by Universal Pictures.
Army of One is a 2016 American comedy film directed by Larry Charles and written by Rajiv Joseph and Scott Rothman. The film stars Nicolas Cage, Wendi McLendon-Covey, Rainn Wilson, Russell Brand, Denis O'Hare, Paul Scheer, and Will Sasso.
