| Brochevarevarura | |
|---|---|
| by Mysore Vasudevachar | |
| Genre | Carnatic |
| Language | Telugu |
Broche varevaru ra is a Classical Telugu composition by Mysore Vasudevachar in the Kamas Raga of Carnatic music.
| Brochevarevarura | |
|---|---|
| by Mysore Vasudevachar | |
| Genre | Carnatic |
| Language | Telugu |
Broche varevaru ra is a Classical Telugu composition by Mysore Vasudevachar in the Kamas Raga of Carnatic music.
The transliteration and meaning in English are given below [1]
| Lyrical Section | Telugu | Transliteration | English Translation |
|---|---|---|---|
| Pallavi | బ్రోచేవారెవరురా నిను వినా రఘువరా నను1నీ చరణాంబుజములఁ నే విడజాల కరుణాలవాల | brōcēvārevarurā ninnu vinā raghuvara nanu1nī caraṇāmbujamula(n) nē viḍajāla karuṇālavāla | Who else, but you, is my saviour, O Lord Rama I cannot let go of your lotus-feet, O repository of compassion! |
| Anupallavi | ఓ చతురాననాది వ౦దిత నీకు పరాకేలనయ్య నీ చరితమునుఁ పొగడలేని నా చి౦తఁదీర్చి వరములిచ్చి వేగమె | ō caturananādi vandita nīku parākēlanayya nī caritamunu pogaḍalēni nā cinta dīrci varamulicci vēgamē nanu2 (brōcēvāru) | O One worshipped by Brahma, why this neglect on your part? To remove the sorrow and grant the wishes of mine, who is incapable of even praising your character, and quickly (save me, who...) |
| Charanam | సీతాపతే నాపై నీకభిమానము లేదా వాతాత్మజార్చితపాద నా మొరలను వినరాదా ఆతురముగఁ కరిరాజును బ్రోచిన వాసుదేవుడవు నీవుఁగదా నా పాతకమెల్లఁ పోగొట్టి గట్టిగఁ నా చేయిఁబట్టి విడువక నను | sītāpatē nāpai nīkabhimānamu lēdā vātātmajārcita pāda nā moralanu vinarādā āturamuga karirājuni brōcina vāsudēvuḍavu nīvu gadā nā pātakamella pōgoṭṭi gaṭṭiga nā ceyi paṭṭi viḍuvaka nanu2 | O husband of Sita, do you not have regard for me? One worshipped by Hanuman, can't you listen to my pleas? Aren't you the Vasudeva who rushed to save the King of Elephants? Dispelling all my sins, firmly hold my hand and do not let go. |
Jayachamarajendra Wadiyar, sometimes simply Jayachamaraja Wadiyar, was the twenty-fifth and last ruling Maharaja of Mysore, reigning from 1940 to 1950, who later served as the governor of Mysore until 1964 and as governor of Madras from 1964 to 1966.
Vaidyanatha Sivan was a composer and vocalist of Carnatic music. He was a great exponent of extemporaneous singing. He also composed a ragamalika with all the 72 melakartha ragas.
Mysore Vasudevacharya was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions were mostly in Telugu and Sanskrit. Some of his most popular kritis include Broche varevaru ra in Khamas raga, Devadideva in Sunadavinodini, Mamavatu Sri Saraswati in Hindolam, Shankari Ninne in Pantuvarali, Bhajare Re Manasa in Abheri and Ra Ra Rajeevalochana Rama in Mohanam. He was a recipient of the civilian honour of the Padma Bhushan.
Patnam Subramania Iyer was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions.
Hamsadhvani, is a rāga in Carnatic music. It is an audava rāgam. It is a janya rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th).
Kamavardhani is a ragam in Carnatic music. It is the 51st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is also referred by the name Pantuvarāḷi, although purists prefer to designate it as Kamavardhini. It literally means "that which increases desire".
Hindōḷaṃ is a rāgam in Carnatic music. It is an audava rāgam as it does not have all the seven swaras. Hindolam is not the same as the Hindustani Hindol. The equivalent of Hindolam in Hindustani music is Malkauns.
Udayaravichandrika is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras. Closer to Udayaravichandrika in Hindustani music is Dhani aka Gaundgiri. But Dhani has N2 while Udayaravichandrika N3 in theory.
Shanmukhapriya is a ragam in Carnatic music. It is the 56th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Dikshitar school of Carnatic music. It is said to be borrowed into Hindustani music from Carnatic music. Many compositions on Lord Murugan and Lord Shiva are based on this raaga.
Dharmavati is a rāgam in Carnatic music. It is the 59th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhaamavati in Muthuswami Dikshitar school of Carnatic music. Madhuvanti is the nearest Hindustani music scale to Dharmavati. Raga Dharmavati was introduced in Hindustani music in vocal style for the first time by late Pandit Samaresh Chawdhury
Kokilapriya is a ragam in Carnatic music. It is the 11th Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. The 11th rāgam in Muthuswami Dikshitar school of Carnatic music is called Kokilāravam.
Vakulabharanam is a rāgam in Carnatic music. It is the 14th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Dhātivasantabhairavi or Vātivasantabhairavi in Muthuswami Dikshitar school of Carnatic music. Hindustani equivalent of this ragam is raga basant mukhari
Gamanashrama is a ragam in Carnatic music. It is the 53rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. This is the Carnatic equivalent of Marva in Hindustani Classical Music.
Sunadavinodini is a rāgam in Carnatic music. It is an audava rāgam. It is a janya rāgam, as it does not have all the seven swaras. This raga was discovered by Mysore Vasudevachar.
Gambhiranata is a rāga in Carnatic music and Yakshagana where it is called Naati. It is an audava rāgam. It is a janya rāga, as it does not have all the seven swaras. Gambhiranata is also known as Shuddha Nata.
Gaula or Gowla is a rāgam in Carnatic music. It is a janya rāgam from the 15th melakarta scale Mayamalavagowla. It is a janya scale, as it does not have all the seven swaras in the ascending and descending scale.
Khamas or Kamās/ Khamās /Khamāch/ Khamāj / Kamāchi (கமாச்) (ఖమాస్/కమాచి) is a rāgam in Carnatic music. It is a janya rāgam from the 28th melakarta scale Harikambhoji. It is a janya scale, as it does not have all the seven swaras in the ascending scale.
Mani Krishnaswami, was a Carnatic music vocalist of Tamil Nadu, India.
Valayapatti A. R. Subramaniam is an Indian classical musician and percussionist, considered by many as one of the foremost prominent exponents of thavil also known as dolu, a traditional percussion instrument in Carnatic music, accompanying windpipe instruments such as nadaswaram, saxophone, clarinet, etc, and string instruments like violin, mandolin, etc. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 2009. He is a recipient of the Sangeet Natak Akademi Award. The Government of India awarded him the fourth highest civilian honour of the Padma Shri, in 2007, for his contributions to Music.
Darbar is a ragam in Carnatic music. The raga is a comparatively recent entry to Carnatic Music, possibly in the earlier part of the 18th century.
