Bronwyn Labrum is a New Zealand cultural historian and author. [1]
Labrum was born and raised in Whanganui, and attended Whanganui High School. [2] She received a BA Hons and M.A. in history at Massey University, [3] and was deputy editor of the student magazine Chaff . [4] She graduated with a PhD from Victoria University of Wellington in 2000. [2]
Labrum worked as curator of history and textiles at the Museum of New Zealand Te Papa Tongarewa in Wellington, and was an associate professor in the School of Design at Massey University as well as teaching history at the University of Waikato. [5] [4] From 2016 she was the head of New Zealand and Pacific Cultures at Te Papa. [6] She then joined Canterbury Museum to lead special projects. [2] In December 2020 she was appointed Director of the Whanganui Regional Museum, to start in February 2021. [2]
Labrum's 2015 book Real Modern: Everyday New Zealandin the 1950s and 1960s was shortlisted for the 2016 Ockham New Zealand Book Awards. [5]
Gretchen Albrecht is a New Zealand painter and sculptor.
Kura Te Waru Rewiri is a New Zealand artist, academic and educator. Art historian Deidre Brown described her as "one of Aotearoa, New Zealand's most celebrated Māori women artists."
Māori traditional textiles are the indigenous textiles of the Māori people of New Zealand. The organisation Te Roopu Raranga Whatu o Aotearoa, the national Māori weavers' collective, aims to preserve and foster the skills of making and using these materials.
Shigeyuki "Yuki" Kihara is an interdisciplinary artist of Japanese and Samoan descent. In 2008, her work was the subject of a solo exhibition at the Metropolitan Museum of Art in New York; it was the first time a New Zealander and the first time a Pacific Islander had a solo show at the institution. Titled Shigeyuki Kihara: Living Photographs, the exhibition opened from 7 October 2008 to 1 February 2009. Kihara's self-portrait photographs in the exhibitions included nudes in poses that portrayed colonial images of Polynesian people as sexual objects. Her exhibition was followed by an acquisition of Kihara's work for the museum's collection.
Dame Rangimārie Hetet was a New Zealand tohunga raranga, a master of Māori weaving.
Ian Christopher Scott was a New Zealand painter. His work was significant for pursuing an international scope and vision within a local context previously dominated by regionalist and national concerns. Over the course of his career he consistently sought to push his work towards new possibilities for painting, in the process moving between abstraction and representation, and using controversial themes and approaches, while maintaining a highly personal and recognisable style. His work spans a wide range of concerns including the New Zealand landscape, popular imagery, appropriation and art historical references. Scott's paintings are distinctive for their intensity of colour and light. His approach to painting is aligned with the modernist tradition, responding to the formal standards set by the American painters Morris Louis, Kenneth Noland and Jules Olitski.
Vivian Isabella Lynn was a New Zealand artist.
Areta Rachael Wilkinson is a New Zealand jeweller.
Lisa Marie Reihana is a New Zealand artist. Her video work, In Pursuit of Venus [Infected] (2015), which examines early encounters between Polynesians and European explorers, was featured at the 2017 Venice Biennale.
Anne Lysbeth Noble is a New Zealand photographer and Distinguished Professor of Fine Art (Photography) at Massey University's College of Creative Arts. Her work includes series of photographs examining Antarctica, her own daughter's mouth, and our relationship with nature.
Dame Robin Adair White is a New Zealand painter and printmaker, recognised as a key figure in the regionalist movement of 20th-century New Zealand art.
Judith Ann Darragh is a New Zealand artist who uses found objects to create sculptural assemblages. She has also worked in paint and film. Darragh is represented in a number of public collections in New Zealand. In 2004, The Museum of New Zealand Te Papa Tongarewa held a major retrospective of her work titled Judy Darragh: So... You Made It?
Donald Sinclair Driver (1930–2011) was a New Zealand artist born in Hastings. Driver was self-taught and worked in a variety of media including painting, sculpture, collage and assemblage. His work was often recognized for its use of everyday or vernacular materials.
Mary Louise Kisler is a New Zealand curator, author, art historian and Radio New Zealand art commentator. She is best known for her publications which include Angels & Aristocrats: Early European Art in New Zealand Public Galleries (2010) and Finding Frances Hodgkins (2019).
Awhina Tamarapa is a New Zealand Māori museum curator and writer in the field of museum studies. She has tribal affiliations to Ngāti Kahungunu, Ngāti Ruanui and Ngāti Pikiao.
Lynn Kelly is a New Zealand jewellery designer. Her work is in the permanent collection of Museum of New Zealand Te Papa Tongarewa, the Dowse Art Museum and Auckland War Memorial Museum.
Rona Bailey was a New Zealand drama and dance practitioner, educationalist and activist. Bailey was influential in emerging contemporary dance and professional theatre in New Zealand. She was an activist in the anti-apartheid movement in the 1970s and 1980s, and part of Treaty of Waitangi anti-racist education that started in the mid-1980s.
Raymond Henry "Sandy" Adsett is a New Zealand visual artist and educator. He is acknowledged for championing the art of kōwhaiwhai painting, creating a context for the artform within the development of contemporary Māori art.
Te Wharetoroa Tiniraupeka, also known as Margaret Graham, was a New Zealand Māori weaver.
Stephanie Gibson is a New Zealand writer and museum curator.