Vincent Ward is a New Zealand film director, screenwriter and artist. His films have received international recognition at both the Academy Awards and the Cannes Film Festival.
The Lost Weekend is a 1945 American film directed by Billy Wilder, and starring Ray Milland and Jane Wyman. It was based on Charles R. Jackson's 1944 novel of the same name about an alcoholic writer. The film was nominated for seven Academy Awards and won four: Best Picture, Best Director, Best Actor, and Best Adapted Screenplay. It also shared the Grand Prix at the first Cannes Film Festival, making it one of only three films—the other two being Marty (1955) and Parasite (2019)—to win both the Academy Award for Best Picture and the highest award at Cannes.
On the Waterfront is a 1954 American crime drama film, directed by Elia Kazan and written by Budd Schulberg. It stars Marlon Brando and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning, and Eva Marie Saint in her film debut. The musical score was composed by Leonard Bernstein. The black-and-white film was inspired by "Crime on the Waterfront" by Malcolm Johnson, a series of articles published in November–December 1948 in the New York Sun which won the 1949 Pulitzer Prize for Local Reporting, but the screenplay by Budd Schulberg is directly based on his own original story. The film focuses on union violence and corruption amongst longshoremen, while detailing widespread corruption, extortion, and racketeering on the waterfronts of Hoboken, New Jersey.
Brothers are male siblings.
The Wild Geese is a 1978 war film starring an ensemble cast led by Richard Burton, Roger Moore, Richard Harris and Hardy Krüger. The film, which was directed by Andrew V. McLaglen, was the result of a long-held ambition of producer Euan Lloyd to make an all-star adventure film in the vein of The Guns of Navarone or Where Eagles Dare. The plot concerns a group of European mercenaries fighting in Africa. The screenplay by Reginald Rose was based on Daniel Carney's unpublished novel The Thin White Line.
Gold is a 1974 British thriller film starring Roger Moore and Susannah York and directed by Peter R. Hunt. It was based on the 1970 novel Gold Mine by Wilbur Smith. Moore plays Rodney "Rod" Slater, general manager of a South African gold mine, who is instructed by his boss Steyner to break through an underground dike into what he is told is a rich seam of gold. Meanwhile, he falls in love with Steyner's wife Terry, played by York. In the United States, the film was released only as part of a double bill with The Taking of Pelham One Two Three.
The Long Goodbye is a 1973 American satirical neo-noir film directed by Robert Altman and written by Leigh Brackett, based on Raymond Chandler's 1953 novel. The film stars Elliott Gould as Philip Marlowe and features Sterling Hayden, Nina Van Pallandt, Jim Bouton, Mark Rydell, and an early, uncredited appearance by Arnold Schwarzenegger.
Hugh Roger McDonald is an Australian author of several novels and a number of non-fiction works. He is also an accomplished poet and TV scriptwriter.
Spyforce is an Australian television series that aired from 1971 to 1973 on Nine Network. The series was based upon the adventures of Australian Military Intelligence operatives in the South West Pacific during World War II. It was produced by Nine Network in conjunction with Paramount Pictures.
Roger Ward is an Australian actor who has had a considerable career in film and television, noted for "tough guy" roles in which he often did his own stunts.
Mad Dog Morgan is a 1976 Australian bushranger film directed by Philippe Mora and starring Dennis Hopper, Jack Thompson and David Gulpilil. It is based upon the life of Dan Morgan.
The Film Finance Corporation Australia (FFC) was the government agency responsible for funding commercial productions of Australian film, documentary, and television from 1988 to 2008. Unlike other publicly funded organisations responsible for financing media production in Australia, the FFC operated as a commercially oriented funding agency, backing projects with the intention of recouping part of its funding through investment. The organisation was responsible for financing several notable Australian feature films, among them Strictly Ballroom (1992), Muriel's Wedding (1994) and The Adventures of Priscilla, Queen of the Desert (1994). During its lifetime, the FFC supported 248 features with a total investment of A$662 million. In 2008, the FFC was succeeded by Screen Australia, which merged the similar film financing bodies operated by the Australian government.
I Can Jump Puddles is a 1981 Australian television mini-series based on the 1955 autobiographical series of the same name by author Alan Marshall. Adapted for television by screenwriters Cliff Green and Roger Simpson, the series starred Lewis Fitz-Gerald, Adam Garnett, Tony Barry, Julie Hamilton, Ann Henderson, Lesley Baker, Olivia Brown, Debra Lawrance and Darren MacDonald.
The Set is a 1970 Australian drama film directed by Frank Brittain and produced by David Hannay and adapted from the unpublished novel by Roger Ward. The film depicts homosexuality in Australia, and was the first feature film in Australia to have homosexuality as a main theme.
Always Another Dawn is a 1948 Australian wartime melodrama directed by T.O. McCreadie. It was the first leading role for Bud Tingwell.
You Can't See 'Round Corners is an Australian drama and military TV series that aired on the Seven Network for 26 episodes from 28 June 1967 based on the 1947 novel by Jon Cleary, updated to be set during the Vietnam War. It was directed by David Cahill and shot around Sydney in black and white, and was adapted into a film version in 1969.
Terry Christopher Bourke was an Australian journalist, screenwriter, producer and director.
Lady Stay Dead is a 1981 Australian thriller film produced, written and directed by Terry Bourke about a psychotic handyman.
Bad Girls from Mars is a 1991 American black comedy science fiction slasher film written by Mark Thomas McGee and directed by Fred Olen Ray. It stars Edy Williams, Oliver Darrow, Brinke Stevens and Jay Richardson.
During his long career, American-born British film director Terry Gilliam has worked on a number of projects which never progressed beyond the pre-production stage under his direction. Some of these productions fell into development hell or were cancelled. The following is a list of projects in roughly chronological order.
