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Bruce McClure is an artist who uses film projectors in his performance art. His work is often performed in the context of experimental film and underground music.
His work was included in both the 2002 and 2004 biennial exhibitions of the Whitney Museum of American Art. [1] The Museum of the Moving Image included commentary by critic Leo Goldsmith about two McClure projects in its round-up of moving image highlights from 2009. [2]
Raymond Pettibon is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his older brother, Greg Ginn. He has subsequently become widely recognized in the fine art world for using American iconography variously pulled from literature, art history, philosophy, and religion to politics, sport, and sexuality.
Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.
David Edward Gatten is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloging the variety of ways in which texts functions in cinema as both language and image, often blurring the boundary between these categories. His 16mm films often employee cameraless techniques, combined with close-up cinematography and optical printing processes. In addition to the ongoing 16mm films, Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called The Extravagant Shadows.
Anthony McCall is a British-born New York based artist known for his ‘solid-light’ installations, a series that he began in 1973 with "Line Describing a Cone," in which a volumetric form composed of projected light slowly evolves in three-dimensional space.
Peter Campus, often styled as peter campus, is an American artist and a pioneer of new media and video art, known for his interactive video installations, single-channel video works, and photography. His work is held in the collections of numerous public institutions, including The Museum of Modern Art, Whitney Museum of American Art, Solomon R. Guggenheim Museum, Hamburger Bahnhof - Museum für Gegenwart, Tate Modern, Museo Reina Sofía, Albright-Knox Art Gallery, Walker Art Center, and the Centre Georges Pompidou. The artist works on the south shore of Long Island.
Zoe Strauss is an American photographer and a nominee member of Magnum Photos. She uses Philadelphia as a primary setting and subject for her work. Curator Peter Barberie identifies her as a street photographer, like Walker Evans or Robert Frank, and has said "the woman and man on the street, yearning to be heard, are the basis of her art."
Alice Könitz is an artist based in Los Angeles. Her sculptures, films, and collages use a formal language that is influenced by the contemporary built environment and early modernism. Könitz studied at the Kunstakademie in Duesseldorf and at Cal Arts.
Bruce Charlesworth is an American artist, known primarily for his highly stylized and constructed photographic, video and multimedia works.
Peter Sarkisian is an American new media artist based in Santa Fe, New Mexico. He combines video projection and sculpture to create hybrid-format, multi-media installations.
Paul Sietsema is a Los Angeles–based American artist who works primarily in film, painting and drawing. His work addresses the production, consumption, and proliferation of cultural objects, reflecting his interest in the possibility of an artwork to mediate information or meaning in a way that engages with the aesthetics of a specific time period. In the words of Sarah Robayo Sheridan, “Paul Sietsema compounds organic and artificial detritus in all his artwork, scavenging in history’s wake to identify specific tools of cultural production and foraging for concepts of art promulgated in the words of artists and attitudes of critics. He mines film as a vestige, the medium of the mechanical age, pressing and squeezing its very obsolescence through a contemporary sieve. In so doing, the artist hovers in the switchover between a bodily inscription in the image and a fundamental reconstitution of sight and representation in the matrix of the virtual. Where body stops and image starts is a divide collapsing through a series of innovations and accidents that go back as far as the people of Pompeii trapped in an emulsion that marked their death, but which paradoxically carried forward their image into eternity.”
Joshua Mosley is an American artist and animator. He is Professor and Chair of Fine Arts in the School of Design at the University of Pennsylvania. His work is represented by Corbett vs Dempsey in Chicago. He is the recipient of the 2007 Joseph H. Hazen Rome Prize in Visual Arts and the 2005 Pew Fellowship in the Arts.
Jordan Wolfson is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
Gretchen Bender was an American artist who worked in film, video, and photography. She was from the so-called 1980s Pictures Generation of artists, which included Cindy Sherman, Robert Longo, Jack Goldstein, Laurie Simmons and Richard Prince, and who mixed elements of Conceptual Art and Pop Art using images from popular culture to examine its powerful codes.
Morgan Hall Fisher is an American experimental filmmaker and artist best known for his structuralist and minimalist films referencing the material processes of celluloid film and the means and methods of producing moving images, including the camera, the director and crew, and the editing process. Since the 1990s, Fisher has also been producing paintings and installation works. His work has been included in three Whitney Biennial exhibitions, 1985, 2004 and 2014. He was awarded a Guggenheim Fellowship in 1987.
Lorna Mills is a Canadian net.art and new media artist who is known for her digital animations, videos, and GIFs. Mills has done work in other mediums such as installations. Her work explores how "the notion of public decency is anachronistic" Her use of GIFs are gathered through the dark net which includes 4chan, pornfails, and Russian domains. She currently lives and works in Toronto, Canada.
Brian Bress is an American video artist living and working in Los Angeles.
Henriette Huldisch is a German-born American curator of contemporary art. She is currently the Chief Curator and Director of Curatorial Affairs at the Walker Art Center in Minneapolis, Minnesota. Prior to that, she was the Director of Exhibitions at the MIT List Visual Arts Center in Boston, Massachusetts.
Lucy Raven is an American artist. Raven's work is multidisciplinary and includes moving image installations, photography, sound, animation and performative lectures.
Cristóbal Martínez is a Chicano artist and the founder of Radio Healer, an indigenous hacker collective. He is a member of Postcommodity, a Southwest Native American Artist collective. His work was featured in the 17th Whitney Biennial, 57th Carnegie International, and the Sundance Film Festival.
Bradley Eros is an experimental film director, actor, curator, poet, and performance artist who also makes Musique concrète sound collages, music videos, photographs, live projection performances, works on paper and art objects.
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