The Bunshaft Residence, sometimes called the Travertine House was an iconic modernist home designed by architect Gordon Bunshaft for himself and his wife on a 2.4-acre (0.97 ha) lot on the shore of Georgica Pond in East Hampton, New York. It was designed in 1962 and completed in 1963. It was one of the few residences designed by Bunshaft.
The house was contained within a rectangular box, 100 feet (30.5 m) long by 26 feet (7.9 m) wide, with its long dimension tangent to the lagoon's shoreline to the south and raised on a broad six-foot berm above the floodplain. The exterior walls were poured-in-place concrete clad with travertine and the exposed roof structure was made up of pre-stressed concrete beams with a "double T" shape, exposed on either edge with the openings filled with plate glass clerestory windows. The ends of the house were shaded by a 4-foot (1.2 m) extension of the roof and side walls with a paved strip extending the stone flooring to the edge of the walls.
The main living spaces had floor-to-ceiling plate glass openings. Interior walls were white-painted plaster and the floors were travertine over a concrete slab foundation. The entry door, one of only two openings in the solid north wall, opened directly into a small entry hall between the central living room and the master bedroom. Opposite the open living area was a smaller guest bedroom and a study, separated from the living space by a U-shaped kitchen and the guest bath.
The Bunshafts decorated their retreat primarily in off-whites with natural wood and glass and occasional red accents. Lighting was designed to highlight their art collection which included works by Pablo Picasso, Le Corbusier, Jack Youngerman, and Henry Moore as well as rocks with faces painted on them by Mrs Bunshaft.
When Bunshaft's widow, Nina Wayler, [1] died in 1994, the house and its artworks were willed to the Museum of Modern Art in New York, New York. The Museum stripped the house of its valuable artwork and then sold the property, without any covenants or restrictions, to Martha Stewart for $3.2 million. In the 1990s, she commissioned a renovation by Minimalist British architect John Pawson, for which interior demolition was begun [2] but the project stalled, reportedly, in part, due to a dispute with her neighbor, developer Harry Macklowe. [3] [4] Around the time that Stewart was embroiled in unrelated legal difficulties that resulted in a prison sentence, she transferred the property to her daughter, Alexis, who in turn sold it to Donald Maharam in 2004 for $9.5 million. [3] He demolished it in July 2004 for construction of a new house by his son-in-law, David Pill. [2] [5]
Villa Savoye is a modernist villa and gatelodge in Poissy, on the outskirts of Paris, France. It was designed by the Swiss-French architect Le Corbusier and his cousin Pierre Jeanneret, and built between 1928 and 1931 using reinforced concrete.
Gordon Bunshaft was an American architect, a leading proponent of modern design in the mid-twentieth century. A partner in Skidmore, Owings & Merrill (SOM), Bunshaft joined the firm in 1937 and remained with it for more than 40 years. His notable buildings include Lever House in New York, the Beinecke Rare Book and Manuscript Library at Yale University, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the National Commercial Bank in Jeddah, Saudi Arabia, 140 Broadway, and Manufacturers Hanover Trust Branch Bank in New York.
Modern architecture, also called modernist architecture, was an architectural movement and style that was prominent in the 20th century, between the earlier Art Deco and later postmodern movements. Modern architecture was based upon new and innovative technologies of construction ; the principle functionalism ; an embrace of minimalism; and a rejection of ornament.
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The year 1963 in architecture involved some significant architectural events and new buildings.
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The Florida Tropical House is a beach house located on Lake Michigan's shoreline in Beverly Shores, Indiana, US. It was built in 1933 as part of the Homes of Tomorrow Exhibition at the 1933 World's Fair in nearby Chicago. Today it is part of the Century of Progress Architectural District, a historic district.
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The Manufacturers Trust Company Building, also known as 510 Fifth Avenue, is a commercial building at the southwest corner of West 43rd Street and Fifth Avenue in Midtown Manhattan, New York City. Opened in 1954, it is the first bank building in the United States to be built in the International Style. Charles Evans Hughes III and Gordon Bunshaft of Skidmore, Owings & Merrill (SOM) designed the building, along with Roy O. Allen and project manager Patricia W. Swan. The interior was designed by Eleanor H. Le Maire, while Harry Bertoia was hired as an artist for some of the building's artwork. 510 Fifth Avenue was built as a bank for the Manufacturers Trust Company, whose president Horace C. Flanigan wanted the design to be inviting to customers.
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