Bury the Axis

Last updated
Bury The Axis
Bury-axis-344.jpg
Title screen
Directed by Lou Bunin
Animation byArthur Turkisher
Lou Bunin
Color process Cinecolor
Release date
  • February 3, 1943 (February 3, 1943)
Running time
6 minutes
CountryUnited Kingdom
LanguageEnglish

Bury the Axis a 1943 stop-motion animated short directed and animated by American Lou Bunin, a famous and successful puppeteer who had worked in Hollywood previously, was released by Paramount Pictures on February 3, 1943. It was part of a British plan to showcase the enemies of Britain as truly evil in the eyes of the public in order to continue the war effort. Kenneth Clark, as head of the Films Division of the Ministry of information that was re-established at the start of the war, argued in 1940 that the public must be convinced of German brutality, stating 'we should emphasise wherever possible the wickedness and evil perpetrated in the occupied countries' [1] [2] [3] Though very little research and historiography has been produced on Bury the Axis, it is often remembered by historians and film and animation researchers as being 'memorable' [4]

Contents

Background

During the Second World War, much propaganda was created, each with its own aim. British propaganda's intentions throughout the war varied, though focused mainly on boosting morale on the home front and increasing/maintaining a dislike for the enemies of Britain. Bury the Axis is an example of a British propaganda cartoon created to maintain a dislike for the enemy. [5]

Plot

The animation begins with a stork flying and carrying a baby wrapped in white cloth. The Stork proceeds to smell the baby and finds the smell revolting. The stork then drops the defenceless baby, who falls through a roof and lands in the floor. The building through which the baby falls have written on it 'Schicklgruber' which is the surname of Hitler's grandmother Maria Schicklgruber and the birth name of his father, Alois Hitler. Upon landing, the baby immediately draws a gun before firing it at the stork, and then transforms instantly into an adult Adolf Hitler. The narrator then stating 'and so Adolf was born'. Hitler's first action is to blow his nose into a swastika flag handkerchief to a few notes of Ride of the Valkyries.

Hitler begins goose-marching from nation to nation while singing. In this song, Hitler starts with how he overthrew democracy in Germany, joined by four goose-stepping geese, each wearing a military hat or helmet. He then sings, "Then I goose-step across the Rhine, march right through the Maginot Line," and, marching into France adds, "I hire as henchmen, Some 5th Column Frenchmen" and kicks away a goose wearing a Philippe Petain general's hat. As he continues through Holland and Norway he is accompanied by a single goose, but after marching into Russia he returns almost immediately with bandages and bruises, and no goose, saying, "I think maybe my goose was cooked in Moscow." He then whistles and Benito Mussolini appears out of a dog kennel.

Mussolini proceeds to sing a song as Hitler did, though Mussolini's is largely about being Hitler's dog, stating that 'I'm only a boarder in Hitler's new order'. Mussolini is seen wearing a Swastika.

The scene cuts to Emperor Hirohito, the Japanese Emperor at the time, who initially appears as a snake. He emerges from behind a tree singing to faux Japanese music that "A son of the sun am I, When born I was dropped from the sky," and when stating how people bow to him family, bows, revealing a blade hidden behind his back. He proceeds to lay on the ground, while kicking a bomb into the air, finishing his song with "When we bomb you on Sunday, We sorry on Monday, We only bomb people for fun."

Following the three Axis powers individual scenes, the animation then shows Hitler, Mussolini and Hirohito in a battleship of a tank, with the narrator stating "the three lugs got together"' and that "when their neighbours weren't looking, they Blitzkrieg'd em". The narrator continues to state that 'They took over all of Europe' and want to take over 'the whole world'.

The animation then cuts to a hill where the narrator predicts that the United Nations of: China, Great Britain, the Soviet Union and The United States will 'bury the axis'. Following this is a skirmish between the Allied forces and the Axis. During the skirmish, Hitler, Mussolini and Hirohito are still in the tank. Mussolini and Hirohito are the ones loading the shells and firing, while Hitler simply screams orders at the two of them. The shot that is fired simply droops out of the gun and splats onto the ground. Following this, the allies on the hill then fire a shell which has written on the side of it 'Adolf'. This shot destroys the tank and leaves the trio looking humiliated. The Allies fire off two more shots at Hitler, Hirohito and Mussolini; each one completely debilitating the trio and leaving them left in a humiliating position. The animation then ends with the still screen that reads "The End".

Cinematography

The film uses stop-motion animation in order to portray its story. This includes wax and latex models of Hitler, Mussolini and Hirohito. [6] [7]

Related Research Articles

<i>Why We Fight</i> Series of films to motivate US soldiers during World War II

Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.

<i>Der Fuehrers Face</i> 1943 Donald Duck cartoon

Der Fuehrer's Face is an American animated anti-Nazi propaganda short film produced by Walt Disney Productions, created in 1942 and released on January 1, 1943 by RKO Radio Pictures. The cartoon, which features Donald Duck in a nightmare setting working at a factory in Nazi Germany, was made in an effort to sell war bonds and is an example of American propaganda during World War II. The film was directed by Jack Kinney and written by Joe Grant and Dick Huemer. Spike Jones released a version of Oliver Wallace's theme for the short before the film was released.

<i>Education for Death</i> 1943 animated short film by Clyde Geronimi

Education for Death: The Making of the Nazi is an American animated propaganda short film produced by Walt Disney Productions and released on January 15, 1943, by RKO Radio Pictures, shown in theaters with Fighting Frontier. The film is directed by Clyde Geronimi and principally animated by Milt Kahl, Ward Kimball, Frank Thomas, and Bill Tytla. The short is based on the non-fiction book of the same name by American author Gregor Ziemer. The film features the story of Hans, a boy born and raised in Nazi Germany, his indoctrination in the Hitlerjugend, and his eventual march to war.

<span class="mw-page-title-main">Adolf Hitler in popular culture</span>

Adolf Hitler, dictator of Germany from 1933 to 1945, has been represented in popular culture ever since he became a well-known politician in Germany. His distinctive image was often parodied by his opponents. Parodies became much more prominent outside Germany during his period in power. Since the end of World War II representations of Hitler, both serious and satirical, have continued to be prominent in popular culture, sometimes generating significant controversy. In many periodicals, books, and movies, Hitler and Nazism fulfill the role of archetypal evil. This treatment is not confined to fiction but is widespread amongst nonfiction writers who have discussed him in this vein. Hitler has retained a fascination from other perspectives; among many comparable examples is an exhibition at the German Historical Museum which was widely attended.

<span class="mw-page-title-main">Gran Sasso raid</span> Rescue of Benito Mussolini by German forces

During World War II, the Gran Sasso raid on 12 September 1943 was a successful operation by German paratroopers and Waffen-SS commandos to rescue the deposed Fascist dictator Benito Mussolini from custody in the Gran Sasso d'Italia massif. The airborne operation was personally ordered by Adolf Hitler, approved by General Kurt Student and planned and executed by Major Harald Mors.

<i>She Was an Acrobats Daughter</i> 1937 film

She Was an Acrobat's Daughter is an animated short in the Merrie Melodies series, produced by Vitaphone Productions and released by Warner Bros. Pictures, Inc. on April 10, 1937. This animated short was directed by I. Freleng and produced by Leon Schlesinger. The short is currently available to stream on Max and is a part of the Ultra HD Blu-ray, Blu-ray and iTunes releases of Goodfellas as a part of a Merrie Melodies & Looney Tunes bonus features compilation.

<i>Prelude to War</i> 1942 film by Frank Capra, Anatole Litvak

Prelude to War is the first film of Frank Capra's Why We Fight film series commissioned by the Office of War Information (OWI) and George C. Marshall. It was made to educate American troops of the necessity of combating the Axis powers during World War II based on the idea that those in the service would fight more willingly and ably if they knew the background and the reason for their participation in the war. The film was later released to the general American public as a rallying cry for support of the war.

Louis Bunin was an American puppeteer, artist, and pioneer of stop-motion animation best known for his 1949 adaption of Alice in Wonderland.

<i>Tokio Jokio</i> 1943 film

Tokio Jokio is a 1943 Looney Tunes propaganda short directed by Norman McCabe. The cartoon is notorious and controversial for its racist depictions of Japanese people. This is also noted for being the final Norman McCabe cartoon.

<i>The Spirit of 43</i> 1943 Donald Duck cartoon

The Spirit of '43 is an American animated World War II propaganda film created by Walt Disney Studios and released in January 1943. The film stars Donald Duck and features writer/designer Carl Barks' prototype for the character Scrooge McDuck. It is a sequel to The New Spirit. The purpose of the film is to encourage patriotic Americans to file and pay their income taxes faithfully in order to help the war effort. The repeated theme in the film is "Taxes... To Defeat the Axis".

<i>Blitz Wolf</i> 1942 film

Blitz Wolf is a 1942 American animated propaganda short film produced and distributed by Metro-Goldwyn-Mayer. A parody of the Three Little Pigs told via a World War II perspective, the short was directed by Tex Avery and produced by Fred Quimby. It was nominated for the Academy Award for Best Short Subject: Cartoons but lost to Der Fuehrer's Face, another anti-Nazi World War II parody featuring Donald Duck.

<span class="mw-page-title-main">Axis leaders of World War II</span> Political and military figures during World War II

The Axis leaders of World War II were important political and military figures during World War II. The Axis was established with the signing of the Tripartite Pact in 1940 and pursued a strongly militarist and nationalist ideology; with a policy of anti-communism. During the early phase of the war, puppet governments were established in their occupied nations. When the war ended, many of them faced trial for war crimes. The chief leaders were Adolf Hitler of Nazi Germany, Benito Mussolini of Fascist Italy, and Hirohito of Imperial Japan. Unlike what happened with the Allies, there was never a joint meeting of the main Axis heads of government, although Mussolini and Hitler met on a regular basis.

<i>Scrap Happy Daffy</i> 1943 film by Frank Tashlin

Scrap Happy Daffy is a 1943 Warner Bros. Looney Tunes short directed by Frank Tashlin. The cartoon was released on August 21, 1943, and stars Daffy Duck.

<i>The Ducktators</i> 1942 American film

The Ducktators is a 1942 Warner Bros. Looney Tunes propaganda animated short directed by Norman McCabe. The short was released on August 1, 1942, and satirizes events of World War II. The title is a pun on dictator.

The following outline is provided as an overview of and topical guide to World War II:

Two Down and One to Go was a short propaganda film produced in 1945 directed by Frank Capra; as its title might suggest, its overall message was that the first two Axis powers, Italy and Germany, had been defeated, but that one, Japan, still had to be dealt with.

<span class="mw-page-title-main">World War II political cartoons</span>

Political cartoons produced during World War II by both Allied and Axis powers commented upon the events, personalities and politics of the war. Governments used them for propaganda and public information. Individuals expressed their own political views and preferences.

World War II changed the possibilities for animation. Prior to the war, animation was mostly seen as a form of family entertainment. The attack on Pearl Harbor was a turning point in its utility. On December 8, 1941, the United States Army began working with Walt Disney at his studio, stationing Military personnel there for the duration of the war. The Army and Disney set about making various types of films for several different audiences. Most films meant for the public included some type of propaganda, while films for the troops included training and education about a given topic.

<i>Stop That Tank!</i> 1942 Canadian film

Stop That Tank! is a 22-minute 1942 instructional film created during World War II by Walt Disney Productions for the Directorate of Military Training, The Department of National Defence and the National Film Board of Canada (NFB). Its purpose, akin to "edutainment", was to instruct Canadian soldiers in the handling and care of the Boys Mk.1 Anti-tank rifle for use in combat against Nazi tanks. The film presented information in an entertaining manner as well as providing an anti-Nazi propaganda message.

Das dumme Gänslein(The Silly Goose) is one in a trio of German animated short films produced in 1944 by Hans Fischerkoesen, who was the chief animator and author. It is a tale of a female goose consumed by adventure and urban glamour in her countryside life, who has to be saved from a cunning fox by her friends and family. The overt moral of the cartoon is to avoid an extravagant and adventurous life due to its possible unexpected consequences, but rather to lead a ‘normal’ (German) family life. Though this "There's no place like home" theme was a commonplace of 1930s and '40s animation, in this cartoon there is special emphasis, typical of Nazi propaganda, on the Völkisch ideology of conformity and conventionality, portraying individualism and sexual freedom as inherently both alien and dangerous. The cartoon suggests that divergence from traditional German life could be dire, even possibly lethal, in line with National Socialist characterizations of opponents of the regime as asocial, disloyal, and self-destructive. The film also hints at anti-Semitism through the character of the cunning fox.

References

  1. Anthony Aldgate and Jeffrey Richards, Britain can take it: the British cinema in the Second World War, p. 133, 2007, I.B.Tauris, ISBN   978-1845114459
  2. The Art of Stop-Motion Animation, Ken A. Priebe, Delmar, 2006, ISBN   978-1598632446
  3. "Bury The Axis (1943) Theatrical Cartoon". Bcdb.com. Retrieved 2016-03-02.[ dead link ]
  4. Hollywood Auction - April 2013 p. 141
  5. "Bury the Axis (1943)". IMDb.com. Archived from the original on 2023-05-23. Retrieved 2016-02-03.
  6. "Behind the Scenes of Lou Bunin's 'Bury the Axis' (1943)". Cartoon Research. Archived from the original on 2016-03-06. Retrieved 2016-03-02.
  7. Amy Bunin Kaiman. "Lou Bunin's Alice in Wonderland and Other Strange Tales". Loubunin.com. Archived from the original on March 6, 2016. Retrieved 2016-03-02.