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Bush dance is a style of dance from Australia, particularly where the music is provided by a bush band. The dances are mainly based on the traditional folk dances of the UK, Ireland and central Europe.
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Bush dance is a style of dance from Australia, particularly where the music is provided by a bush band. The dances are mainly based on the traditional folk dances of the UK, Ireland and central Europe.
Dances can be grouped by the formations of the dancers.
Alternate men and women in a circle or horse shoe (example Stockyards)
Men and women in a ballroom or similar hold arranged around the room (example Brown Jug Polka )
3 to 8 couples in two lines, ladies face the band, men face the ladies. Top couple on the band's left. If up and down the hall, ladies on band's left, top couple nearest the band (example Galopede )
Couples facing each other at right angles to the line-of-dance around the room. Usually a progressive dance, so half the dancers will progress clockwise and half anti-clockwise. Double Sicilian is 2 couples, facing 2 couples (example Cottages)
Lines of three, a man and two women or two women and a man facing a similar line. Sets arranged around the room (example Dashing White Sergeant)
Four couples arranged on the sides of a square (example Colonial’s Quadrille).
For more details refer to Quadrilles.
Tunes are mostly traditional UK and Irish tunes. UK, Irish and USA session players would know variations of most of the tunes.
Rhythms include – Reel, Jig, March, Waltz and Hornpipe.
Instruments – Fiddle, Piano, Accordion both Piano and Melodeon, Concertina; both English and Anglo, Tin whistle, Bush bass, Guitar, Banjo and all types of Percussion, including lagerphone. Electric amplified instruments, such as electric bass guitar or electric guitar have been used since the 1970s.
Bush dances are similar to American line dances or American square dances, in that all dancers know certain steps and execute them together. Partners are often changed in the course of the dance. There are many standard dances that dancers are either taught or expected to know, such as The Ninepins Quadrille (nicknamed The Drongo by The Bushwackers)in which one person is excluded from the group when they have no partner and are 'mocked' by the others. Another popular, simple, progressive dance, often used with children, is the Heel-Toe Polka (also known as the Brown Jug Polka), where partners slap their knees, hands and partners' hands.
Contra dance is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.
The waltz, meaning "to roll or revolve") is a ballroom and folk dance, normally in triple, performed primarily in closed position.
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas.
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles.
A square dance is a dance for four couples, or eight dancers in total, arranged in a square, with one couple on each side, facing the middle of the square. Square dances contain elements from numerous traditional dances and were first documented in 16th-century England, but they were also quite common in France and throughout Europe. Early square dances, particularly English country dances and French quadrilles, traveled to North America with the European settlers and developed significantly there.
The polska is a family of music and dance forms shared by the Nordic countries: called polsk in Denmark, polka or polska in Estonia, polska in Sweden and Finland, and by several different names in Norway. Norwegian variants include pols, rundom, springleik, and springar. The polska is almost always seen as a partner dance in 3
4-beat (help·info), although variants in 2
4 time, as well as in compound meters also exist.
The mazurka is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka and mazurek are often confused in Western literature as the same musical form.
The term American folk music encompasses numerous music genres, variously known as traditional music, traditional folk music, contemporary folk music, or roots music. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks."
The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina, Finland ("jenkka"), France, Italy, Norway ("reinlender"), Portugal and Brazil, Spain (chotis), Sweden, Denmark ("schottis"), Mexico, and the United States, among other nations. The schottische is considered by The Oxford Companion to Music to be a kind of slower polka, with continental-European origin.
A cèilidh or céilí is a traditional Scottish or Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves dancing and playing Gaelic folk music, either at a house party or a larger concert at a social hall or other community gathering place.
The quadrille is a dance that was fashionable in late 18th- and 19th-century Europe and its colonies. The quadrille consists of a chain of four to six contredanses. Latterly the quadrille was frequently danced to a medley of opera melodies.
Irish set dancing, sometimes called "Irish sets", is a popular form of folk dancing in Ireland danced to irish tunes in groups of eight or four dancers. It is also sometime named set dance, but this name refers more often to a kind of dance in irish stepdance.
The music of Montserrat is influenced by Irish traditions, noticeable in the set dance-like Bam-chick-lay, and the presence of fife and drum ensembles similar to the bodhrán. Natives are also witness to the jumbie dance, the style of which is still strongly African. Instruments include the ukulele and shak-shak, an African instrument made from a calabash gourd; both of these are used in traditional string bands. Calypso and spiritual-influenced vocal choirs, like the Emerald Isle Community Singers, are popular.
A bush band is a group of musicians that play Australian bush ballads. A similar bush band tradition is also found in New Zealand.
Traditional Nordic dance music is a type of traditional music or folk music that once was common in the mainland part of the Nordic countries — Scandinavia plus Finland. The person who plays this kind of music might be called speleman (Swedish/Norwegian), spelman (Swedish), spel(l)emann (Norwegian), pelimanni (Finnish) or spillemand (Danish). Finnish traditional dance music is often called pelimanni music in English, while there does not seem to exist a similar, widespread term for the corresponding music from the other countries. It is often more meaningful to distinguish between the traditional dance music from different regions than between music from the countries as such. Some concepts in the field can be defined as Norwegian or Finnish, but most are either common to all four countries or local. Besides the dance music tradition, all countries also have other traditions of folk music that are not shared to a similar extent.
Traditional square dance is a generic American term for any style of American square dance other than modern Western. The term can mean (1) any of the American regional styles that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or (2) any style that has survived, or been revived, since around 1950.
In French Caribbean culture, especially of the Lesser Antilles, the term kwadril is a Creole term referring to a folk dance derived from the quadrille.
Australian folk music is the traditional music from the large variety of immigrant cultures and those of the original Australian inhabitants.
Croatian dance traditionally refers to a series of folk-dances, the most common being the kolo.
Belarusian traditional dance is a form of stage dance known for its originality. The history of Belarus and efforts to preserve Belarusian traditions have shaped the dances in use today, which have many ancient and archaic elements. These dances started to form in the 14th century, and originated in East Slavic rites. In the middle of the 19th century, traditional folk dancing began to merge with quadrilles and polkas from Western Europe.