By the Blue Hawaiian Waters | |
---|---|
Light music by Albert Ketèlbey | |
Key | C major |
Published | 1927 |
Scoring | orchestra |
By the Blue Hawaiian Waters is a piece of light classical music for orchestra by Albert Ketèlbey. He composed the "tone-picture" in 1927. The piece was published by Bosworth the same year.
Light music is a generic term applied to "light" orchestral music, which originated in the 18th and 19th centuries and continues until the present day. Its heyday occurred during the mid‑20th century.
Albert William Ketèlbey was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works.
Some of the music of By the Blue Hawaiian Waters had been incidental music in a play Ye Gods in 1916. Ketèlbey wrote the "tone-picture" in 1927. It was probably first performed in Harrogate the same year, and published that year, also in versions with piano. [1] [2]
Incidental music is music in a play, television program, radio program, video game, film, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the "film score" or "soundtrack".
Harrogate is a spa town in North Yorkshire, England. Historically in the West Riding of Yorkshire, the town is a tourist destination and its visitor attractions include its spa waters and RHS Harlow Carr gardens. 13 miles (21 km) away from the town centre is the Yorkshire Dales national park and the Nidderdale AONB. Harrogate grew out of two smaller settlements, High Harrogate and Low Harrogate, in the 17th century. Since 2013, polls have consistently voted the town as "the happiest place to live" in Britain.
A synopsis of scenes by the composer mentions that after a short introduction and a vigorous hula dance, a lover plays his "native love-call", followed by the "Song of the Hula Girl". [2] The work is concluded by a lively dance at a betrothal ceremony. [2]
The piece in C major and common time is marked Allegretto dolce (with flowing movement). [3] The melody of the love-call is played by the clarinet. [2]
C major is a major scale based on C, with the pitches C, D, E, F, G, A, and B. C major is one of the most common key signatures used in western music. Its key signature has no flats and no sharps. Its relative minor is A minor and its parallel minor is C minor.
In 1929, it was recorded, conducted by the composer. [4] He made only minor cuts, and added a Hawaiian guitar, played by Len Fellis, "a star of many a dance band". [5] Ketèlbey replaced the clarinet by an alto saxophone for the love-call, making it "one of the earliest recordings of a standard orchestra to include a saxophone". [2] It was reissued in 2002 in a collection of his light music. [6] A review notes that the work "treads a dangerous and ultimately unsuccessfully schizophrenic path between the hula and urbane romanticism." [5]
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
A recording with Frieder Weissmann conducting the Berliner Symphoniker, possibly in March 1931, also used the saxophone and Hawaiian guitar, but additionally gong, xylophone and a men's chorus singing without words, because it was coupled with In a Chinese Temple Garden which requires the larger ensemble. [2]
A gong is an East and Southeast Asian musical percussion instrument that takes the form of a flat, circular metal disc which is hit with a mallet. The gong traces its roots back to the Bronze Age around 3500 BC. The term 'gong' traces its origins in Java and scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong later found its way into the Western World in the 18th century when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting bell was widely used in ancient Greece and Rome, for instance in the famous Oracle of Dodona, where disc gongs were also used.
The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
A men's chorus or male voice choir (MVC), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors, and high and low basses —and shortened to the letters TTBB. The term can also refer to a piece of music which is performed by such a choir.
An American in Paris is a jazz-influenced orchestral piece by American composer George Gershwin written in 1928. It was inspired by the time that Gershwin had spent in Paris and evokes the sights and energy of the French capital in the 1920s.
The clarinet is a musical-instrument family belonging to the group known as the woodwind instruments. It has a single-reed mouthpiece, a straight, cylindrical tube with an almost cylindrical bore, and a flared bell. A person who plays a clarinet is called a clarinetist.
The saxophone is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. When the player presses a key, a pad either covers a hole or lifts off a hole, lowering or raising the pitch, respectively.
Rhapsody in Blue is a 1924 musical composition by the American composer George Gershwin for solo piano and jazz band, which combines elements of classical music with jazz-influenced effects.
The music of Hawaii includes an array of traditional and popular styles, ranging from native Hawaiian folk music to modern rock and hip hop. Hawaii's musical contributions to the music of the United States are out of proportion to the state's small size. Styles like slack-key guitar are well-known worldwide, while Hawaiian-tinged music is a frequent part of Hollywood soundtracks. Hawaii also made a contribution to country music with the introduction of the steel guitar. In addition, the music which began to be played by Puerto Ricans in Hawaii in the early 1900s is called cachi cachi music, on the islands of Hawaii.
The Heart's Awakening is a song by Albert Ketèlbey, composed in 1907. It was published the same year by Novello.
The Clock and the Dresden Figures is a piece of light classical music for piano with orchestra by Albert Ketèlbey. It was composed, first performed and published in 1930.
In the Mystic Land of Egypt is a piece of light classical music for orchestra and optional voices composed by Albert Ketèlbey in 1931. The piece was published by Bosworth the same year, also in versions with piano.
In a Chinese Temple Garden is a piece of light classical music for orchestra by Albert Ketèlbey who composed it in 1923. Subtitled an Oriental Phantasy, it illustrates a priestly incantation, two lovers, a wedding procession, a street brawl and the restoration of calm by the beating of the temple gong. The piece was published by Bosworth in 1923, also in versions with piano and violin.
In a Persian Market is a piece of light classical music for orchestra with optional chorus by Albert Ketèlbey who composed it in 1920. Subtitled Intermezzo Scene, it was published by Bosworth in 1921. It evokes exotic images of camel-drivers, jugglers, and snake-charmers. When it was first published in a version for piano, it was advertised as an "educational novelty".
Robert Drasnin was an American composer and clarinet player.
Donald Henry Kay AM is an Australian classical composer.
In a Monastery Garden is a piece of light classical music by Albert Ketèlbey who composed it in 1915 after a visit to a real monastery garden. It was especially successful when performed by Ronnie Ronalde who often performed it as his finale and sold over a million recordings.
The Watermill is a piece of music which was written by Ronald Binge in 1958. The piece was also used in the British comedy film "Our Girl Friday" released in 1958, occasionally with Hawaiian guitar added, and later used as the theme music for a BBC television adaptation of The Secret Garden.
Bells Across the Meadows is a piece of light classical music by Albert Ketèlbey. It was published in 1921 for both orchestra and piano, and first recorded by the composer a year later. Ketèlbey called the piece a "characteristic intermezzo". In 2003 it was selected in the final poll by the BBC radio programme Your Hundred Best Tunes and voted the 36th most popular classical tune of all time.
Jesse Kaleihia Andre Kalima was born in Honolulu on October 31, 1920, at a time when the ukulele was just becoming recognized for its capability to be played as a solo instrument.
This is a summary of 1927 in music in the United Kingdom.
Jason Alder is an American-born clarinetist, bass clarinetist, and saxophonist. He is best known for his work in contemporary music, free improvisation, and electro-acoustic music.