In film production, a C-stand (or Century stand) [1] [2] is primarily used to position light modifiers, such as silks, nets, or flags, in front of light sources. [3] The stand is constructed of metal and consists of a collapsible base, two riser columns, and a baby pin on top. In addition, a C-stand typically includes a gobo head and a gobo arm, also known as a grip head and grip arm, [4] which provide the ability to articulate a light modifier without moving the stand itself. The legs of C stands are designed to be nested, so many stands can be placed around a light source.
A secondary use of C-stands is to position smaller light fixtures. [5] A typical use would be to offset a backlight from the stand column, so that the stand itself can be placed out of shot, while the backlight hovers somewhere above the top edge of frame. In recent years, C-stands have found a new use, supporting the brackets used for balancing Steadicam (and similar) camera sleds.
These popular stands are available in many different configurations, lengths and finishes. The unique staggered leg design allows C-Stands to be nested and therefore be placed extremely close to one another on set. The lower leg can also be slid under many objects. The C+ offers a removable base for the risers known as a "turtle", providing an even lower base for positioning as well as making disassembly for travel simple and easy. The sliding leg allows for use on stairs, off curbs and even as high as a desk or countertop. [6]
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The term C-stand comes from the early history of lighting equipment. The C-Stand, or century stand, was named for the company that first produced bespoke lighting gear for live theater and filmmaking: Century Lighting based in New York City, which later became Century Strand and eventually Strand Lighting. [7] In later years, studios, grips and gaffers began to manufacture the earliest versions of what we now call C-Stands. The original C-Stands had welded bases that did not fold up or adjust but the fact that they easily nested together made them invaluable on the stage. [8] Today, the term C-stand is a popular name for the grip stand made by Matthews Studio Equipment, Inc. and has been copied by other manufacturers. [9] [10] [11] C-stands are an important component in the image maker's arsenal of tools.
In 1974, Matthews Studio Equipment introduced the industry's first folding base C-Stand. Matthews produces a wide range of C-Stands and related accessories to assist the motion picture, television and photographic professional in lighting and lighting modification support. [6]
Using a C-stand safely is a matter of proper technique, and on the job training. When setting and tightening a grip arm, flag or other equipment in the grip head, it is crucial that the gear be set to one side of the grip head such that the weight causes the locking knob to tighten clockwise, or "righty tighty". [5] [4] Failure to follow this rule will cause the weight to slowly loosen the head, eventually dropping the gear altogether.
Since a stand is used to hold a piece of gear high above or far off to the side, the base of the stand must be weighed down, commonly with shotbags, sometimes with sandbags. The bag is slung over the top of the tall stand leg so the weight is fully on the stand and not the ground. [4] [5]
A C-stand is sometimes referred to as a "grip stand". The Grip department always—and sometimes the electrical department—carries C stands for use with lights that don't mount onto baby or junior stands, such as kinos.
A "baby C-stand" is only 20 inches at its shortest height. [12] It is nicknamed a "Gary Coleman" or a "Billy Barty" stand in the US. In the UK a short flag stand with stubby legs is called a "shotgun" flag stand (a reference to the stand having been "sawn off").
A C-stand with a removable base is called a C+ stand. The removable base is referred to as a turtle base. The opening at the top of the turtle base is a junior receiver. Turtle bases are great for setting up a light very low to the ground. [5]
A C-stand with an upper most leg which is moveable on the vertical axis is called a Stair Leg C-stand or a Sliding Leg C-Stand, as the unit can be placed on a stairway. Also called a Rocky Mountain Leg. [4] [13]
A Punky C-Stand is a 20" C-Stand with a smaller base and footprint than the standard 20" size. [14]
C-Stands come in multiple sizes: 20", 30", 40", and 60" - the most common sizes are 20" and 40". They may be chrome or black.
Fencing is a combat sport that features sword fighting. The three disciplines of modern fencing are the foil, the épée, and the sabre ; each discipline uses a different kind of blade, which shares the same name, and employs its own rules. Most competitive fencers specialise in one discipline. The modern sport gained prominence near the end of the 19th century and is based on the traditional skill set of swordsmanship. The Italian school altered the historical European martial art of classical fencing, and the French school later refined that system. Scoring points in a fencing competition is done by making contact with an opponent.
The film industry is built upon many technologies and techniques, drawing upon photography, stagecraft, music, and many other disciplines. Following is an index of specific terminology applicable thereto.
Stage lighting is the craft of lighting as it applies to the production of theater, dance, opera, and other performance arts. Several different types of stage lighting instruments are used in this discipline. In addition to basic lighting, modern stage lighting can also include special effects, such as lasers and fog machines. People who work on stage lighting are commonly referred to as lighting technicians or lighting designers.
A stand-in, sometimes a lighting double, for film and television is a person who substitutes for the actor before filming, for technical purposes such as lighting and camera setup. Stand-ins are helpful in the initial processes of film and television production.
A flash is a device used in photography that produces a brief burst of light at a color temperature of about 5500 K to help illuminate a scene. The main purpose of a flash is to illuminate a dark scene. Other uses are capturing quickly moving objects or changing the quality of light. Flash refers either to the flash of light itself or to the electronic flash unit discharging the light. Most current flash units are electronic, having evolved from single-use flashbulbs and flammable powders. Modern cameras often activate flash units automatically.
Glossary of climbing terms relates to rock climbing, mountaineering, and to ice climbing.
A key grip is a senior role on movie sets, involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the camera and collaborating with the director of photography. The key grip relies on the best boy as their foreperson to supervise the grip crew.
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography.
Grips' responsibility is to build and maintain all the equipment that supports cameras. This equipment, which includes tripods, dollies, tracks, jibs, cranes, and static rigs, is constructed of delicate yet heavy duty parts requiring a high level of experience to operate and move. Every scene in a feature film is shot using one or more cameras, each mounted on highly complex, extremely expensive, heavy duty equipment. Grips assemble this equipment according to meticulous specifications and push, pull, mount or hang it from a variety of settings. The equipment can be as basic as a tripod standing on a studio floor, to hazardous operations such as mounting a camera on a 100 ft crane, or hanging it from a helicopter swooping above a mountain range.
Good Grips perform a crucial role in ensuring that the artifice of film is maintained, and that camera moves are as seamless as possible. Grips are usually requested by the DoP or the camera operator. Although the work is physically demanding and the hours are long, the work can be very rewarding. Many Grips work on both commercials and features.
A lighting control console is an electronic device used in theatrical lighting design to control multiple stage lights at once. They are used throughout the entertainment industry and are normally placed at the front of house (FOH) position or in a control booth.
A gobo is an object placed inside or in front of a light source to control the shape of the emitted light and its shadow.
Ellipsoidal reflector spot is the name for a type of stage lighting instrument, named for the ellipsoidal reflector used to collect and direct the light through a barrel that contains a lens or lens train. The optics of an ERS instrument are roughly similar to those of a 35 mm slide projector.
Intelligent lighting refers to lighting that has automated or mechanical abilities beyond those of conventional, stationary illumination. Although the most advanced intelligent lights can produce extraordinarily complex effects, the intelligence lies with the human lighting designer, control system programmer, or the lighting operator, rather than the fixture itself. For this reason, intelligent lighting (ILS) is also known as automated lighting, moving lights, moving heads, or simply movers.
Stage lighting instruments are used in stage lighting to illuminate theatrical productions, concerts, and other performances taking place in live performance venues. They are also used to light television studios and sound stages.
Portrait photography, or portraiture, is a type of photography aimed toward capturing the personality of a person or group of people by using effective lighting, backdrops, and poses. A portrait photograph may be artistic or clinical. Frequently, portraits are commissioned for special occasions, such as weddings, school events, or commercial purposes. Portraits can serve many purposes, ranging from usage on a personal web site to display in the lobby of a business.
Manfrotto is an Italian brand of camera and lighting supports, including tripods, monopods, and other accessories, that is manufactured by Lino Manfrotto + Co. Spa, a company headquartered in Cassola, Italy. The brand is wholly-owned by Videndum plc.
In film and television crews, the gaffer or chief lighting technician is the head electrician, responsible for the execution of the lighting plan for a production. The gaffer's assistant is the best boy electric.
Vari-Lite is a brand of automated, variable-colour stage lighting systems. Their intelligent lighting fixtures are commonly used in theatre, concerts, television, film and corporate events.
Videndum plc is a manufacturer of hardware and software for the film industry founded in 1910 and based in Richmond, London. It is listed on the London Stock Exchange.
Stage lighting accessories are components manufactured for conventional (non-automated) stage lighting instruments. Most conventional fixtures are designed to accept a number of different accessories designed to assist in the modification of the output. These accessories are intended to either provide relatively common functionality not originally provided in a fixture, or to extend the versatility of a lighting instrument by introducing features. Other accessories have been designed to overcome limitations or difficulties some fixtures present in specific applications.