The CP-16, CP-16A, CP-16R, CP-16R/A and CP-16R/DS cameras are 16mm motion picture cameras manufactured by the Cinema Products Corporation of Hollywood, California. A range of cameras of Auricon ancestry. They were primarily intended for television news filming and were quite popular with local and national news agencies before the advent of portable videotape Electronic News Gathering, (ENG) formats, as well as documentary and drama production.
They featured a compact magnesium alloy body, a crystal locked drive system, interchangeable lenses, and a magnetic audio system with a built in mixer that recorded onto special pre-striped (and now discontinued) 16mm single-perf negative or reversal film. It accepted both Mitchell and Cinema Products 400 foot film magazines.
The CP-16 series used a special 12-120mm Angenieux zoom lens with a prismatic viewfinder. The CP-16 used a variety of Angenieux lenses, a favorite among television news photographers was the 9.5 - 57mm zoom with a F1.6-2.2 aperture making it a very versatile camera; an operator could quite literally shoot an interview in a closet. The CP-16R series used a spinning mirror shutter.
CP-16: non-reflex 180° shutter,'C' lens mount, SEPMAG or COMMAG. CP-16/A: as above but with integral automatic COMMAG amplifier. CP-16R: 156° shutter reflex, CP (miniature BNCR) lens mount, SEPMAG or COMMAG with amplifier separate from camera. Later type has 170° focal plane shutter plus mirror reflex. CP-16R/A: as CP-16R but with integral COMMAG amplifier. CP-16R/ADS: as CP-16R but for SEPMAG (double system) sound only.
CP 16s are still often used in small productions and in film schools. Many of these cameras were donated or sold off when news crews adopted videotape.
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured.
A camera is an optical instrument that captures a visual image. At a basic level, cameras consist of sealed boxes, with a small hole that allows light through to capture an image on a light-sensitive surface. Cameras have various mechanisms to control how the light falls onto the light-sensitive surface. Lenses focus the light entering the camera. The aperture can be narrowed or widened. A shutter mechanism determines the amount of time the photosensitive surface is exposed to light.
Minolta Co., Ltd. was a Japanese manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten. It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima".
A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.
Contax began as a camera model in the Zeiss Ikon line in 1932, and later became a brand name. The early cameras were among the finest in the world, typically featuring high quality Zeiss interchangeable lenses. The final products under the Contax name were a line of 35 mm, medium format, and digital cameras engineered and manufactured by Japanese multinational Kyocera, and featuring modern Zeiss optics. In 2005, Kyocera announced that it would no longer produce Contax cameras. The rights to the brand are currently part of Carl Zeiss AG, but no Contax cameras are currently in production, and the brand is considered dormant.
Cinema Products Corporation was an American manufacturer of motion picture camera equipment.
Maison Brandt Frères, Charenton-le-Pont is a French manufacturer of motion picture cameras especially well known for its Super 8 and 16mm hand-held cameras, founded by Marcel Beaulieu. Marcel Beaulieu had earlier been associated with GIC cameras introduced in 1950. The company's first cameras were introduced in the early 1950s. Later they produced their first Super 8 model the 2008 S Beaulieu, introduced in 1965. Though they no longer actively produce new cameras, the company still services and repairs existing Beaulieu cameras.
The history of the single-lens reflex camera (SLR) begins with the use of a reflex mirror in a camera obscura described in 1676, but it took a long time for the design to succeed for photographic cameras. The first patent was granted in 1861, and the first cameras were produced in 1884, but while elegantly simple in concept, they were very complex in practice. One by one these complexities were overcome as optical and mechanical technology advanced, and in the 1960s the SLR camera became the preferred design for many high-end camera formats.
Alpa was formerly a Swiss camera design company and manufacturer of 35 mm SLR cameras. The current owners bought the company name after bankruptcy of the original company and the company exists today as a designer and manufacturer of high-end medium-format cameras.
Nikonos is the brand name of a series of 35mm format cameras specifically designed for underwater photography launched by Nikon in 1963. The early Nikonos cameras were improvements of the Calypso camera, which was an original design by Jacques-Yves Cousteau and Belgian engineer Jean de Wouters. It was produced in France by La Spirotechnique until the design was acquired by Nikon to become the Nikonos. The Nikonos system was immensely popular with both amateur and professional underwater photographers. Its compact design, ease of use, and excellent optical quality set the standard for several decades of underwater imaging. Nikon ceased development and manufacture of new Nikonos cameras in 2001, but the camera remains popular, and there is a large and active secondary market.
BNCR is a lens mount developed by Mitchell for use with their REFLEX 35 mm movie cameras. It was an update of the BNC mount done to accommodate the reflex viewer in the later cameras. BNC mount lenses cannot be used in reflex Mitchell cameras as their shorter back-focus will hit and damage the reflex viewer, which, in various versions, was a pellicle mirror or a rotating mirror. The abbreviation stands for "Blimped Newsreel Camera Reflex", which meant that it is a 35 mm camera originally intended for news reporting but included a blimp housing for sound stage shooting plus a reflex viewer to allow the camera operator to view the action through the lens while filming. The reflex option was only added in 1967, while the blimp option was available at the camera's introduction in 1934, but only a few BNC examples were made before the onset of WW-II, during which manufacture of "production" cameras was suspended.
The Beaulieu 5008 S is a Super 8 mm film dual-speed professional camera. This camera was released by the Beaulieu (company). It was first launched in February 1974. The primary component that set this camera apart from other Super 8mm cameras of the era was that it was made with a unique SLR function and interchangeable Schneider Kreuznach and Angenieux zoom lens.
The Minolta A-mount camera system was a line of photographic equipment from Minolta introduced in 1985 with the world's first integrated autofocus system in the camera body with interchangeable lenses. The system used a lens mount called A-mount, with a flange focal distance 44.50 mm, one millimeter longer, 43.5 mm, than the previous SR mount from 1958. The new mount was wider, 49.7 mm vs. 44.97 mm, than the older SR-mount and had a longer flange focal distance making old manual lenses incompatible with the new system. Minolta bought the autofocus technology of Leica Correfot camera which was partly used on the a-mount autofocus technology. The mount is now used by Sony, who bought the SLR camera division from Konica Minolta, Konica and Minolta having merged a few years before.
Originally produced by Minolta, and until recently, produced by Sony, the AF Reflex 500mm f/8 is a catadioptric photographic lens compatible with cameras using the Minolta A-mount and Sony A-mount lens mounts.
The Arriflex 35, released by Arri in 1937, was the first reflex 35mm production motion picture camera.
The Pentax ME F was an amateur level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Asahi Optical Co., Ltd. of Japan from November 1981 to 1984. The ME F was a heavily modified version of the Pentax ME-Super, and a member of the Pentax M-series family of SLRs. It was the first mass-produced SLR camera to come with an autofocus system.
Pierre Angénieux was a French engineer and optician, one of the inventors of the modern zoom lenses, and famous for introducing the Angénieux retrofocus.
Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film as the image is photographed on, thus eliminating the need for a separate audio recorder. The camera preceded ENG video cameras as the main AV tool of television news gathering due to its portability–and relatively quick production turn-around–where processed negative film image could be broadcast by electronically creating a positive image. Additionally, the Auricon found studio use as a 'kinescope' camera of live video off of a TV screen, but only on early pre-NTSC line-locked monochrome systems.
This article discusses the cameras – mainly 35 mm SLRs – manufactured by Pentax Ricoh Imaging Corp. and its predecessors, Pentax Corporation and Asahi Optical Co., Ltd.. Pentax must not be confused with Pentax 6x7 or Pentax 67 which are 120 medium format 6x7cm film cameras.
The Pentax 645 is a medium format single-lens reflex system camera manufactured by Pentax. It was introduced in 1984, along with a complementary line of lenses. It captures images nominally 6 cm × 4.5 cm on 120, 220, and 70 mm film, though the actual size of the images is 56 mm × 41.5 mm.