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In poetry, metre or meter is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody.
Poetry, also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle.
Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern.
In prosody, alliterative verse is a form of verse that uses alliteration as the principle ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, and the Alliterative Morte Arthur all use alliterative verse.
Piphilology comprises the creation and use of mnemonic techniques to remember many digits of the mathematical constant π. The word is a play on the word "pi" itself and of the linguistic field of philology.
SciFaiku is a form of science fiction poetry first announced by Tom Brinck with his treatise on the subject, The SciFaiku Manifesto. Brinck has been referred to as the "Father of SciFaiku." SciFaiku is inspired by Japanese haiku, but explores science, science fiction (SF), and other speculative fiction themes, such as fantasy and horror. They are based on the principles and form of haiku but can deviate from its structure.
A Fibonacci word is a specific sequence of binary digits. The Fibonacci word is formed by repeated concatenation in the same way that the Fibonacci numbers are formed by repeated addition.
"Cadaeic Cadenza" is a 1996 short story by Mike Keith. It is an example of constrained writing, a story with restrictions on how it can be written. It is also one of the most prodigious examples of piphilology, being written in "pilish". The word "cadaeic" is the alphabetical equivalent of 3.141593, the first six decimal digits of pi when rounded, where each digit is replaced by the Nth letter of the alphabet; a cadenza is a solo passage in music.
This is a glossary of poetry.
Fib is an experimental Western poetry form, bearing similarities to haiku, but based on the Fibonacci sequence. That is, the typical fib and one version of the contemporary Western haiku both follow a strict structure. The typical fib is a six line, 20 syllable poem with a syllable count by line of 1/1/2/3/5/8 - with as many syllables per line as the line's corresponding place in the Fibonacci sequence; the specific form of contemporary Western haiku uses three lines of no more than 17 syllables in total. The only restriction on a Fib is that the syllable count follow the Fibonacci sequence. An example of a typical fib:
One
Small,
Precise,
Poetic,
Spiraling mixture:Math plus poetry yields the Fib.
Michael Keith is an American mathematician, software engineer, and author of works of constrained writing.
In mathematics, the Fibonacci numbers form a sequence defined recursively by:
A line is a unit of language into which a poem or play is divided. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences. Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally. A line break is the termination of the line of a poem and the beginning of a new line.
In mathematics, the Young–Fibonacci graph and Young–Fibonacci lattice, named after Alfred Young and Leonardo Fibonacci, are two closely related structures involving sequences of the digits 1 and 2. Any digit sequence of this type can be assigned a rank, the sum of its digits: for instance, the rank of 11212 is 1 + 1 + 2 + 1 + 2 = 7. As was already known in ancient India, the number of sequences with a given rank is a Fibonacci number. The Young–Fibonacci lattice is an infinite modular lattice having these digit sequences as its elements, compatible with this rank structure. The Young–Fibonacci graph is the graph of this lattice, and has a vertex for each digit sequence. As the graph of a modular lattice, it is a modular graph.
ʿArūḍ is the study of poetic meters, which identifies the meter of a poem and determines whether the meter is sound or broken in lines of the poem. It is often called the Science of Poetry. Its laws were laid down by Al-Khalīl ibn Aḥmad al-Farāhīdī, an early Arab lexicographer and philologist. In his book Al-ʿArḍ, which is no longer extant, he described 15 types of meter. Later Al-Akhfash al-Akbar described a 16th meter, the mutadārik.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines", and "five syllables each line for eight lines." More recently there have been new poetry and free poetry.
Pilish is a style of constrained writing in which the lengths of consecutive words or sentences match the digits of the number π (pi). The shortest example is any three-letter word, such as "pie", but many longer examples have been constructed, including sentences, poems, and stories.
Regulated verse – also known as Jintishi – is a development within Classical Chinese poetry of the shi main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality. There are three types of regulated verse: the eight-lined lüshi, the four-lined jueju, and the linked couplets of indeterminate length pailu. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled. Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang dynasty, the "Shen-Song" team of Shen Quanqi and Song Zhiwen greatly contributed to the development of this Classical Chinese verse form.
Metrical poetry in Sanskrit is called Chhandas or Chhandas and. The term Chandas means "pleasing, alluring, lovely, delightful or charming", and is based on the root chad which means "esteemed to please, to seem good, feel pleasant and/or something that nourishes, gratifies or is celebrated". Chandas refers to the Vedas themselves. Lord Krishna refers to the Vedas as leaves of the tree of creation. Vedas being in verse-form (Chandas), also came to be known as Chandas. The term also refers to "any metrical part of the Vedas or other composition". Prose and poetry follows the rules of Chhandas to design the structural features of 'poetry'. Chhandas is a definable aspect of many definable and indefinable aspects of poetry. Chhandas generates rhythm to the literature when the rules are properly followed. Rhythm is important to literature as a preliminary attraction.
The Fibonacci word fractal is a fractal curve defined on the plane from the Fibonacci word.
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