Calabash (percussion)

Last updated
Calabash
Festival du Bout du Monde 2017 - Sona Jobarteh - 001.jpg
Percussionist (Mamadou Sarr) playing the Calabash with the bare hand technique
Percussion instrument
Classification percussion
Hornbostel–Sachs classification 111.3

In African music, the calabash is a percussion instrument of the family of idiophones consisting of a half of a large calabash gourd, which is struck with the palms, fingers, wrist or objects to produce a variety of percussive sounds. [1]

In Tuareg music, the askalabo [2] is a calabash "partly submerged in water, drummed to mimic camels' hooves". [3]

The calabash can also be used as a sound board: a finger piano (a flat board with a bridge on which prongs are fastened, that are then played with the fingers) can use a calabash for that purpose, [1] and the gongoma is a similar instrument, using saw blades on a bridge affixed over the calabash—the blades are plucked with the fingers, while the player taps the calabash with their other hand. [4]

A calabash can also be used as a resonator, in the case of the umakhweyane, a middle-braced calabash bow. [5]

Percussionists playing Calabash with both fists and fingers Horizonte 2014 So 0941.JPG
Percussionists playing Calabash with both fists and fingers

Related Research Articles

<span class="mw-page-title-main">Cymbal</span> Unpitched percussion instrument

A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note. Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist.

<span class="mw-page-title-main">Double bass</span> Bowed string instrument

The double bass, also known amongst other names as upright bass for distinguishing purposes, or simply as the bass, is the largest and, therefore, lowest-pitched chordophone in the modern symphony orchestra. Similar in structure to the cello, it has four, although occasionally five, strings.

<span class="mw-page-title-main">Percussion instrument</span> Type of musical instrument that produces a sound by being hit

A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and cordophone.

<span class="mw-page-title-main">String instrument</span> Class of musical instruments with vibrating strings

String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.

<span class="mw-page-title-main">Vibraphone</span> Mallet percussion instrument

The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a vibraphonist,vibraharpist, or vibist.

<span class="mw-page-title-main">Mbira</span> African musical instrument of the lamellophone family

Mbira are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs, the right forefinger, and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020.

A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification.

<span class="mw-page-title-main">Aerophone</span> Musical instruments that are played by vibration of air

An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.

<span class="mw-page-title-main">Musical bow</span> Simple string musical instrument

The musical bow is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use.

<span class="mw-page-title-main">Claves</span> Musical instrument

Claves are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters long and about 2.5 centimeters in diameter. Although traditionally made of wood many modern manufacturers offer claves made of fiberglass or plastic.

<span class="mw-page-title-main">Berimbau</span> Type of musical bow from Brazil

The berimbau is a traditional Angolan musical bow that is commonly used in Brazil.

<span class="mw-page-title-main">Music of West Africa</span> Music genre

The music of West Africa has a significant history, and its varied sounds reflect the wide range of influences from the area's regions and historical periods.

<span class="mw-page-title-main">Udu</span> Musical instrument of the Igbo of Nigeria

The udu is a plosive aerophone and an idiophone of the Igbo of Nigeria. In the Igbo language, ùdù means 'vessel'. Actually being a water jug with an additional hole, it was played by Igbo women for ceremonial uses. Usually the udu is made of clay, but it also can be made out of plastic or glass. The instrument is played by hand. The player produces a bass sound by quickly hitting the big hole. There are many ways that the pitches can be changed, depending on how the hand above the small upper hole is positioned. Furthermore, the whole corpus can be played by fingers. Today it is widely used by percussionists in different music styles.

<span class="mw-page-title-main">Goje</span>

The goje is one of the many names for a variety of one or one-stringed fiddles from West Africa, played by groups such as the Yoruba in “Sakara music” and west African groups that inhabit the Sahel. Snakeskin or lizard skin covers a gourd bowl, and a horsehair string is suspended on bridge. The goje is played with a bowstring.

<span class="mw-page-title-main">Experimental musical instrument</span> Musical instrument that modifies an existing class of instruments

An experimental musical instrument is a musical instrument that modifies or extends an existing instrument or class of instruments, or defines or creates a new class of instrument. Some are created through simple modifications, such as cracked cymbals or metal objects inserted between piano strings in a prepared piano. Some experimental instruments are created from household items like a homemade mute for brass instruments such as bathtub plugs. Other experimental instruments are created from electronic spare parts, or by mixing acoustic instruments with electric components.

<span class="mw-page-title-main">Ogene</span> Igbo music style

Ogene is a style of Igbo music consisting of, and taking its name from, the ogene instrument, which is a large metal bell. The Ogene instrument has historically been made by the Igbo people of Nigeria. It is one of the most important metal instruments of the people.

String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki, Witold Lutosławski, George Crumb, and Helmut Lachenmann.

Ahardin is a musical bow played by southern Tuaregs consists of a curved branch held with a twisted rope of raw leather or bark of acacia. Serving as a sound box, a reversed calabash is placed on the curved part of the bow on the ground. To hold the whole, the player presses her knee on the container. With the fingers of the left hand, as with the imzad, she defines the melody, while with the thumb and forefinger of the right hand, she grip the string with a regular gesture vibrate. At present, the ahardin, an instrument whose manufacture is easily improvised, is considered above all as a game of girls.

The Uhadi, a musical bow, is a traditional Southern African Xhosa musical instrument. It is a large unembraced musical bow which is attached to a resonator and played by percussion. The length of the string bow ranges from 115 to 130 centimeters. Similar musical bows in Southern Africa include the ‘’thomo’’ in Sotho music and the ‘’ugubhu’’ in Zulu music.

References

  1. 1 2 Nzewi, Odyke; Nzewi, Meki (2007). A Contemporary Study of Musical Arts: Theory and practice of modern African classical drum music. A Contemporary Study of Musical Arts: Informed by African Indigenous Knowledge Systems. Vol. 5. African Minds. pp. 1, 4. ISBN   9781920051686.
  2. Peek, Philip M.; Yankah, Kwesi, eds. (2004). African Folklore: An Encyclopedia. Routledge. ISBN   9781135948726.
  3. Davies, Sam (1 August 2019). "'My father said I should be looking after the cows': the first female Tuareg guitarist". The Guardian . Retrieved 6 August 2019.
  4. Kalani; Camara, Ryan M. World Rhythms! Arts Program presents West African Drum & Dance: A Yankadi-Macrou Celebration. Alfred Music. p. 38. ISBN   9781457422331.
  5. Dargie, Dave (2007). "Umakhweyane': A Musical Bow and Its Contribution to Zulu Music". African Music. 8 (1): 60–81 via JSTOR.