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| String instrument | |
|---|---|
| Other names | Lira Calabrese, Lira |
| Classification | Necked bowl lutes |
| Hornbostel–Sachs classification | 321.321-71 (Necked bowl lute sounded by a bow) |
| Related instruments | |
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The Calabrian lira (Italian : lira Calabrese) is a traditional musical instrument characteristic of some areas of Calabria, a region in southern Italy.
The lira of Calabria is a bowed string instrument with three strings. Like most bowed lyras, it is played upright, usually supported on the knee, held with the left hand touching the strings with the nails laterally, while the right hand moves the bow. The repertory of the lira includes accompaniment songs (e.g. serenades and songs of anger) and songs suitable for dancing (tarantellas). The repertory of this traditional instrument is known only through records of older players, or people who have known them. On the other hand, in recent years an increased interest around this instrument has led to its use by music groups of traditional music and to the appearance of new manufacturers in different parts of Calabria.
The Calabrian lira is closely related to the bowed lyra (Greek: λύρα) of the Byzantine Empire. The Persian geographer of the 9th century Ibn Khurradadhbih (died 911) was the first to cite the Byzantine lyra, as a typical bowed instrument of the Byzantines (Margaret J. Kartomi, 1990). Similar bowed instruments descendants of the Byzantine lyra have continued to be played in many post-Byzantine regions until the present day with small changes: the gadulka in Bulgaria, the lyra of Crete and the Dodecanese in Greece, the lyra of Pontos and the classical kemenche (Turkish:Armudî kemençe, Greek:Πολίτικη Λύρα ~ Politiki lira) in Turkey. The Byzantine lyra spread westward to Europe, with uncertain evolution; authors in the 11th and 12th centuries use the words fiddle and lyra interchangeably (Encyclopædia Britannica. 2009).
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
The lyre is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute in which the strings are attached to a yoke that lies in the same plane as the sound table, and consists of two arms and a crossbar.
The rebec is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings.
The gadulka is a traditional Bulgarian bowed string instrument. Alternate spellings are "gǎdulka", "gudulka" and "g'dulka". Its name comes from a root meaning "to make noise, hum or buzz". The gadulka is an integral part of Bulgarian traditional instrumental ensembles, commonly played in the context of dance music.
Lira is the unit of currency of various countries.
The music of Crete, also called kritika (κρητικά), refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music, a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres.
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound.
The lijerica is a musical instrument from the Croatian region of Dalmatia and Croat parts of eastern Herzegovina. It is a pear-shaped, three-stringed instrument which is played with a bow. It is played to accompany the traditional linđo dance from the region. The lijerica's name comes from the lyra, the bowed instrument of the Byzantine Empire which it probably evolved from.
The rebab is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Middle East, Central Asia, Southeast Asia, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments.
Kemenche or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Greece, Armenia, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name Kemenche derives from the Persian Kamancheh, meaning a "small bow".
Lyra is a constellation.
Greek traditional music includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences.
The violin, viola and cello were first built in the early 16th century, in Italy. The earliest evidence for their existence is in paintings by Gaudenzio Ferrari from the 1530s, though Ferrari's instruments had only three strings. The Académie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of the violin family much as we know it today.
The music of Calabria is part of the Italian musical tradition. Like other regions in southern Italy, Calabria for many centuries was an integral part of the kingdom of Naples, and, as with other regions, the musical life tended to be overshadowed by the important activities in the capital city to the north—the conservatories there, the composers, the vast amount of music performed in churches. Yet, modern Calabria has developed a vibrant musical life based on its history and, as well, a dedication to building new musical and theatrical facilities, many of which are of the type termed polivalenti in Italian—that is, multi-purpose.
The lira, or relia, is a Ukrainian variant of the hurdy-gurdy, an instrument which can trace its history back to the 10th century. Regarding the origins of the lira in the region there are two schools of thought:
The Byzantine lyra or lira was a medieval bowed string musical instrument in the Byzantine Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with the fingertips and fingernails. The oldest known depiction of the instrument is on a Byzantine ivory casket, dated to circa 900–1100 AD, preserved in the Bargello in Florence. Modern variants of the lyra are still played throughout the Balkans and in areas surrounding the Black Sea, including Greece, Crete, Karpathos, Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia, Italy, Turkey and Armenia.
The Cretan lyra is a Greek pear-shaped, three-stringed bowed musical instrument, central to the traditional music of Crete and other islands in the Dodecanese and the Aegean Archipelago, in Greece. The Cretan lyra is considered to be the most popular surviving form of the medieval Byzantine lyra, an ancestor of most European bowed instruments.
The Kemençe of the Black Sea is a Greek and Turkish traditional musical instrument. It belongs to the category of stringed bowed musical instruments. It has three strings, usually tuned to perfect fourths, usually tuned B-E-A. It is the pre-eminent musical folk instrument of the Greeks of Pontus. It seems to have been invented during the Byzantine years, between the 11th and 12th centuries. The instrument is made of different types of wood.
The classicalkemenche, Armudî kemençe or Politiki lyra is a pear-shaped bowed instrument that derived from the medieval Greek Byzantine lyre.
Yoke lutes, commonly called lyres, are a class of string instruments, subfamily of lutes, indicated with the code 321.2 in the Hornbostel–Sachs classification.