Calamus (poems)

Last updated

The "Calamus" poems are a cluster of poems in Leaves of Grass by Walt Whitman. These poems celebrate and promote "the manly love of comrades". Most critics believe [1] [2] [3] that these poems are Whitman's clearest expressions in print of his ideas about homoerotic male love.

Contents

Genesis and "Live Oak With Moss"

The first evidence of the poems that were to become the "Calamus" cluster is an unpublished manuscript sequence of twelve poems entitled "Live Oak With Moss," written in or before spring 1859. [4] These poems were all incorporated in Whitman's 1860 edition of Leaves of Grass, but out of their original sequence. These poems seem to recount the story of a relationship between the speaker of the poems and a male lover. Even in Whitman's intimate writing style, these poems, read in their original sequence, seem unusually personal and candid in their disclosure of love and disappointment, and this manuscript has become central to arguments about Whitman's homoeroticism or homosexuality. This sequence was not known in its original manuscript order until a 1953 article by Fredson Bowers. [5]

"Calamus" sequence

In the 1860 third edition of Leaves of Grass, Whitman included the twelve "Live Oak" poems along with others to form a sequence of 45 untitled numbered poems. This sequence as written celebrates many aspects of "comradeship" or "adhesive love," Whitman's term, borrowed from phrenology to describe male same-sex attraction. [6] This attraction is presented in its political, spiritual, metaphysical, and personal phases—Whitman offering it as the backbone of future nations, the root of religious sentiments, the solution to the big questions of life, and as a source of personal anguish and joy.

The 1860 edition contains three poems that Whitman later edited out of the sequence, including the very personal Calamus 8, "Long I thought that knowledge alone would suffice me," and Calamus 9, "Hours continuing long, sore and heavy-hearted." Whitman's constant editing of his works meant that many of the other poems changed and shifted position in the editions that appeared during his lifetime. By the 1881–82 edition, the number of poems had been reduced to 39. Some critics contend that Whitman's edits tended to reduce some of his most personal and specific disclosures, possibly in an attempt to make the sequence more attractive to a wider audience. [7] Others, such as Betsy Erkkila, note that Whitman retained some equally personal poems for the 1867 edition and view his editorial decisions as a function of Whitman building a particular national persona for himself. [8]

The meaning of Calamus as a symbol

Acorus calamus AcorusCalamus.jpg
Acorus calamus

This cluster of poems contains a number of images and motifs that are repeated throughout, notably the Calamus root itself. Acorus calamus or Sweet Flag is a marsh-growing plant similar to a cat-tail. Whitman continues through this one of the central images of Leaves of Grass – Calamus is treated as a specific example of the grass that he writes of elsewhere. Some scholars have pointed out, as reasons for Whitman's choice, the phallic shape of what Whitman calls the "pink-tinged roots" of Calamus, its mythological association with male same-sex love, and the allegedly mind-altering effects of the root. [9] The root was chiefly chewed at the time as a breath-freshener and to relieve stomach complaints.

Related Research Articles

<span class="mw-page-title-main">Walt Whitman</span> American poet, essayist and journalist (1819–1892)

Walter Whitman Jr. was an American poet, essayist, and journalist. He is considered one of the most influential poets in American history. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse. His work was controversial in his time, particularly his 1855 poetry collection Leaves of Grass, which was described by some as obscene for its overt sensuality.

<i>Leaves of Grass</i> Expansive Walt Whitman poetry collection

Leaves of Grass is a poetry collection by American poet Walt Whitman. Though it was first published in 1855, Whitman spent most of his professional life writing, rewriting, and expanding Leaves of Grass until his death in 1892. Six or nine individual editions of Leaves of Grass were produced, depending on how they are distinguished. This resulted in vastly different editions over four decades. The first edition was a small book of twelve poems, and the last was a compilation of over 400.

<span class="mw-page-title-main">Song of Myself</span> Poem by Walt Whitman

"Song of Myself" is a poem by Walt Whitman (1819–1892) that is included in his work Leaves of Grass. It has been credited as "representing the core of Whitman's poetic vision."

Kalamos is a Greek mythological figure. He is son of Maiandros, the god of the Maeander river.

<span class="mw-page-title-main">O Captain! My Captain!</span> Poem by Walt Whitman on the death of Abraham Lincoln

"O Captain! My Captain!" is an extended metaphor poem written by Walt Whitman in 1865 about the death of U.S. president Abraham Lincoln. Well received upon publication, the poem was Whitman's first to be anthologized and the most popular during his lifetime. Together with "When Lilacs Last in the Dooryard Bloom'd", "Hush'd Be the Camps To-day", and "This Dust was Once the Man", it is one of four poems written by Whitman about the death of Lincoln.

<span class="mw-page-title-main">When Lilacs Last in the Dooryard Bloom'd</span> Poem by Walt Whitman on the death of Abraham Lincoln

"When Lilacs Last in the Dooryard Bloom'd" is a long poem written by American poet Walt Whitman (1819–1892) as an elegy to President Abraham Lincoln. It was written in the summer of 1865 during a period of profound national mourning in the aftermath of the president's assassination on 14 April of that year.

"Crossing Brooklyn Ferry" is a poem by Walt Whitman, and is part of his collection Leaves of Grass. It describes the ferry trip across the East River from Manhattan to Brooklyn at the exact location that was to become the Brooklyn Bridge.

Nationality words link to articles with information on the nation's poetry or literature.

M. C. Gardner is an American playwright, biographer, and cultural essayist. His given name is Michael Charles. He was born in Glendale, CA July 1, 1951. He is one of the founders and editors of the literary website AnotherAmerica.org. He currently resides in Los Angeles, CA.

"I Sing the Body Electric" is a poem by Walt Whitman from his 1855 collection Leaves of Grass. The poem is divided into nine sections, each celebrating a different aspect of human physicality.

<span class="mw-page-title-main">Hush'd Be the Camps To-Day</span> Poem by Walt Whitman about the assassination of Abraham Lincoln

"Hush'd Be the Camps To-Day" is a poem by Walt Whitman dedicated to Abraham Lincoln. The poem was written on April 19, 1865, shortly after Lincoln's assassination. Whitman greatly admired Lincoln and went on to write additional poetry about him: "O Captain! My Captain!", "When Lilacs Last in the Dooryard Bloom'd", and "This Dust Was Once the Man." "Hush'd" is not particularly well known, and is generally considered to have been hastily written. Some critics highlight the poem as Whitman's first attempt to respond to Lincoln's death and emphasize that it would have drawn comparatively little attention if Whitman had not written his other poems on Lincoln.

<span class="mw-page-title-main">A Supermarket in California</span> Poem

"A Supermarket in California" is a poem by American poet Allen Ginsberg first published in Howl and Other Poems in 1956. In the poem, the narrator visits a supermarket in California and imagines finding Federico García Lorca and Walt Whitman shopping. Whitman, who is also discussed in "Howl", is a character common in Ginsberg's poems, and is often referred to as Ginsberg's poetic model. "A Supermarket in California", written in Berkeley about a market at University Avenue and Grove Street in that city and published in 1956, was intended to be a tribute to Whitman in the centennial year of the first edition of Leaves of Grass.

"Out of the Cradle Endlessly Rocking" by American poet Walt Whitman is one of his most complex and successfully integrated poems. Whitman used several new techniques in the poem. One is the use of images like bird, boy, sea. The influence of music is also seen in opera form. Some critics have taken the poem to be an elegy mourning the death of someone dear to him. The basic theme of the poem is the relationship between suffering and art. It shows how a boy matures into a poet through his experience of love and death. Art is a sublimation of frustrations and death is a release from the stress and strains caused by such frustrations. The language is similar to "There Was a Child Went Forth".

Fredson Thayer Bowers (1905–1991) was an American bibliographer and scholar of textual editing.

<span class="mw-page-title-main">This Dust Was Once the Man</span> 1871 elegiac poem by Walt Whitman about Abraham Lincoln

"This Dust Was Once the Man" is a brief elegy written by Walt Whitman in 1871. It was dedicated to Abraham Lincoln, the 16th president of the United States, whom Whitman greatly admired. The poem was written six years after Lincoln's assassination. Whitman had written three previous poems about Lincoln, all in 1865: "O Captain! My Captain!", "When Lilacs Last in the Dooryard Bloom'd", and "Hush'd Be the Camps To-Day".

<span class="mw-page-title-main">Donald Kummings</span> American professor of literature (1940–2017)

Donald Kummings was an American professor, poet and scholar of literature, best remembered for his research on poet Walt Whitman. For 36 years he served as a professor of English at University of Wisconsin–Parkside.

<span class="mw-page-title-main">Walt Whitman and Abraham Lincoln</span> Relationship between 19th century poet and politician

The American poet Walt Whitman greatly admired Abraham Lincoln, the 16th president of the United States, and was deeply affected by his assassination, writing several poems as elegies and giving a series of lectures on Lincoln. The two never met. Shortly after Lincoln was killed in April 1865, Whitman hastily wrote the first of his Lincoln poems, "Hush'd Be the Camps To-Day". In the following months, he wrote two more: "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd". Both appeared in his collection Sequel to Drum-Taps later that year. The poems—particularly "My Captain!"—were well received and popular upon publication and, in the following years, Whitman styled himself as an interpreter of Lincoln. In 1871, his fourth poem on Lincoln, "This Dust Was Once the Man", was published, and the four were grouped together as the "President Lincoln's Burial Hymn" cluster in Passage to India. In 1881, the poems were republished in the "Memories of President Lincoln" cluster of Leaves of Grass.

<span class="mw-page-title-main">Walt Whitman's lectures on Abraham Lincoln</span> Series of lectures between 1879 and 1890

The American poet Walt Whitman gave a lecture on Abraham Lincoln, the 16th president of the United States, several times between 1879 and 1890. The lecture centered on the assassination of Lincoln, but also covered years leading up to and during the American Civil War and often included readings of poems such as "O Captain! My Captain!". The deliveries were generally popular and well received, and cemented Whitman's public image as an authority on Lincoln.

"The Sleepers" is a poem by Walt Whitman. The poem was first published in the first edition of Leaves of Grass (1855), but was re-titled and heavily revised several times throughout Whitman's life.

Passage to India is a poetry collection published by Walt Whitman in 1871. The first edition was 120 pages long and held seventy-four poems, including twenty-three or twenty-four first published in the collection. Whitman likely intended the work as a supplementary volume to his collection Leaves of Grass and included it as part of some copies of that year's edition of Leaves of Grass. The following year all of the supplement was included as part of Leaves of Grass, but it was a separate volume for the 1876 edition and the supplement Two Rivulets was instead included as part of Leaves of Grass. In the 1881 Leaves of Grass both the poems contained in Passage to India and Two Rivulets were distributed throughout Leaves of Grass.

References

  1. Calamus: Male Homosexuality in Twentieth-Century Literature: An International anthology, David Galloway, Christian Sabisch
  2. Whitman's "Calamus": A Rhetorical Prehistory of the First Gay American-J. Killingsworth Archived 2007-05-26 at the Wayback Machine
  3. Walt Whitman, Prophet of Gay Liberation
  4. Alan Helms, "Live Oak With Moss (1953–1954)." Walt Whitman: An Encyclopedia. Eds. J. R. LeMaster and Donald D. Kummings. New York: Garland, 1998. 400–401.
  5. Bowers, Fredson. "Whitman's Manuscripts for the Original 'Calamus' Poems." Studies in Bibliography 6(1953): 257–265.
  6. Miller, James E. Jr. "Calamus." Walt Whitman: An Encyclopedia. Eds. J. R. LeMaster and Donald D. Kummings. New York: Garland, 1998. 95–97.
  7. Raleigh, Richard "["Hours Continuing Long."] Walt Whitman: An Encyclopedia. Eds. J. R. LeMaster and Donald D. Kummings. New York: Garland, 1998. 282–283.
  8. Erkkila, Betsy (1996). Whitman the Political Poet. Oxford UP. p. 261. ISBN   9780195113808.
  9. Auclair, Tracy. "The Language of Drug Use in Whitman's 'Calamus' Poems." Papers on Language and Literature 40 (Summer 2004), 227–259.