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Mark-Anthony Turnage is an English composer of contemporary classical music.
John Harris Harbison is an American composer and academic.
SATB is an initialism that describes the scoring of compositions for choirs or consorts of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass.
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam.
Antonín Dvořák's Requiem in B♭ minor, Op. 89, B. 165, is a funeral Mass scored for soloists, choir and orchestra. It was composed in 1890 and performed for the first time on 9 October 1891, in Birmingham, England, with the composer conducting.
Gerhard Wimberger was an Austrian composer and conductor.
The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach. The selection is taken from the 281 recordings listed on the Bach Cantatas Website as of 2018, beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, and eventually to recordings using the one-voice-on-a-vocal-part scoring first argued for by Joshua Rifkin in 1982.
Recordings of the St John Passion are shown as a sortable table of selected notable recordings of Johann Sebastian Bach's St John Passion, BWV 245. The selection is taken from the 241 recordings listed on bach-cantatas as of 2015.
Juliette Louise B. Pochin is a Welsh classically trained mezzo-soprano singer, composer/arranger, and record producer. She is known not only for her performances in operas and as a classical recitalist but also for her recordings of operatically styled crossover music. Morgan Pochin Music Productions Ltd, the company she formed with her husband James Morgan, is known for its record productions for artists such as Katherine Jenkins and Alfie Boe, as well as its arrangements for film and television scores.
Jörg Duda is a German composer of classical music.
Sei Lob und Ehr dem höchsten Gut, BWV 117, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig between 1728 and 1731 for no specific occasion, based on the hymn by Johann Jacob Schütz.
Süßer Trost, mein Jesus kömmt, BWV 151, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the third day of Christmas and first performed it on 27 December 1725.
Nun danket alle Gott, BWV 192, is a church cantata for Trinity Sunday composed by Johann Sebastian Bach in Leipzig in 1730. It is an incomplete cantata, because its tenor part is missing. It is a chorale cantata, setting the unmodified three stanzas of Martin Rinckart's "Nun danket alle Gott". It has been regarded as an expansion of Bach's chorale cantata cycle.
Preise dein Glücke, gesegnetes Sachsen, BWV 215, is a secular cantata by Johann Sebastian Bach. He composed the cantata gratulatoria or Dramma per musica in Leipzig as a Festmusik für das kurfürstlich sächsische Haus for the anniversary of the election of August III, Elector of Saxony, as King of Poland, and first performed it on 5 October 1734 in the presence of the Elector.
Andrea Clearfield is an American composer of contemporary classical music. Regularly commissioned and performed by ensembles in the United States and abroad, her works include music for orchestra, chorus, soloists, chamber ensembles, dance, opera, film, and multimedia collaborations.
Der glorreiche Augenblick, Op. 136 is a cantata by Ludwig van Beethoven.
The Spectre's Bride is a cantata for soloists, choir and orchestra op. 69 by Antonín Dvořák based on a literary model by Karel Jaromír Erben (1884).
This is a list of recordings of Bach's cantata Ich will den Kreuzstab gerne tragen, BWV 56, a solo cantata for bass or bass-baritone composed for the 19th Sunday after Trinity, first performed on 29 October 1726. In English, it is commonly referred to as the Kreuzstab cantata.
Messe de minuit pour Noël, H.9, is a mass for four voices and orchestra by Marc-Antoine Charpentier, written in 1694 based on the melodies of ten French Christmas carols. Charpentier called for eight soloists, a duo of two sopranos and two trios of alto, tenor and bass, but it can be performed by five soloists. Choir and orchestra are in four parts, scored for flutes, strings, organ and basso continuo. The mass is regarded as unique in both the composer's work and in the genre. While in Charpentier's time, the mass was performed by all-male choirs, it has later been performed and recorded also by mixed choirs with modern instruments.
References
- ↑ Kroll, Mark (2007). Johann Nepomuk Hummel: A Musician's Life and World. Rowman & Littlefield. p. 378. ISBN 978-0-8108-5920-3.
- ↑ "12 February Clare College Music Society (CCMS) Marriage of Napoleon Concert". Clare College, Cambridge . Retrieved 13 February 2016.
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