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Canti di prigionia (Songs of Imprisonment) is a setting for chorus, two pianos, two harps and percussion by the Italian composer Luigi Dallapiccola.
Dallapiccola sets three texts of imprisonment: a prayer of Mary Stuart, an extract from Book Three of Boethius' The Consolation of Philosophy and Savonarola's unfinished Meditation on the Psalm 'My hope is in Thee, O Lord'. Composed in 1938–1941, the first song was premiered on Brussels Radio in 1940, weeks before the Nazi Invasion of Belgium. Dallapiccola himself wrote that the work was a direct response to Benito Mussolini's speech introducing race laws to Italy:
I should have liked to protest, but I was not so naive as to disregard the fact that, in a totalitarian regime, the individual is powerless. Only by means of music would I be able to express my indignation. [1]
Dallapiccola was to develop the material (and some of the musical ideas) in his 1948 opera Il prigioniero , in which he further explores the ideas of personal as well as ideological imprisonment. Canti di liberazione followed in 1955.
On the Consolation of Philosophy, often titled as The Consolation of Philosophy or simply the Consolation, is a philosophical work by the Roman philosopher Boethius. Written in 523 while he was imprisoned and awaiting execution by the Ostrogothic King Theodoric, it is often described as the last great Western work of the Classical Period. Boethius' Consolation heavily influenced the philosophy of late antiquity, as well as Medieval and early Renaissance Christianity.
Girolamo Savonarola, OP or Jerome Savonarola was an ascetic Dominican friar from Ferrara and a preacher active in Renaissance Florence. He became known for his prophecies of civic glory, his advocacy of the destruction of secular art and culture, and his calls for Christian renewal. He denounced clerical corruption, despotic rule, and the exploitation of the poor.
Salamone Rossi or Salomone Rossi was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque.
A bonfire of the vanities is a burning of objects condemned by religious authorities as occasions of sin. The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion of Shrove Tuesday, martedí grasso.
Maria Stuarda is a tragic opera, in two acts, by Gaetano Donizetti, to a libretto by Giuseppe Bardari, based on Andrea Maffei's translation of Friedrich Schiller's 1800 play Maria Stuart.
Philippe Verdelot was a French composer of the Renaissance, who spent most of his life in Italy. He is commonly considered to be the father of the Italian madrigal, and certainly was one of its earliest and most prolific composers; in addition he was prominent in the musical life of Florence during the period after the recapture of the city by the Medici from the followers of Girolamo Savonarola.
Giuseppe Schirò was an Arbëresh neo-classical poet, linguist, publicist and folklorist from Sicily. His literary work marked the transition from the Arbëresh language to modern Albanian literature in Italy. He was a major protagonist of the Rilindja, the Albanian cultural awakening or Albanian Renaissance, in Italy.
Chamber Music is a composition in three sections for female voice, clarinet, cello and harp by the Italian composer Luciano Berio. It is a setting of three poems from the collection of poetry Chamber Music by James Joyce, whose work was to be a frequent source for Berio. The songs were composed in 1953, and show the influence of Luigi Dallapiccola with whom Berio had studied in 1952 at the Tanglewood Music Center.
Sir Francesco Paolo Tosti KCVO was an Italian composer and music teacher. Today, he is remembered mostly for his light-hearted songs, which are popular among vocal students.
The music of Florence is foundational in the history of Western European music. Music was an important part of the Italian Renaissance. It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further development of the operatic form, but for later developments of separate "classical" forms such as the symphony.
Infelix ego is a Latin meditation on the Miserere, Psalm 51, composed in prison by Girolamo Savonarola by 8 May 1498, after he was tortured on the rack, and two weeks before he was burned at the stake in the Piazza della Signoria in Florence on 23 May 1498. The prison authorities had spared only his right arm during the preliminary torture, so that Savonarola would be able to sign his confession: after doing so, and in a state of despair at not being strong enough to resist the pain of his prolonged torture, he wrote Infelix ego and a portion of a companion meditation, Tristitia obsedit me, on Psalm 30. He was executed before he was able to complete Tristitia obsedit me.
Il prigioniero is an opera in a prologue and one act, with music and libretto by Luigi Dallapiccola. The opera was first broadcast by the Italian radio station RAI on 1 December 1949. The work is based on the short story La torture par l'espérance from the collection Nouveaux contes cruels by the French writer Auguste Villiers de l'Isle-Adam and from La Légende d'Ulenspiegel et de Lamme Goedzak by Charles De Coster. Some of the musical material is based on Dallapiccola's earlier choral work on a similar theme, Canti di prigionia (1938). Dallapiccola composed Il prigioniero in the period of 1944–1948. The work contains seven parts and lasts about 50 minutes. The musical idiom is serialism, and it is one of the first completed operas using that compositional method.
La buona novella is the fourth studio album by Italian singer-songwriter Fabrizio De André, released in 1970. Its plot revolves around the New Testament apocrypha.
Scipio Colombo was an Italian dramatic baritone, and was known for his abilities as a musician and singing-actor.
Ulisse is an opera in a prologue and two acts composed by Luigi Dallapiccola to his own libretto based on the legend of Ulysses. It premiered at the Deutsche Oper Berlin on 29 September 1968 conducted by Lorin Maazel with Erik Saedén in the title role. Ulisse was Dallapiccola's last opera and took eight years to compose. As in his previous operas, Volo di notte and Il prigioniero, his declared theme was "the struggle of man against some force much stronger than he".
Luigi Dallapiccola was an Italian composer known for his lyrical twelve-tone compositions.
Risorgimento! is an opera in one act by Lorenzo Ferrero set to an Italian-language libretto by Dario Oliveri, based on a scenario by the composer. It was completed in 2010 and first performed at the Teatro Comunale Modena on 26 March 2011.
Francesco Altimari is an Italian scholar in the field of Albanology. He is honorary member of the Academy of Sciences of Albania (2006), external member of the Academy of Sciences and Arts of Kosovo (2008) and full professor (1991) of the Albanology section of the University of Calabria.
Alessandro Solbiati is an Italian composer of classical music, who has composed instrumental music for chamber ensembles and orchestra, art songs and operas. He received international commissions and awards, and many of his works are recorded. He is also an academic, teaching in Italy and France.
The Piagnoni were a group of Christians who followed the teachings of Girolamo Savonarola. The later Piagnoni remained in the Catholic Church and kept a mixture with the teachings of Catholic dogma and the teachings of Girolamo Savonarola. The name Piagnoni was given because they wept for their sins and the sins of the world.