Capitu | |
---|---|
Genre | Mini-Series |
Based on | Dom Casmurro, by Machado de Assis |
Developed by | Luiz Fernando Carvalho |
Written by | Euclydes Marinho Luiz Fernando Carvalho Daniel Piza Luis Alberto de Abreu Edna Palatnik |
Directed by | Luiz Fernando Carvalho |
Starring |
|
Opening theme | "Elephant Gun" by Beirut |
Country of origin | Brazil |
Original language | Portuguese |
No. of episodes | 5 |
Production | |
Editors | Helena Chaves Carlos Eduardo Kerr Márcio Hashimoto Soares |
Production company | Estúdios Globo |
Original release | |
Network | Rede Globo |
Release | 9 December – 13 December 2008 |
Related | |
|
Capitu is a Brazilian television series written by Euclydes Marinho, directed by Luiz Fernando Carvalho, who also finalized the script, and presented by Rede Globo between 8 and 13 December 2008. [1] The production was a homage to the centennial anniversary of the death of Machado de Assis, author of the 1899 novel Dom Casmurro , on which the miniseries was based. Capitu is the main female character of that novel, and is the object of Bentinho's (Dom Casmurro) obsession. The novel forces the reader to decide if Capitu cheated or not on Bentinho. [2]
The mini-series was written by Euclydes Marinho in collaboration with Daniel Piza, Luis Alberto de Abreu and Edna Palatnik, and has the script finalized by Luiz Fernando Carvalho. [3] [4] Art direction by Raimundo Rodriguez, photography by Adrian Teijido and costumes by Beth Filipecki. Colorist Sergio Pasqualino. It marked the TV debut of actors Letícia Persiles and Michel Melamed, among others. [5] [6] [7] The mini-series was filmed in the abandoned Automóvel Clube building, in downtown Rio de Janeiro, and the whole scenographic universe was created from newspaper and recycled material. [8] The opening credits scene was conceived by the director and created by the designer Carlos Bêla. [9] The production is part of the Quadrante Project and was the director's tribute to Machado de Assis on the centenary of his death. [10]
Actor/Actress | Character |
---|---|
Maria Fernanda Cândido [11] | Capitu (Capitolina Pádua) |
Michel Melamed | Bentinho (Bento de Albuquerque Santiago) |
Eliane Giardini | Dona Glória |
Letícia Persiles | Capitu (young) |
César Cardadeiro | Bentinho (young) |
Pierre Baitelli | Ezequiel de Sousa Escobar (1st episode) |
Rita Elmôr | Cousin Justina |
Sandro Christopher | Uncle Cosme/Marcolini/Imperator |
Charles Fricks | Sr. Pádua |
Bellatrix Serra | Sancha Gurgel |
Izabella Bicalho | Dona Fortunata Pádua |
Antônio Karnewale | José Dias |
Thelmo Fernandes | Sr. Gurgel |
Emílio Pitta | Priest Cabral |
Vitor Facchinetti | Dandi do Cavalo-Alazão |
Alan Scarpari | Ezequiel Santiago |
Jacy Marques | Slave |
Gabriela Luiz | Slave |
Actor/Actress | Character |
---|---|
Beatriz Souza | Capitolina |
Fabrício Reis | Ezequiel Santiago (child) |
Ator | Personagem |
---|---|
Paulo José | Parish's Vicar |
Eduardo Pires | Young poet |
Alby Ramos | Manduca's father |
In the opinion of critic Gustavo Bernardo, the mini-series deserves "to be viewed and reviewed countless times, at least because each fragment of a scene is precious for its beauty". [12] According to theatre director Gabriel Villela, Luiz Fernando Carvalho produces works of art on the screen, calls on the viewer's vivacity so that he accepts nothing masticated, but masticates along with Casmurro. [13] For Randall Johnson, director of the UCLA Latin American Institute, "Luiz Fernando Carvalho is today, without doubt, the director whose work is the most authorial of all TV and cinema production in Brazil". [14] [15] [16] [17]
It received the APCA (Associação Paulista de Críticos de Arte) Critic's Choice Award (2009), ABC Best Photography Award (from the Associação Brasileira de Cinematografia) and the Creative Review award in the Best in Book and Design and Art Director categories. [18] [19]
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(help)Joaquim Maria Machado de Assis, often known by his surnames as Machado de Assis, Machado, or Bruxo do Cosme Velho, was a pioneer Brazilian novelist, poet, playwright and short story writer, widely regarded as the greatest writer of Brazilian literature. In 1897, he founded and became the first President of the Brazilian Academy of Letters. He was multilingual, having taught himself French, English, German and Greek later in life.
Luiz Fernando Carvalho is a Brazilian filmmaker and television director, known for works closely linked to literature that constitute a renovation in Brazilian audiovisual aesthetics. He has already brought to the screen works by Ariano Suassuna, Raduan Nassar, Machado de Assis, Eça de Queirós, Roland Barthes, Clarice Lispector, Milton Hatoum, José Lins do Rego and Graciliano Ramos, among others.
To the Left of the Father is a 2001 Brazilian drama film produced, written, directed and edited by Luiz Fernando Carvalho, based on the novel of the same name by Raduan Nassar. The film follows a man who returns to his father's home after many years and falls in love with his sister. In 2015, the Brazilian Film Critics Association (Abraccine) placed To the Left of the Father among their list of 100 Greatest Brazilian Films of All Time.
Dom Casmurro is an 1899 novel written by Brazilian author Joaquim Maria Machado de Assis. Like The Posthumous Memoirs of Brás Cubas and Quincas Borba, both by Machado de Assis, it is widely regarded as a masterpiece of realist literature. It is written as a fictional memoir by a distrusting, jealous husband. The narrator, however, is not a reliable conveyor of the story as it is a dark comedy. Dom Casmurro is considered by critic Afrânio Coutinho "a true Brazilian masterpiece, and maybe Brazil's greatest representative piece of writing" and "one of the best books ever written in the Portuguese language, if not the best one to date." The author is considered a master of Brazilian literature with a unique style of realism.
Letícia Persiles is a Brazilian actress and singer who played the lead role in the telenovela Amor Eterno Amor.
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Trata-se um ensaio sobre a dúvida. Não absolvo Capitu e não a condeno
Capitu, microssérie que terminou sábado, na Rede Globo, é, sem dúvida, mais do que um marco em termos de transposição de um clássico da literatura brasileira para outro suporte, é uma excelente ocasião para pensarmos nas possibilidades hoje disponíveis para divulgação da literatura e da cultura, em geral, e, em particular, para a generosidade que se impõe na partilha necessária do prazer que a genialidade de um autor como Machado de Assis pode proporcionar
Luiz Fernando Carvalho imprime o seu estilo sofisticado à minissérie baseada no romance Dom Casmurro