The Magus (1965) is a postmodern novel by British author John Fowles, telling the story of Nicholas Urfe, a young British graduate who is teaching English on a small Greek island. Urfe becomes embroiled in the psychological illusions of a master trickster, which become increasingly dark and serious. Considered an example of metafiction, it was the first novel written by Fowles, but the third he published. In 1977 he published a revised edition. In 1999 The Magus was ranked on both lists of Modern Library 100 Best Novels, reaching number 93 on the editors' list, and 71 on the readers' list. In 2003, the novel was listed at number 67 on the BBC's survey The Big Read.
The Pleasure Garden is a 1925 British-German silent film directed by Alfred Hitchcock in his directorial debut. Based on a novel by Oliver Sandys, the film is about two chorus girls at the Pleasure Garden Theatre in London and their troubled relationships.
I Capture the Castle is the first novel by the British author Dodie Smith, written during the Second World War when she and her husband Alec Beesley were living in California. She longed for home and wrote of a happier time, unspecified in the novel apart from a reference to living in the 1930s. Smith was already an established playwright and later became famous for writing the children's classic The Hundred and One Dalmatians.
Daughter of Fortune is a novel by Isabel Allende, and was chosen as an Oprah's Book Club selection in February 2000. It was published first in Spanish by Plaza & Janés in 1998. Isabel Allende says "of her female protagonist in Daughter of Fortune, Eliza, that she might well represent who the author might have been in another life." "Allende spent seven years of research on this, her fifth novel, which she says is a story of a young woman's search for self-knowledge." "Allende also believes that the novel reflects her own struggle to define the role of feminism in her life." Allende also wrote a sequel to Daughter of Fortune entitled Portrait in Sepia which follows Eliza Sommers' granddaughter.
The Girl in Blue is a novel by P. G. Wodehouse. It was first published in the United Kingdom on 29 October 1970 by Barrie & Jenkins, London, and in the United States on 22 February 1971 by Simon & Schuster, Inc., New York.
The Loves of Carmen is a 1948 American drama romance film directed by Charles Vidor. The film stars Rita Hayworth as the gypsy Carmen and Glenn Ford as her doomed lover Don José.
Many fictional depictions of the Romani in literature and art present Romanticized narratives of their supposed mystical powers of fortune telling, and their supposed irascible or passionate temper paired with an indomitable love of freedom and a habit of criminality. Critics of how Romani people have been portrayed in popular culture point out similarities to portrayals of Jewish people, with both groups stereotyped negatively as wandering, spreading disease, abducting children, and violating and murdering others.
Jean Kent was an English film and television actress.
Gypsy is a 1962 American musical comedy-drama film produced and directed by Mervyn LeRoy. The screenplay by Leonard Spigelgass is based on the book of the 1959 stage musical Gypsy: A Musical Fable by Arthur Laurents, which was adapted from the 1957 autobiography Gypsy: A Memoir by Gypsy Rose Lee. Stephen Sondheim wrote the lyrics for songs composed by Jule Styne. The film was remade for television in 1993.
Blood and Sand is a 1989 Spanish drama film directed by Javier Elorrieta and starring Christopher Rydell, Sharon Stone, and Ana Torrent. It was loosely based on the novel Sangre y arena of Vicente Blasco Ibáñez, which had been adapted for the screen three times before, in 1916, 1922 and 1941.
The Hills of Varna is a children's historical novel by Geoffrey Trease, published in 1948. It is an adventure story based on the revival of classical scholarship in the Renaissance.
Kitty is a 1945 film, a costume drama set in London during the 1780s, directed by Mitchell Leisen, based on the novel of the same name by Rosamond Marshall, with a screenplay by Karl Tunberg. It stars Paulette Goddard, Ray Milland, Constance Collier, Patric Knowles, Reginald Owen, and Cecil Kellaway as the English painter Thomas Gainsborough. In a broad interpretation of George Bernard Shaw's Pygmalion, the film tells the rags-to-riches story of a beautiful young cockney guttersnipe who is given a complete makeover by an impoverished aristocrat (Milland) and his aunt (Collier) in hopes of arranging her marriage to a peer, thereby repairing their fortunes and their social status.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
Caravan is a 1946 British black-and-white drama film directed by Arthur Crabtree. It was one of the Gainsborough melodramas and is based on a novel Caravan by Eleanor Smith.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 which conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films which had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume, such as The Man in Grey (1943) and The Wicked Lady (1945) and modern-dress, such as Love Story (1944) and They Were Sisters (1945) settings. The popularity of the films with audiences peaked mid-1940s when most of the cinema audiences consisted of mainly women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
Novelas ejemplares is a series of twelve novellas that follow the model established in Italy, written by Miguel de Cervantes between 1590 and 1612. The collection was printed in Madrid in 1613 by Juan de la Cuesta, and received well in the wake of the first part of Don Quixote.
The Man in Grey was a novel by the British writer Lady Eleanor Smith first published in 1941. It was a melodrama set in Regency Britain. A young woman unhappily married to a cold aristocrat falls in love with a strolling actor, but her hopes of eloping to happiness are wrecked by an old school friend who murders her in order to be able to marry her husband.
The Bohemian Girl is a 1922 British romance film directed by Harley Knoles and starring Gladys Cooper, Ivor Novello, and C. Aubrey Smith. It was inspired by the opera The Bohemian Girl by Michael William Balfe and Alfred Bunn, which was in turn based on a novel La Gitanilla by Miguel de Cervantes. Originally released at 70 minutes, the surviving print is missing the first two reels and small portion of the last, timing at 46 minutes.
Maurice Ostrer (1896–1975) was a British film executive. He was best known for overseeing the Gainsborough melodramas. He was head of production at Gainsborough Studios from 1943–46. He resigned from the studio in 1946 after a disagreement with J. Arthur Rank who had taken over the studio.
