Carlo Ercole Bosoni (1826-1887) was an Italian composer and conductor. He was active as a conductor at La Fenice in Venice during the 1850s and 1870s. Some of his operas premiered there as well. [1]
Carlo Ercole Bosoni (1826-1887) was an Italian composer and conductor. He was active as a conductor at La Fenice in Venice during the 1850s and 1870s. Some of his operas premiered there as well. [1]
Le donne curiose is an opera in three acts by Ermanno Wolf-Ferrari to a text by Luigi Sugana after Carlo Goldoni's play of the same name.
Alessandro nelle Indie is an opera seria in two acts by Giovanni Pacini to a libretto by Andrea Leone Tottola and Giovanni Schmidt, based on Alessandro nell'Indie by Pietro Metastasio. It was premiered at the Teatro di San Carlo in Naples on 29 September 1824, and had a total of 38 performances in its first season.
Ottone in villa is an opera in three acts by Antonio Vivaldi to an Italian libretto by Domenico Lalli. It was Vivaldi's first opera and premiered on 17 May 1713 at the Teatro delle Grazie in Vicenza. Lalli's pastoral drama is set in ancient Rome and was a condensed adaptation of Francesco Maria Piccioli's satirical libretto for Carlo Pallavicino's opera Messalina (1679). However, Lalli changed several of the characters in Piccioli's libretto. Messalina became an invented character, Cleonilla. Emperor Claudius became another Roman emperor, Otho (Ottone), who had already appeared as a protagonist in Monteverdi's L'incoronazione di Poppea (1642) and in Handel's Agrippina (1709).
Ercole amante is an opera in a prologue and five acts by Francesco Cavalli. Its Italian libretto is by Francesco Buti, based on Sophocles' The Trachiniae and on the ninth book of Ovid's Metamorphoses. The first performance took place on 7 February 1662 in the Salle des Machines of the Tuileries in Paris.
Amica is an opera in two acts by Pietro Mascagni, originally composed to a libretto by Paul Bérel. The only opera by Mascagni with a French libretto, it was an immediate success with both the audience and the critics on its opening night at the Théâtre du Casino in Monte-Carlo on 16 March 1905. Mascagni himself conducted the performance. The opera had its Italian premiere on 13 May 1905 at the Teatro Costanzi in Rome.
Neues vom Tage is a comic opera in three parts by Paul Hindemith, with a German libretto by Marcellus Schiffer.
Fanny Salvini-Donatelli was an Italian operatic soprano. She is best known today for creating the role of Violetta in Verdi's opera, La traviata, but she was also an admired interpreter of the composer's other works as well as those by Donizetti.
Hélène is a poème lyrique or opera in one act by composer Camille Saint-Saëns. It is the first opera for which Saint-Saëns wrote his own French libretto, which is based on the classic story of Helen of Troy and Paris from Greek mythology. The opera premiered at the Opéra de Monte-Carlo in Monaco on 18 February 1904. Moderately successful, the opera enjoyed a handful of revivals up through 1919, after which it fell out of the performance repertoire. The work was resurrected in 2008 for its world premiere recording by the Australian music label Melba.
La vedova scaltra is an opera in three acts by Ermanno Wolf-Ferrari to a text by Mario Ghisalberti, after Carlo Goldoni's original play first given in 1748.
Giuseppe Antonicelli was an Italian conductor who was highly active with Italy's leading opera houses from the 1920s through the 1950s. Among the houses he conducted at were, La Scala in Milan, the Teatro Regio di Torino, Teatro San Carlo in Naples, La Fenice in Venice, the Teatro Donizetti in Bergamo, the Teatro Nuovo in Turin, and the Teatro Lirico Giuseppe Verdi in Trieste. He also conducted a total of 158 performances at the Metropolitan Opera in New York City in 1948–1950.
Gottardo Aldighieri was an Italian operatic baritone who had a major opera career in Italy from 1858 to 1885. He possessed a powerful and beautiful voice and appeared on the stages of most of Italy's great opera houses. He sang a broad repertoire which encompassed works by Italian, French, and German composers. His vocal range was wide, which enabled him to tackle some tenor roles during his career, although he mostly stayed within the baritone repertory. The composer Luigi Arditi devoted his famous waltz song, Il bacio, to him. He was married to the soprano Maria Spezia-Aldighieri, who also had an important opera career in Italy. He is the great grandfather of singer George Aaron.
Achille Peri was an Italian composer and conductor. He is best known for his operas which were strongly influenced by the music of Giuseppe Verdi.
Serafino Amedeo De Ferrari was an Italian composer, conductor, organist, and pianist. He is best known for his operas, of which his most popular were Pipelè (1855) and Il Menestrello (1859).
Andrea Bellini was an Italian operatic bass who had an active career performing in Italy's major opera houses from the 1840s through the 1870s. He specialized in the buffo repertoire and was most often heard in comprimario roles.
Pollione Ronzi was an Italian operatic tenor, composer, conductor, and voice teacher. He sang roles at many important opera houses in Italy, including La Scala in Milan. In 1867, he was heard at the opera house in Livorno as Egidio in Errico Petrella's La contessa d'Amalfi. In 1871, he sang the role of Rodrigo in Gioachino Rossini's Otello at the Teatro Regio di Torino. In 1874, he became manager and conductor at the Teatro Manzoni in Milan. In 1876, he sang in recital alongside soprano Ida Corani with Clara Schumann serving as their accompanist in the Royal Philharmonic Society's concert season in London. He had sung in orchestral concerts with the RPS a year earlier under conductor William Cusins.
Sì is an operetta in three acts composed by Pietro Mascagni to a libretto by Carlo Lombardo with verses by Arturo Franci. The libretto is based on Lombardo's operetta La duchessa del Bal Tabarin and Felix Dörmann's libretto for Majestät Mimi set by Bruno Granichstaedten in 1911. Mascagni's only venture into operetta, it premiered on 13 December 1919 at the Teatro Quirino in Rome. The operetta takes its name from its central character, Sì, an actress at the Folies Bergère, so called because she could never say no.
The Teatro Capranica is a theatre situated at 101 Piazza Capranica in the Colonna district of Rome. Originally constructed in 1679 by the Capranica family and housed in the early Renaissance Palazzo Capranica, it was the second public theatre to open in Rome. It was the site of many premieres of Baroque operas including Caldara's Tito e Berenice, Scarlatti's Griselda, and Vivaldi's Ercole su'l Termodonte. The Capranica ceased operating as a full-scale theatre and opera house in 1881 and in 1922 was converted into a cinema. Following the closure of the cinema in 2000, it has functioned on a hire basis as a conference and performance venue.
Antonio Sapienza was an Italian composer and conductor. He was born in St. Petersburg, Russia where he began his musical studies with his father who was also called Antonio.
Il bravo, ossia La Veneziana is an opera in three acts by Saverio Mercadante to an Italian-language libretto by Gaetano Rossi and Marco Marcello. Their libretto was based on the play La Vénétienne by Auguste Anicet-Bourgeois, which was in turn based on James Fenimore Cooper's novel The Bravo. The opera premiered on 9 March 1839 at La Scala, Milan and subsequently played throughout Italy and abroad. The opera was still being occasionally performed and recorded in the 20th century. and was hailed as an "exciting rediscovery" when it was staged by the Wexford Festival in 2018.
Carlo re d'Allemagna is a three-act dramma per musica by Italian composer Alessandro Scarlatti to a libretto by Giuseppe Papis, after Francesco Silvani, premiered at the Teatro San Bartolomeo of Naples on 26 or 30 January 1716. This is the composer's 79th opera out of 114 composed.
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