Carlos Enrique Polanco (born 1953 [1] ) is a notable exponent of Peruvian painting. [2] Since his beginnings he was attracted to the less privileged urban sectors of Lima City. When he studied in School of Fine Arts, his work reflected the iconography and color of the Peruvian urban night life. Polanco is an artist with a social commitment.
Polanco gained a scholarship to study in China, where he remained for a considerable time. [3] Then, he went to Peru with a new shrill and shining, but tender painting style.
Polanco is a cartoonist of contemporary Latin American society, portraying survivors of the urban fight, becoming the winners of the social battle.
In Peruvian expresionismo indigenista art history, Polanco is continuing the path of painters like Julia Codesido, Sérvulo Gutiérrez, Víctor Humareda and David Herskovitz.
Peru is an important first-tier state in South America, Peru has been a member of the United Nations since 1949, and Peruvian Javier Pérez de Cuéllar served as UN Secretary General from 1981 to 1991. Former President Alberto Fujimori's tainted re-election to a third term in June 2000 strained Peru's relations with the United States and with many Latin American and European countries, but relations improved with the installation of an interim government in November 2000 and the inauguration of Alejandro Toledo in July 2001.
Jorge Segundo Vinatea Reinoso, or Reynoso was a Peruvian painter and caricaturist. His art falls within the indigenismo category, although he was not part of the movement led by José Sabogal.
Luis Enrique Tábara was a master Ecuadorian painter and teacher representing a whole Hispanic pictorial and artistic culture.
Arnold Belkin was a Canadian-Mexican painter credited for continuing the Mexican muralism tradition at a time when many Mexican painters were shifting away from it. Born and raised in western Canada, he trained as an artist there but was not drawn to traditional Canadian art. Instead he was inspired by images of Diego Rivera's work in a magazine to move to Mexico when he was only eighteen. He studied further in Mexico, focusing his education and his career mostly on murals, creating a type of work he called a "portable mural" as a way to adapt it to new architectural style. He also had a successful career creating canvas works as well with several notable series of paintings. He spent most of his life and career in Mexico except for a stay in New York City in the late 1960s to mid-1970s. His best known works are the murals he created for the University Autónoma Metropolitana in the Iztapalapa borough of Mexico City.
Peruvian art has its origin in the Andean civilizations. These civilizations rose in the territory of modern Peru before the arrival of the Spanish.
Pedro Reinaldo Álvarez Castelló was a Cuban artist who rose to prominence during Cuba's Special Period.
Darío Escobar is a Guatemalan artist.
Cundo Bermúdez, born Secundino (Cundo) Bermúdez y Delgado, was a Cuban painter. Born in Havana, Cuba, he died of a heart attack in his Westchester home on October 30, 2008.
Gilberto Aceves Navarro was a Mexican painter and sculptor and a professor at the Escuela Nacional de Artes Plásticas and Academy of San Carlos. There have been more than two hundred individual exhibits of his work, with his murals found in Mexico, Japan and the United States. He received numerous awards for his work including grants as a Creador Artístico of the Sistema Nacional de Creadores de Arte, Premio Nacional de Ciencias y Artes and Bellas Artes Medal from the Instituto Nacional de Bellas Artes.
José-Carlos Mariátegui is a scientist, writer, curator and scholar on culture, new media and technology. Born in 1975, he is the son of Peruvian psychiatrist Javier Mariategui and the grandson of Jose Carlos Mariategui, the most influential Latin American Marxist thinker of the 20th Century. He studied Mathematics and Biology at Cayetano Heredia University in Lima, Perú and did both Masters and Doctoral degrees in Information Systems and Innovation from the London School of Economics and Political Science – LSE (London). Has been involved in teaching and research activities, as well as published a variety of articles on art, science, technology, society and development. He founded Alta Tecnología Andina (ATA), non-profit organization dedicated to the development and research of artistic and scientific theories in Latin America. Founder of the International Festival of Video and Electronic Art in Lima (1998–2003). Founding Director of the Memorial Museum of José Carlos Mariátegui of the Ministry of Culture in Peru.
Leopoldo Presas was an Argentine artist. He experienced different styles throughout his life. He had academic training and started as a figurative painter though he later turned into expressionism as well. He tried several mediums as oil, tempera, charcoal and pencil on different supports including canvas, paper, paperboard and newspaper. The themes of his works have been very extensive. The female figure was his main attraction, but he also did still lifes, landscapes, harbors, erotic paintings and some expressionist and controversial series as “The Pigs”, “The Kings of Putrefaction” and “The Christs”.
Jorge Piqueras was a Peruvian-born visual artist. He wasrecognized as one of the most important Peruvian artists of the twentieth century. Among contemporary Latin American artists, he is also a pioneer in geometric painting. Piqueras’ work covers a wide range of materials and media, including sculpture, painting, collage, photography and assemblage.
Lilia Carrillo García was a Mexican painter from the Generación de la Ruptura, which broke with the Mexican School of Painting of the early 20th century. She was trained in the traditional style but her work began to evolve away from it after studying in Paris in the 1950s. While she and husband abstract artist Manuel Felguérez struggled to get their work accepted, even selling Mexican handcrafts and folk art to survive, she eventually had her canvas work exhibited at large venues in Mexico City and various cities in the world. Her work was part of the inaugural exhibition of the Museo de Arte Moderno in Mexico City in 1964. After her death in 1974, her work received honors from the Palacio de Bellas Artes and has been exhibited in various venues.
Mauricio García Vega is a Mexican painter whose work has been recognized by various awards and membership in the Salón de la Plástica Mexicana. His work is mostly focus on urban landscapes often with dark themes and a chaotic feel. He works alone and with his brother Antonio García Vega. He lives and works in the Mexico City suburb of Ciudad Nezahualcóyotl.
http://www.enriquebostelmann.com
Carlos Eduardo Maturana Piña, better known by his artistic pseudonym Bororo, is Chilean artist born in Santiago, Chile, on November 10, 1953. Along with Samy Benmayor, Omar Gatica, Matías Pinto D'Aguiar and Ismael Frigerio among others, he formed part of Chilean art’s 80s Generation. Bororo was his childhood nickname.
Generación del 13 was Chile's first painter collective. Its name derives from the year 1913, after a joint exhibition was held at the Salon of the Chilean newspaper El Mercurio in the preceding year. The group and its work are characterized by a fascination with Creole art and customs, social criticism, and portrayal of the proletariat, a subject that hitherto was not depicted in Chilean art.
Bernardo Rivero Arenazas was born in 1889 in Callao, Peru and died in Lima in 1965. He is considered one of the greatest Peruvian painters of the early 20th century and one of the pioneers of Peruvian painting. The Law and Political Science Faculty of the Universidad de San Martín de Porres includes Rivero as part of the great masters of the Peruvian painted art and states that between 1890 and 1935 a generation of painters was born, distinguished for their great versatility in the aesthetic field.
Teobaldo Nina Mamani is a painter and teacher. Originally from Moquegua, Peru, Nina attended school at Esc. Bellas Artes in Lima under the tutelage of Ángel Cuadros. Nina has won multiple awards for his work, including but not limited to Premio de Dibujo de Esc. Bellas Artes. Segundo Premio Mitchell y Cía. Mención Honrosa and X Concurso Nacional de Artistas Jóvenes ICPNA.
María Eugenia Chellet is a Mexican artist who has evolved from photography to mixed media and currently focuses mostly on performance. Her work focuses on exploring female archetypes and other images relating to femininity, often using herself in roles such as female Biblical figures, those in classical artwork and those from commercial mass media of the 20th century to the present. Her work has been recognized with membership in the Salón de la Plástica Mexicana.