As a conceptual artist interested in digital art, fractalschaos and fractal art, Ginzburg created what he calls "homo fractalus" – a concept about microcosm totality.[1]
He has worked with the art critic Pierre Restany (with whom he developed the concept of "Political Ecology")[2] and with Severo Sarduy who put him near Hokusai in "Barroco", one of the reference's books to Le Pli of Gilles Deleuze.
He has lived in Paris and since 2005 works with the French art critic and artist Allaïa Tschann.[3]
Exhibition
Personal exhibition
2011 Jerusalem Cross and Bis, 3e Rue, Paris, France
2004 Susan Conde Gallery, New York
2002 Galerie Lina Davidov, Paris, France
1999 Galerie Lina Davidov, Paris, France
1997 Galerie Mabel Semmler, Paris, France
1980 I.C.C, Antwerpen, Belgium
1978 Galerie Studio 16, Turin, Italy
1977 Ecole sociologique interrogative, Paris, France
Collectival exhibition
September 2010 Henrique Faria Fine Art, New York
October 2009 Museo Nacional Reina Sofia, Madrid, Spain
1996 Journal of Contemporary Art, Vol. 7-2, New York
1990 Arte e Produzione, Italy
1990 60/90, Ed. De la Difference, Paris, France
1989, Revue Kanal, Paris, France
...
1980, Voyages de Ginzburg, Paris, France
Severo Sarduy
1992 Revue Art Press, Paris, France
1991 Barroco Ed. du Seuil, Paris, France
1989 Journal El Colombiano, Colombia
1984 Revue Artinf, Buenos Aires, Argentine
1983 Revue Art Press, Paris, France
Severo Sarduy et Klaus Ottman
1990 Revue Art Press, Paris, France
Tim Jacobs
1989, Journal New City, Chicago, Illinois
Jean-Claude Chirollet (philosophe, esthéticien, spécialiste de l'art fractaliste, Université de Strasbourg):
1992, "Images fractales: biogénétique des images en restructuration continue", in Les Figures de la Forme, éd. L'Harmattan, Paris, p.283-295
1994, "En quel sens peut-on parler d'une Esthétique fractaliste?", in Littérature et Théorie du Chaos, éd. Presses Universitaires de Vincenne, Université Paris VIII, France, p.115-140
1998, Carlos Ginzburg – La complexité autoréférentielle du Sujet fractal, revue La Mazarine,
éd. du Treize Mars, Paris, septembre 1998, p.112-114
2002, "L’Approche de l'art d'un point de vue fractaliste", in Revue Tangence, numéro 69, été 2002,
Université du Québec, p.103-132.
2005, "Art fractaliste - La Complexité du Regard", éditions L'Harmattan, coll. Champs Visuels (www.librairieharmattan.com), Paris, France (Livre-synthèse sur les arts fractalistes depuis les années 1980. Nombreuses références à l'oeuvre et à la conception fractaliste de Carlos Ginzburg)
Paul Ardenne
1997, Art, l'Age Contemporain, Ed. du Regard, France
Press
1999
Figaro magazine, 24 avril, France
Journal le Monde, 16 mars, France
Revue Beaux Arts Magazine, Identités, Mars, Paris, France
Revue TechniArt, Mai, Paris, France
Revue Cimaise, Mars, Paris, France
1998
Revue Paris Match, Janvier, France
Revue Science et Avenir, Janvier, France
1997
Le Monde, 29 Nov, France
Revue TechniArt, n°17, France
Articles and text of Carlos Ginzburg
1999 Revue Art Press, n°244, Mars, Paris, France
1997 Revue Art Press, n°229, Nov, Paris, France
1995 Revue Archipielago, Madrid, Spain
1993 Art Forum, Mars, New York
Revue Ometeca, New Mexico, USA
Revue Histoire et anthropologie, Strasbourg, France
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