Carmen Argote

Last updated

Carmen Argote (born 1981) is a Los Angeles-based artist. She hails from Guadalajara. She is known for performance art and sculpture. Her work has been included in exhibitions and museum collections, including the Hammer Museum, the Los Angeles County Museum of Art, Denver Art Museum, Orange County Museum of Art and the National Museum of Mexican Art. [1] She was a recipient of the Artadia Award in 2019, the Rema Hort Mann Foundation YoYoYo Grant in 2015, and a California Community Foundation Emerging Artist Grant in 2013. In 2016, the LA Weekly named Argote their "Best Up and Coming Artist". [2]

Contents

Early life

Argote's family moved to Los Angeles, CA from Guadalajara, Mexico when she was five years old. [3] She attended community college near her home where she took her first art class and soon realized that art was what she wanted to pursue. [3] The reason for her exploration of the "notion of home" came about after her father decided to return to Mexico when she was seventeen in order to build a home for his family. This experience led to Argote's ongoing artwork, “If only it were that easy…(2018)”. [4]

Argote attended the University of California, Los Angeles where she received her BA in 2004 and her MFA in 2007. [5] [6] She was an "Artists in Residence" at the Skowhegan School of Painting and Sculpture in Maine during 2009. [7]

Career

Growing up in two countries created a mixed identity for Argote. Her art allowed her to incorporate her notions of home from Mexico into those of the United States by using reminders of her home in Guadalajara such as paintings, textiles and photographs. Her artwork combines the home and the immigrant experience through the use of personal objects. [8]

Work

Argote's artwork often revolves around Los Angeles. Her art focuses on combining architecture with the personal and using her surroundings her to tell her story. She explains her immigrant experience and how those surroundings create a sense of belonging and a notion of home. [9] She demonstrates her personal stories, and works with others to create a larger vision.

Argote was commissioned to create public art for the Metro Expo Line Station at 17th and Colorado Avenue in Santa Monica. [10] She uses materials that range from fiberglass to coffee pots or manta rays to produce photographs, sculptures and exhibits. [11] Argote forms connections among our surroundings to expand beyond the individual to explore how we inhabit these spaces. [12] These distinct landscapes create stories and narratives either from the past or present that can be felt through the body. Her work is featured in the collection of Pérez Art Museum Miami, Florida.

Major works

If only it were that easy…, 18th Street Arts Center Artist Lab, Santa Monica, CA

When Carmen Argote's father returned to Mexico he traveled on a California Moto Guzzi V11 EV motorcycle. [13] This memory never left Argote's mind. When she visited her father she saw his motorcycle and realized the connection it had with her. She explains how riding the motorcycle back to where her father left would help her heal the pain from abandonment. She called out to artists who ride or have ridden motorcycles in order to learn how to ride the bike and understand the relationship it has with the rider. They gathered in Griffith Park and set up a system to speak with each other while riding that allowed those nearby to hear the conversation and learn what the riders were thinking about without necessarily riding the bikes themselves. This project helps explain the relationship that riders have with their bikes and how they inhabit each space that they reach. Her project culminates when she is able to bring her father's bike from Mexico to Los Angeles. This will allow her to understand her father's experience and journey and to interpret it through her body.

Filtration System for a Process Based Practice

The materials featured in this exhibition include linen, fiberglass, cotton rope, and unique articles. [14] Her inspiration came from Lincoln Park , near the neighborhood she grew up in. She used to could go there to reflect and consider the inequalities that exist nearby. The work is 5 feet tall. Argote designed it after a mound in Lincoln Park Lake. Argote used the tall piece as an island in her studio, and located a cover underneath where paint drips would fall. She painted the mound with a variety of colors that reminded her of her visits to the park. The cover in the end was used to cover the piece to symbolize the mound at the lake that covered what was underneath.

Exhibitions

Argote has solo and group exhibitions beginning in 2004. Notably:

Solo exhibitions [15]

  1. As Above, So Below, New Museum, New York, NY
  2. Nutrition For A Better Life (Compre Chatarra), Istanbul, Turkey
  3. Manéjese Con Cuidado, PAOS, Guadalajara, Mexico
  1. Deterioro y Poder, Instituto de Vision, Bogota, Colombia
  2. Pyramids, Panel LA, Los Angeles, CA
  1. Alex's Room, Commonwealth and Council, Los Angeles, CA
  2. Mansion Magnolia, Shulamit Nazarian, Venice, CA
  1. My father's side of Home, Human Resources, Los Angeles, CA
  1. 720 Sq.ft. Household Mutations, G727, Los Angeles, CA

Group exhibitions [16]

  1. Made in L.A. 2018, Hammer Museum, Los Angeles, CA
  2. Pacific Standard Time Performance Festival, REDCAT, Los Angeles,
  3. The House Imaginary, San Jose Museum of Art, San Jose, CA
  1. Monarchs, Museum of Contemporary Art, North Miami, FL
  2. Mi Tierra: Contemporary Artists Explore Place, Denver Art Museum, Denver, CO
  1. 5th Chicana/o Biennial, MACLA, San Jose, CA

Recognition

Related Research Articles

<span class="mw-page-title-main">Institute of Contemporary Art, Los Angeles</span> Contemporary art museum

The Institute of Contemporary Art, Los Angeles is a contemporary art museum in Los Angeles, California, United States. As an independent and non-collecting art museum, it exhibits the work of local, national, and international contemporary artists. Until May 2015, the museum was based at the Bergamot Station Arts Center in Santa Monica, California. In May 2016, the museum announced an official name change to the Institute of Contemporary Art, Los Angeles and its relocation to Los Angeles's Downtown Arts District. The museum reopened to the public in September 2017.

<span class="mw-page-title-main">Los Four</span> Artist collective in Los Angeles

Los Four was a Chicano artist collective active based in Los Angeles, California. The group was instrumental in bringing the Chicano art movement to the attention of the mainstream art world.

<span class="mw-page-title-main">Yolanda López</span> Mexican-American painter and activist (1942–2021)

Yolanda Margarita López was an American painter, printmaker, educator, and film producer. She was known for her Chicana feminist works focusing on the experiences of Mexican-American women, often challenging the ethnic stereotypes associated with them. Lopez was recognized for her series of paintings which re-imagined the image of the Virgen de Guadalupe. Her work is held in several public collections including the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art.

Elyse Pignolet is a visual artist living and working in Los Angeles, California.

<span class="mw-page-title-main">Alexandra Grant</span> American visual artist (born 1973)

Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.

<span class="mw-page-title-main">Judithe Hernández</span> American Chicana artist

Judithe Hernández is an American artist and educator, she is known as a muralist, pastel artist, and painter. She is a pioneer of the Chicano art movement and a former member of the art collective Los Four. She is based in Los Angeles, California and previously lived in Chicago.

Jesús Reyes Ferreira, (1880-1977) born José de Jesús Benjamín Buenaventura de los Reyes y Ferreira and also known as Chucho Reyes, was a self-taught artist and antiques/art collector and vendor. Reyes Ferreira began painting on crêpe paper, a delicate material not meant to last, as a way of decorating paper meant to wrap sales from his antiques/art store. The decorated paper became popular enough to be sold on its own. Although he began this activity in Guadalajara, he did not produce the bulk of his work until after he moved to Mexico City when he was 58 years old. Here he continued collecting and selling objects such as colonial art and Mexican handcrafts and folk art, being one of the early exponents for the appreciation of these objects. He also spent several hours a day painting. His work was first exhibited in 1950 with his first individual exhibition in 1967 at the Palacio de Bellas Artes after a half century of painting. As a self-taught painter, his works are relatively simple and often are dismissed as folk painting but they were and his aesthetics were praised by famous artists and architects at the time.

<span class="mw-page-title-main">Fred Sexton</span> American artist (1907–1995)

Fred Sexton was an American artist and creator of the Maltese Falcon statuette prop for the 1941 Warner Bros. film production, The Maltese Falcon.

Lari George Pittman is a Colombian-American contemporary artist and painter. Pittman is an Emeritus Distinguished Professor of Painting and Drawing at the UCLA School of the Arts and Architecture.

<span class="mw-page-title-main">Maren Hassinger</span> African-American artist and educator (born 1947)

Maren Hassinger is an African-American artist and educator whose career spans four decades. Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.”

Analia Saban is a contemporary conceptual artist who was born in Buenos Aires, Argentina, but is currently living in Los Angeles, California, United States. Her work takes traditional artistic media such as drawing, painting and sculpture and pushes their limits as a scientific experimentation with art making. Because of her pushing the limits with different forms of art, Saban has taken the line that separated the different art forms and merged them together.

Sonia Amalia Romero is an American artist, she is known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work.

Sherin Guirguis is a visual artist based in Los Angeles, California. Guirguis has had solo exhibitions of her work at 18th Street Art Center, The Third Line Gallery (Dubai), Shulamit Nazarian Gallery, and LAXART. In 2012, Guirguis received the California Community Foundation Fellowship for Visual Artists and the 2014–15 City of Los Angeles Individual Artist Fellowship.

Susana Casillas is a Mexican plastic artist internationally recognized for her portraiture artwork that displays influences of impressionism and figurative art. Her work has been displayed at numerous international art venues in Mexico, the United States, China, and France.

Virginia Jaramillo is an American artist of Mexican heritage. Born in 1939 in El Paso, Texas, she studied in Los Angeles before moving to New York City. She has exhibited in exhibitions internationally since 1959.

Isabel Castro, also known as Isabel Castro-Melendez, is a Mexican American artist born in Mexico City. She was raised and still resides in Los Angeles, California. Aside from being an artist, Castro's career includes curatorial work, education, journalism and photography.

Jim Isermann is an American artist. He is based in Palm Springs and Guerneville, California. In 1977 he graduated from University of Wisconsin-Milwaukee and then received an MFA from CalArts in 1980. His artwork has focused on post-war industrial design and architecture. He has participated in numerous exhibitions in art galleries and museum, and has also created large scale commissioned projects utilizing industrial manufacturing processes. His work has been presented in solo exhibitions at Richard Telles, Los Angeles, Praz-Delavallade, Paris (2010), Corvi-Mora, London (2011), Mary Boone Gallery, New York and others. Recent commissioned projects include works for the Hammer Museum in Los Angeles, CA, Yale University Art Museum in New Haven, CT, University of California, Riverside, Los Angeles Metro, and an installation for the Cowboys Stadium in Dallas, TX.

Ivan Argote is a Colombian artist and filmmaker based in Paris. Using humor and staged interventions, his performance pieces and installations challenge dominant political ideologies.

Pearl C. Hsiung is a Taiwan-born American multi-media artist based in Los Angeles.

Margaret Garcia is a Chicana muralist, educator, and arts-advocate based in Los Angeles.

References

  1. "Carmen Argote – Hammer Museum". The Hammer Museum. Retrieved March 9, 2019.
  2. 1 2 "Best Up-and-Coming Artist: Carmen Argote | Best of L.A. 2016: Your Key to the City". L.A. Weekly. Retrieved March 9, 2019.
  3. 1 2 Cheng, Scarlet. "Carmen Argote: Riding It Out.” Artillery Magazine, May 2, 2018, artillerymag.com/carmen-argote-riding-it-out/.
  4. “CARMEN ARGOTE.” Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/series/if-only-it-were-that-easy/.
  5. "CARMEN ARGOTE." Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/cv/.
  6. "Carmen Argote January 16 – March 23, 2018". 18th Street Arts Center. Retrieved March 9, 2019.
  7. "CARMEN ARGOTE." Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/cv/.
  8. 1 2 "CARMEN ARGOTE." Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/cv/.
  9. "Carmen Argote." CalArts School of Art, art.calarts.edu/events/carmen-argote.
  10. Chiland, Elijah (May 21, 2016). "Inside the Art at the New Expo Line Stations". Curbed LA. Retrieved March 9, 2019.
  11. "Carmen Argote – Hammer Museum." The Hammer Museum, June 29, 2018, hammer.ucla.edu/exhibitions/2018/made-in-la-2018/carmen-argote/.
  12. Bonney, Grace. In the Company of Women: Inspiration and Advice from over 100 Makers, Artists, and Entrepreneurs. Artisan, 2016.
  13. “CARMEN ARGOTE.” Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/series/if-only-it-were-that-easy/.
  14. “CARMEN ARGOTE.” Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/work/filtration-system-for-a-process-based-practice/.
  15. Carmen Argote. Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/cv/.
  16. Carmen Argote. Carmen Argote Art 17th StreetSMC Expo Line Station Artwork Design Comments, carmenargote.com/cv/.