William Kennedy Laurie Dickson was a British inventor who devised an early motion picture camera under the employment of Thomas Edison.
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide. The standard image exposure length on 35 mm for movies is four perforations per frame along both edges, which results in 16 frames per foot of film.
Blacksmith Scene is an 1893 American short black-and-white silent film directed by William K.L. Dickson, the Scottish-French inventor who, while under the employ of Thomas Edison, developed one of the first fully functional motion picture cameras. It is historically significant as the first Kinetoscope film shown in public exhibition on May 9, 1893, and is the earliest known example of actors performing a role in a film. It was also the first U.S. motion picture film ever copyrighted that same year. 102 years later, in 1995, Blacksmithing Scene was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It is the second-oldest film included in the Registry, after Newark Athlete (1891).
The following is an overview of the events of 1895 in film, including a list of films released and notable births.
The following is an overview of the events of 1894 in film, including a list of films released and notable births.
A movie camera is a type of photographic camera that rapidly takes a sequence of photographs, either onto film stock or an image sensor, in order to produce a moving image to display on a screen. In contrast to the still camera, which captures a single image at a time, the movie camera takes a series of images by way of an intermittent mechanism or by electronic means; each image is a frame of film or video. The frames are projected through a movie projector or a video projector at a specific frame rate to show the moving picture. When projected at a high enough frame rate, the persistence of vision allows the eyes and brain of the viewer to merge the separate frames into a continuous moving picture.
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.
The Dickson Experimental Sound Film is a film made by William Dickson in late 1894 or early 1895. It is the first known film with live-recorded sound and appears to be the first motion picture made for the Kinetophone, the proto-sound-film system developed by Dickson and Thomas Edison. The film was produced at the "Black Maria", Edison's New Jersey film studio. There is no evidence that it was ever exhibited in its original format.
Edwin Stanton Porter was an American film pioneer, most famous as a producer, director, studio manager and cinematographer with the Edison Manufacturing Company and the Famous Players Film Company. Of over 250 films created by Porter, his most important include What Happened on Twenty-third Street, New York City (1901), Jack and the Beanstalk (1902), Life of an American Fireman (1903), The Great Train Robbery (1903), The European Rest Cure (1904), The Kleptomaniac (1905), Life of a Cowboy (1906), Rescued from an Eagle's Nest (1908), and The Prisoner of Zenda (1913).
Fred Ott's Sneeze is an 1894 short, black-and-white, silent film shot by William K.L. Dickson and featuring Fred Ott. According to the Library of Congress, it is the second oldest surviving U.S. motion picture to be copyrighted, although it is now in the public domain.
The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was the most prominent U.S. film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.
The Black Maria was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.
Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.
Actuality film is a non-fiction film genre that uses footage of real events, places, and things, in a similar way to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. In practice, actuality films preceded the emergence of the documentary. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as prominent in early cinema as it would become once documentaries became the predominant non-fiction filmmaking form. Actuality as a film genre is related to still photography.
Herman Casler was an American inventor and co-founder of the partnership called the K.M.C.D. Syndicate, along with W.K-L. Dickson, Elias Koopman, and Henry Marvin, which eventually was incorporated into the American Mutoscope Company in December 1895.
Carmen Dauset Moreno, better known simply as Carmencita (1868–1910), was a Spanish-style dancer in American pre-vaudeville variety and music hall ballet.
Corbett and Courtney Before the Kinetograph is an 1894 American short black-and-white silent film produced by William K.L. Dickson and starring James J. Corbett. It was only the second boxing match to be filmed, following The Leonard-Cushing Fight which had been filmed by Dickson on June 14, 1894.
The Bold Bank Robbery is a 1904 short crime film produced and distributed by the Lubin Manufacturing Company. The silent film depicts a group of burglars who plan and execute a successful bank heist. Company employee Jack Frawley was the film's director, also coming up with the story and serving as cinematographer; the cast's identities are unknown. The silent film was the first Lubin Manufacturing Company release to feature an original narrative.
The Leonard-Cushing Fight is an 1894 American short black-and-white silent film produced by William K.L. Dickson, starring Mike Leonard and Jack Cushing. Leonard and Cushing participate in a six-round boxing match under special conditions that allow for it to be filmed and displayed on a Kinetograph. The film was shot on an uncertain date between May 24 and June 14, 1894, in a specially configurated ring in Edison's Black Maria film studio in West Orange, New Jersey. Premiered on August 4, 1894 in Manhattan, the movie is the first sports film ever released. As of 2023, no full print of the film is known to have survived, making it a partially lost film. A 23-second fragment is available at the Library of Congress.
