Blacksmithing Scene | |
---|---|
Directed by | William K.L. Dickson |
Starring | Charles Kayser John Ott |
Cinematography | William Heise |
Distributed by | Edison Manufacturing Company |
Release date |
|
Running time | 34 seconds |
Country | United States |
Language | Silent |
Blacksmith Scene (also known as Blacksmith Scene #1 and Blacksmithing Scene) is an 1893 American short black-and-white silent film directed by William K.L. Dickson, the Scottish-French inventor who, while under the employ of Thomas Edison, developed one of the first fully functional motion picture cameras. It is historically significant as the first Kinetoscope film shown in public exhibition on May 9, 1893, and is the earliest known example of actors performing a role in a film. It was also the first U.S. motion picture film ever copyrighted that same year. [1] 102 years later, in 1995, Blacksmithing Scene was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [2] It is the second-oldest film included in the Registry, after Newark Athlete (1891).
The film was produced by the Edison Manufacturing Company, which had begun making films in 1890 under the direction of William K.L. Dickson. It was filmed entirely within the Black Maria studio at West Orange, New Jersey, in the United States, which is widely referred to as "America's First Movie Studio". It is believed to have been filmed in April 1893 and was shown publicly, in a Kinetoscope viewer, at the Brooklyn Institute on May 9, 1893. [3]
According to the Internet Movie Database, the film was made in a 35 mm format with an aspect ratio of 1.33:1. The movie was intended to be displayed on a Kinetoscope. [4] Dickson selected a lens that worked best for medium shots and medium close-up shots and probably stationed his camera approximately ten to twelve feet from the anvil. [5]
The men featured are not true blacksmiths, nor are they in a blacksmith shop working on metal: they are performers on a set pretending to be blacksmiths and to have a drink in between. While the background is simply left black, the crew went through some trouble to bring in a real anvil, real sledgehammers and leather aprons. [5]
Actors | Characters |
---|---|
Charles Kayser | Blacksmith |
John Ott | Assistant |
Year | Award | Category — Recipient(s) |
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1995 | National Film Registry | National Film Registry |
A surviving 35-mm print of this film was found at the Henry Ford Museum; it is the source of the negative preserved by the Museum of Modern Art film archive. [3] Another copy is at the Edison National Historic Site, administered by the National Park Service. Because the film was finished before 1925, its copyright has expired; it is freely available on the World Wide Web.
William Kennedy Laurie Dickson was a British-American inventor who devised an early motion picture camera under the employment of Thomas Edison.
The Land Beyond the Sunset is a 1912 short, silent drama film which tells the story of a young boy, oppressed by his grandmother, who goes on an outing in the country with a social welfare group. It stars Martin Fuller, Mrs. William Bechtel, Walter Edwin, and Bigelow Cooper. Produced by Edison Studios in collaboration with the Fresh Air Fund, the screenplay was written by Dorothy G. Shore and directed by Harold M. Shaw.
The following is an overview of the events of 1895 in film, including a list of films released and notable births.
The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard for all cinematic projection before the advent of video: it created the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. First described in conceptual terms by U.S. inventor Thomas Edison in 1888, it was largely developed by his employee William Kennedy Laurie Dickson between 1889 and 1892. Dickson and his team at the Edison lab in New Jersey also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.
The Kiss is an 1896 short film, and was one of the first films ever shown commercially to the public. Around 18 seconds long, it depicts a re-enactment of the kiss between May Irwin and John Rice from the final scene of the stage musical The Widow Jones. The film was directed by William Heise for Thomas Edison. The film was produced in April 1896 at the Edison Studios of Edison, the first film studio in the United States. At the time, Edison was working at the Black Maria studios in West Orange, New Jersey.
The Dickson Experimental Sound Film is a film made by William Dickson in late 1894 or early 1895. It is the first known film with live-recorded sound and appears to be the first motion picture made for the Kinetophone, the proto-sound-film system developed by Dickson and Thomas Edison. The film was produced at the "Black Maria", Edison's New Jersey film studio. There is no evidence that it was ever exhibited in its original format.
Princess Nicotine; or, The Smoke Fairy is a 1909 five-minute silent trick film directed by J. Stuart Blackton.
Fred Ott's Sneeze is an 1894 short, black-and-white silent film shot by William K.L. Dickson and featuring Fred Ott. According to the Library of Congress, it is the second oldest surviving U.S. motion picture to be copyrighted, although it is now in the public domain.
The Black Maria was Thomas Edison's film production studio in West Orange, New Jersey. It was the world's first film studio.
Edison Studios was an American film production organization, owned by companies controlled by inventor and entrepreneur, Thomas Edison. The studio made close to 1,200 films, as part of the Edison Manufacturing Company (1894–1911) and then Thomas A. Edison, Inc. (1911–1918), until the studio's closing in 1918. Of that number, 54 were feature length, and the remainder were shorts. All of the company's films have fallen into the public domain because they were released before 1928.
Actuality film is a non-fiction film genre that uses footage of real events, places, and things, a predecessor to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as prominent in early cinema as it would become once documentaries became the predominant non-fiction filmmaking form. Actuality as a film genre is related to still photography.
Carmencita is an 1894 American short black-and-white silent documentary film directed and produced by William K.L. Dickson, the Scottish inventor credited with the invention of the motion picture camera under the employ of Thomas Edison. The film is titled after the dancer who features in it.
The decade of the 1890s in film involved some significant events.
Corbett and Courtney Before the Kinetograph is an 1894 American short black-and-white silent film produced by William K.L. Dickson and starring James J. Corbett. It was only the second boxing match to be filmed, following The Leonard-Cushing Fight which had been filmed by Dickson on June 14, 1894.
Hands Up! is a 1926 American silent comedy film directed by Clarence Badger, co-written by Monte Brice and Lloyd Corrigan, and starring Raymond Griffith, one of the great silent movie comedians. The film features fictional incidents involving actual historical figures such as Abraham Lincoln, Brigham Young, and Sitting Bull.
Newark Athlete is an 1891 American short silent film directed and produced by William Kennedy Dickson. The film, roughly 12 seconds in length, displays a young athlete swinging Indian clubs. The identity of the athlete is unknown. It was filmed in May or June 1891, in the Photographic Building at the Edison Laboratory, West Orange, New Jersey. The firm's Black Maria studio building was not constructed until late 1892 or early 1893. The film was made to be viewed using Thomas Edison's Kinetoscope.
Traffic in Souls is a 1913 American silent crime drama film focusing on forced prostitution in the United States. Directed by George Loane Tucker and starring Jane Gail, Ethel Grandin, William H. Turner, and Matt Moore, Traffic in Souls is an early example of the narrative style in American films. The film consists of six reels, which was longer than most American films of the era.
Rip Van Winkle is a 1903 American short black-and-white silent compilation film written and directed by William K.L. Dickson. It is adapted from the play by his friend and investor Joseph Jefferson with Dion Boucicault based on the 1819 story of the same name by Washington Irving.
The Leonard–Cushing Fight is an 1894 American short black-and-white silent film produced by William K.L. Dickson, starring Mike Leonard and Jack Cushing. Leonard and Cushing participate in a six-round boxing match under special conditions that allow for it to be filmed and displayed on a Kinetograph. The film was shot on an uncertain date between May 24 and June 14, 1894, in a specially configurated ring in Edison's Black Maria film studio in West Orange, New Jersey. Premiered on August 4, 1894 in Manhattan, the movie is the first sports film ever released. As of 2023, no full print of the film is known to have survived, making it a partially lost film. A 23-second fragment is available at the Library of Congress.