Carol Milne | |
|---|---|
 Carol Milne | |
| Born | January 1, 1962 |
| Nationality | Canadian-American |
| Known for | Knitted Glass work |
| Style | sculptor |
| Awards |
|
Carol Milne (born 1 January 1962) is an internationally recognized [1] [2] [3] Canadian American sculptor [4] living in Seattle, Washington. She is best known for her Knitted Glass work, [5] winning the Silver Award, in the International Exhibition of Glass Kanazawa Japan 2010. [6]
Milne's education included: [7]
Amazon Headquarters, Seattle, WA
Asheville Art Museum, Asheville, NC
Fuller Craft Museum, Brockton, MA
Glasmuseum Lette, Coesfeld, Germany The Glass Furnace, Istanbul, Turkey
Gustav Selter GmbH & Co KG, Germany
The Kamm Teapot Foundation, Sparta, NC
MusVerre Nord, Sars Poteries, France
Notojima Glass Art Museum, Ishikawa, Japan
UVU Woodbury Art Museum, Orem, UT all above [7]
Woven Glass: Artist Carol Milne knits delicate sculptures [8]
Artbeat NW 10-08-19 Glass Artist Carol Milne Artbeat Northwest Arts and Culture Podcast [9]
Seattle Magazine Arts and Culture. Amazon Studios: Inside the Tech Giant's Employee Art Programs [10]
Milne graduated in 1985 from the University of Guelph, Ontario, majoring in Landscape Architecture.
After working for a short while at a landscape architect's office, Milne worked at a pre-press graphics shop managing a small group of digital typesetters. In 1988–89 she was a graduate student in the University of Iowa's MFA program in sculpture.
From 1993 to 1996, Milne re-designed the Licton Springs, Seattle Playground in Seattle, [11] Washington. Working with ceramicist Lisa Halverson, and community volunteers, they worked with local school children to make urban wildlife tiles that were incorporated into the park design.
Since 2000, Milne has worked primarily in glass, although knitting also plays a major part in her non-glass sculptures. See, for example, "Grow Lights". [12] [13]
In 2006, Milne created "Knitted Glass", incorporating the techniques of knitting, lost-wax casting, mold-making, and kiln-casting. As Milne describes in, "Knitting wasn't yet cool...": [14] The process involves (A) knitting the original art piece using wax strands, (B) surrounding the wax with a heat-tolerant refractory material, (C ) then removing the wax by melting it out, thus creating a mold; (D) the mold is placed in a kiln where lead crystal "frit" heated to 1,530 Fahrenheit melts into the mold; (E) after the mold has cooled, the mold material is removed to reveal the finished piece within.
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