Caroline Augusta Lord | |
|---|---|
 Self Portrait | |
| Born | 1860 Cincinnati, Ohio |
| Died | 1927 (aged 66–67) Cincinnati, Ohio |
| Nationality | American |
| Education | Art Academy of Cincinnati Académie Julian Art Students League of New York |
| Known for | Painting, Educator |
Caroline Augusta Lord (1860-1927) was an American painter [1] who taught at the Art Academy of Cincinnati for decades.
Lord was born in 1860 in Cincinnati. [2] Beginning in 1884 she attended the Art Academy of Cincinnati where she studied with Thomas Satterwhite Noble and Lewis C. Lutz. She traveled to Paris in 1890 to study with Jean-Paul Laurens and Jean-Joseph Benjamin-Constant at the Académie Julian. While studying in Paris Lord became acquainted with fellow painter Elizabeth Nourse. In 1892 Lord moved to New York where she studied with Kenyon Cox at the Art Students League of New York. [3]
From 1892 through 1895 she exhibited at the Paris Salon. [4] She exhibited her work in the Cincinnati Room of the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. [5]
Lord was a member of the Society of Western Artists and the Cincinnati Women's Art Club. She taught at the Art Academy of Cincinnati for thirty-four years. [3]
Lord died in 1927 in Cincinnati. [3]
Series of three paintings depicting women employees at the Acme Laundry located at 911 Vine Street in Cincinnati, painted by Lord in 1911. [6]
Elizabeth Nourse was a realist-style genre, portrait, and landscape painter born in Mt. Healthy, Ohio, in the Cincinnati area. She also worked in decorative painting and sculpture. Described by her contemporaries as "the first woman painter of America" and "the dean of American woman painters in France and one of the most eminent contemporary artists of her sex," Nourse was the first American woman to be voted into the Société Nationale des Beaux-Arts. She also had the honor of having one of her paintings purchased by the French government and included in the Luxembourg Museum's permanent collection. Nourse's style was described by Los Angeles critic Henry J. Seldis as a "forerunner of social realist painting." Some of Nourse's works are displayed at the Cincinnati Art Museum.
Lydia Amanda Brewster Sewell was a 19th-century American painter of portraits and genre scenes. Lydia Amanda Brewster studied art in the United States and in Paris before marrying her husband, fellow artist Robert Van Vorst Sewell. She won a bronze medal for her mural Arcadia at The World's Columbian Exposition in 1893. She continued to win medals at expositions and was the first woman to win a major prize at the National Academy of Design, where she was made an Associate Academian in 1903. She was vice president of the Woman's Art Club of New York by 1906. Her works are in several public collections.
Ida Eléonora Davida von Schulzenheim (1859–1940) was a Swedish painter. Her foremost motif was paintings of animals.
Mary Augusta Hiester Reid (1854–1921) was an American-born Canadian painter and teacher. She was best known as a painter of floral still lifes, some of them called "devastatingly expressive" by a contemporary author, and by 1890 she was thought to be the most important flower painter in Canada. She also painted domesticated landscapes, night scenes, and, less frequently, studio interiors and figure studies. Her work as a painter is related in a broad sense to Tonalism and Aestheticism or "art for art's sake".
Louise de Hem (1866–1922) was a Belgian painter. She grew up in Ypres, Belgium. Her talent was discovered by Théodore Ceriez (1831–1904), a painter who had married her sister Hélène. Since women were not yet admitted to the academies he educated her and already in 1885 her painting "De Oesters" was exhibited at a salon in Spa. Jules Breton saw her work and encouraged her to go to Paris for further education.
Gabrielle de Veaux Clements was an American painter, print maker, and muralist. She studied art at the Philadelphia School of Design for Women, Pennsylvania Academy of the Fine Arts, and in Paris at Académie Julian. Clements also studied science at Cornell University and graduated with a Bachelor of Science degree. She created murals, painted portraits, and made etchings. Clements taught in Philadelphia and in Baltimore at Bryn Mawr School. Her works have been exhibited in the United States and at the Paris Salon. Clements works are in several public collections. Her life companion was fellow artist Ellen Day Hale.
Harriet Campbell Foss was an American painter.
Augusta Dohlmann also known as Henriette Augusta Johanne Dohlmann (1847–1914) was a Danish painter. She was known for her flower painting.
Emma Josepha Sparre was a Swedish painter.
Ida Cole Haskell was an American painter and educator. She is known for her landscape and genre paintings. She taught painting at the Pratt Institute.
Luella A. Varney Serrao (1865–1935) was an American sculptor. She was known for her portraits of notable Americans.
Caroline Dupee Wade (1857-1947) was an American painter. She taught at the Art Institute of Chicago and was featured prominently at the 1893 World's Columbian Exposition in Chicago, Illinois.
Clara Augusta Amalie Emma Lobedan (1840–1918) was a German painter, watercolorist, pastelist, ceramicist, and craftsman.
Christine Sloan Bredin (1860–1934) was an American painter, illustrator, and teacher.
Cornelia Stuart Cassady Davis (1870–1920) was an American painter known for her portraits of Native Americans of the American west.
Alice Viola Guysi (1863–1940) was an American painter who served as the Director of Art in the Detroit Public Schools for over three decades. Her younger sister Jeanette Guysi mirrored her career in painting and teaching.
Jeanette Guysi (1873–1966) was an American painter who was principal of the Detroit Museum School of Art. Her career path followed that of her elder sister, Alice Viola Guysi.
Retta Therese Matthews was an American painter and sculptor.
Adelaide Elizabeth Wadsworth (1844-1928) was an American painter.
Lydia Purdy Hess was an American artist best known for her Portrait of Miss E. H., which was exhibited at the Paris Salon de la Societé Nationale des Beaux-Arts, the Pennsylvania Academy of Fine Arts, and the World's Columbian Exposition in Chicago in 1893.
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