Caroline Rannersberger (born 1961 in Adelaide) is an Australian visual artist based in Tasmania. Her work spans several mediums, including painting, installation art, printmaking, and curating.
Rannersberger is best known for landscape paintings that examine "the dualities of the natural landscape". [1] Much of her work is influenced by the rhizomatic model of Deleuzian philosophy (Gilles Deleuze), in which the existence of multiple viewpoints, rather than one fixed perspective, enables a landscape to contain multiple (and even shifting) points of connection across time and space. [2]
Rannersberger has collaborated with other artists in multi-form installations, including New York-based Australian musician Sam Nester. [3]
Her work is held by the National Gallery of Australia [4] and the Museum and Art Gallery of the Northern Territory. [5]
Rannersberger has been a finalist in major Australian art prizes, including the Glover Prize. [6]
Rannersberger is a director of the Bruny Island Foundation for the Arts. [7]
Australian art is any art made in or about Australia, or by Australians overseas, from prehistoric times to the present. This includes Aboriginal, Colonial, Landscape, Atelier, early-twentieth-century painters, print makers, photographers, and sculptors influenced by European modernism, Contemporary art. The visual arts have a long history in Australia, with evidence of Aboriginal art dating back at least 30,000 years. Australia has produced many notable artists of both Western and Indigenous Australian schools, including the late-19th-century Heidelberg School plein air painters, the Antipodeans, the Central Australian Hermannsburg School watercolourists, the Western Desert Art Movement and coeval examples of well-known High modernism and Postmodern art.
John Glover was an English-born artist. In later life he migrated to Van Diemen’s Land and became a pastoralist during the early colonial period. He has been dubbed "the father of Australian landscape painting."
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Building in 2020, it is the 12th largest art museum in the world based on square feet of gallery space. The permanent collection of the museum spans more than 6,000 years of history with approximately 70,000 works from six continents.
Elisabeth Cummings is an Australian artist known for her large abstract paintings and printmaking. She has won numerous awards including Fleurieu Art Prize, The Portia Geach Portrait Prize, The Mosman Art Prize, and The Tattersalls Art Prize. Her work is owned in permanent collections across Australia including Artbank, The Queensland Art Gallery, The Gold Coast City Art Gallery and the Art Gallery of New South Wales. She is notable for receiving recognition later in her career, considered by the Australian Art Collector as one of the 50 most collectible Australian Artists.
The Fleurieu Art Prize is a non-acquisitive award, open to Australian visual artists aged 18 years and older. The prize encompasses any two- or three-dimensional artwork submissions that follow an annual thematic concept and includes a monetary gift and significant exposure for the artists and their works. Exhibitions for the Prize are held in various South Australian locations, including McLaren Vale and Goolwa. The exhibitions are open to the public at places including Stump Hill Gallery, the Fleurieu Visitors Information Centre, the Fleurieu Art House and the Hardy's Tintara Sculpture Park.
Kysa Johnson is a contemporary artist, drawings, paintings and installations explore patterns in nature that exist at the extremes of scale. Using the shapes of subatomic decay patterns, maps of the universe or the molecular structure of pollutants or of diseases and cures – in short, microscopic or macroscopic “landscapes” – it depicts a physical reality that is invisible to the naked eye. Often these micro patterns are built up to form compositions that relate to them conceptually.. Johnson graduated with honors from the Glasgow School of Art in Glasgow, Scotland. She has exhibited at, among other venues, The Aldrich Museum of Contemporary Art, The Tang Museum, The DeCordova Museum, Dublin Contemporary, The Nicolaysen Museum, The Katonah Museum of Art, The Hudson River Museum, The 2nd Biennial of the Canary Islands, The National Academy of Science, Morgan Lehman Gallery, Von Lintel Gallery, and Halsey McKay. Her work has been written about extensively including in Art Forum, The New York Times, Interview Magazine, and The San Francisco Chronicle. Her work is included in many public collections including MIT, Microsoft, The Progressive Collection, Deutsche Bank, and Credit Suisse. She is a NYFA fellow (2003) and Pollock Krasner Grant recipient (2010).
Danie Mellor is an Australian artist who was the winner of 2009 National Aboriginal & Torres Strait Islander Art Award. Born in Mackay, Queensland, Mellor grew up in Scotland, Australia, and South Africa before undertaking tertiary studies at North Adelaide School of Art, the Australian National University (ANU) and Birmingham Institute of Art and Design. He then took up a post lecturing at Sydney College of the Arts. He works in different media including printmaking, drawing, painting, and sculpture. Considered a key figure in contemporary Indigenous Australian art, the dominant theme in Mellor's art is the relationship between Indigenous and non-Indigenous Australian cultures.
Contemporary Indigenous Australian art is the modern art work produced by Indigenous Australians, that is, Aboriginal Australians and Torres Strait Islander people. It is generally regarded as beginning in 1971 with a painting movement that started at Papunya, northwest of Alice Springs, Northern Territory, involving Aboriginal artists such as Clifford Possum Tjapaltjarri and Kaapa Tjampitjinpa, and facilitated by white Australian teacher and art worker Geoffrey Bardon. The movement spawned widespread interest across rural and remote Aboriginal Australia in creating art, while contemporary Indigenous art of a different nature also emerged in urban centres; together they have become central to Australian art. Indigenous art centres have fostered the emergence of the contemporary art movement, and as of 2010 were estimated to represent over 5000 artists, mostly in Australia's north and west.
Shani Rhys James MBE is a Welsh painter based in Llangadfan, Powys. She has been described as "arguably one of the most exciting and successful painters of her generation" and "one of Wales’ most significant living artists". She was elected to the Royal Cambrian Academy of Art in 1994. In the 2006 New Years Honours she was appointed Member of the Order of the British Empire (MBE) for "services to art".
Anthony White is an Australian visual artist. A National Art School, Sydney, graduate, White has worked and lived in Paris since 2009. White has held solo exhibitions in Melbourne, Sydney, Paris, Latvia, London and Hong Kong.
Lisa Marie Reihana is a New Zealand artist. Her video work, In Pursuit of Venus [Infected] (2015), which examines early encounters between Polynesians and European explorers, was featured at the 2017 Venice Biennale.
Neil Haddon is a British/Australian painter. His paintings display a wide variety of influences and styles, from hard edge geometric abstraction to looser expressive figurative painting. Haddon currently lives and works in Hobart, Tasmania.
Sondra Perry is an interdisciplinary artist who works with video, computer-based media, installation, and performance. Perry's work investigates "blackness, black femininity, African American heritage" and the portrayal or representation of black people throughout history, focusing on how blackness influences technology and image making. Perry explores the duality of intelligence and seductiveness in the contexts of black family heritage, black history, and black femininity. "Perry is committed to net neutrality and ideas of collective production and action, using open source software to edit her work and leasing it digitally for use in galleries and classrooms, while also making all her videos available for free online. This principle of open access in Perry's practice aims to privilege black life, to democratize access to art and culture, and to offer a critical platform that differentiates itself from the portrayal of blackness in the media". For Perry, blackness is a technology which creates fissures in systems of surveillance and control and thus creates inefficiency as an opportunity for resistance.
Lilian Garcia-Roig is a Cuban-born, American painter based in Florida. She is mostly known for her large-scale painting installations of densely forested landscapes.
Ann Thomson is an Australian painter and sculptor. She is best known for her large-scale public commissions Ebb Tide (1987) for the Sydney Convention and Exhibition Centre and Australia Felix (1992) for the Seville World Expo. In 1998 she won the [Art Gallery of New South Wales' Wynne Prize. Her work is held in national and international collections, including: the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney, Newcastle Art Gallery, Newcastle, Thyssen-Bornemisza Collection, Madrid and Villa Haiss Museum, Germany.
Barbara Mbitjana Moore is an Anmatyerre woman who grew up in Ti-Tree in the Northern Territory, moving later to Amata in South Australia's Anangu Pitjantjatjara Yankunytjatjara (APY) Lands. In April 2003, Moore began painting at Amata's Tjala Arts, and, since then, has received widespread recognition. Moore won a National Aboriginal & Torres Strait Islander Art Award in 2012 and has been a finalist in many other years. Moore has also been a finalist for the Wynne Prize.
Chrissie Iles is a British-American art curator, critic, and art historian. She is the Anne & Joel Ehrenkranz Curator at the Whitney Museum of American Art in New York City.
Jacqueline Hick was an Australian painter whose work is held in the permanent collections of multiple museums in Australia. She is known for her work depicting human figures and the Australian landscape. She is the subject of the 2013 book Jacqueline Hick: Born Wise.
Anna Glynn is an Australian visual artist whose diverse work spans the mediums of painting, drawing, installation, moving image, sound and sculpture. Her works have been shown in multiple exhibitions and are represented in the collections of numerous public galleries.