Ellen Day Hale was an American Impressionist painter and printmaker from Boston. She studied art in Paris and during her adult life lived in Paris, London and Boston. She exhibited at the Paris Salon and the Royal Academy of Arts. Hale wrote the book History of Art: A Study of the Lives of Leonardo, Michelangelo, Raphael, Titian, and Albrecht Dürer and mentored the next generation of New England female artists, paving the way for widespread acceptance of female artists.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Belkis Ayón was a Cuban printmaker who specialized in the technique of collography. Ayón created large, highly detailed allegorical collagraphs based on Abakuá, a secret, all-male Afro-Cuban society. Her work is often in black and white, consisting of ghost-white figures with oblong heads and empty, almond-shaped eyes, set against dark, patterned backgrounds.
Anna P. Baker was a Canadian visual artist.
Bertha Boynton Lum was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia.
Lilian May Miller was an American painter, woodblock printmaker and poet born in Tokyo, Japan. In the world of art she marked her place with imagery, while she attended presentations in traditional kimonos, and signed her paintings with a monogram.
Caroline Wogan Durieux was an American printmaker, painter, and educator. She was a Professor Emeritus at both Louisiana State University, where she worked from 1943 to 1964 and at Newcomb College of Tulane University (1937–1942). Carl Zigrosser, Keeper of Prints at the Philadelphia Museum of Art, wrote:
"Durieux is master of her instrument. It is like an epigram delivered in a deadpan manner:the meaning sinks in casually; when all of a sudden the full impact dawns on one, it haunts one for days. Her work has that haunting quality because its roots are deep, its vision profound".
Ellen Lanyon was a painter and printmaker from Chicago, Illinois. She received her BFA from the School of the Art Institute of Chicago (SAIC), her MFA from the University of Iowa School of Art and Art History and studied restoration at the Courtauld Institute of Art. She also received an honorary doctorate from SAIC. Her works are in the permanent collections of many major American museums, including the Art Institute of Chicago, the Museum of Contemporary Art Chicago, the Metropolitan Museum of Art, the Smithsonian American Art Museum, and the Ulrich Museum.
Jan Senbergs is an Australian artist and printmaker of Latvian origin.
Ericka Walker is an American artist and printmaker. She lives and works in Halifax, Nova Scotia, Canada.
Anne Desmet is a British artist who specializes in wood engravings, linocuts and mixed media collages. She has had three major museum retrospectives, received over 30 international awards, and her work is in museum collections and publications worldwide.
Frances Gearhart was an American printmaker and watercolorist known for her boldly drawn and colored woodcut and linocut prints of American landscapes. Focused especially on California's coasts and mountains, this body of work has been called "a vibrant celebration of the western landscape." She is one of the most important American color block print artists of the early 20th century.
Kay Brown (1932-2012) was an African American artist, Printmaker, published author, Graphic and Fashion designer. She graduated at New York City College in 1968, with a Bachelor of Fine Arts degree. She was also a graduate at Howard University in 1986 with a Master of Fine Arts degree. Brown became the first woman awarded a membership into the Weusi Artist Collective, based in Harlem during the 1960s and 1970s. The Weusi Collective, named for the Swahili word for “blackness”, was founded in 1965, composed entirely of men. The fact that she was the only female member of this collective inspired her to seek out ways of representing the neglected Black female artists. She is widely acknowledged as one of the founders of the Where We At Black women artists' collective in New York City. Brown's works are credited for representing issues that affected the global Black community via her mixed media collages and prints. Brown's work was featured in the "We Wanted a Revolution" exhibition at the Brooklyn Museum.
Katrina Andry is an American visual artist and printmaker. She is based in New Orleans, Louisiana.
Beatrice Sophia Steinfeld Levy was an American printmaker and painter, draftsman, and instructor.
Ferol Katherine Sibley Warthen, also known as Mrs. Lee R. Warthen, was an American painter and printmaker.
Richard Wainwright "Thor" Thorington Jr. was an American zoologist who made seminal contributions to mammalogy and evolutionary biology. He was known especially for his expertise on squirrels. After preparatory school at the Haverford School, he received the A.B. in biology from Princeton University in 1959 followed by the M.A. in 1963 and Ph.D. in 1964, both from Harvard University. His doctoral dissertation, supervised by Ernst Mayr, was entitled The biology of rodent tails: A Study of form and function. On completing his doctorate he took a position as primatologist with Harvard's Regional Primate Center, in which capacity he studied monkeys in Brazil, Colombia, and Panama. In 1969 he moved to the Smithsonian Institution as a curator of mammals, where he remained until his retirement in 2009. From 1987 until 1992 he served as chair of the department of vertebrate zoology.
Lisa Bulawsky is a contemporary artist known for her works on paper, temporary public art, and printmaking.
Mary Teichman is an American artist and printmaker known for her color aquatint etchings.
Karen Kunc,, is a printmaker and book artist whose artwork utilizes, augments, and distorts symbols of nature. She attended the University of Nebraska-Lincoln and received her BFA in 1975.Her work examines the colors, shapes, and forms of both the natural and artificial landscapes present within our society. Ultimately, she abstracts the visual motifs of both worlds within her art, providing insight into each one and the interaction between them. Her art books, prints, and other artistic ventures have achieved vast critical acclaim nationally and internationally, and her impact within the art world is notable.
