Thomas Dartmouth "Daddy" Rice was an American performer and playwright who performed blackface and used African American vernacular speech, song and dance to become one of the most popular minstrel show entertainers of his time. He is considered the "father of American minstrelsy". His act drew on aspects of African American culture and popularized them with a national, and later international, audience.
"Jump Jim Crow" or "Jim Crow" is a song and dance from 1828 that was done in blackface by white minstrel performer Thomas Dartmouth "Daddy" Rice. The song is speculated to have been taken from Jim Crow, a physically disabled enslaved African, who is variously claimed to have lived in St. Louis, Cincinnati, or Pittsburgh. The song became a 19th-century hit and Rice performed all over the United States as "Daddy Pops Jim Crow".
This article is about music-related events in 1875.
The minstrel show, also called minstrelsy, was an American form of racist entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people in make-up or blackface for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows lampooned black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.
George Washington Johnson was an American singer and pioneer sound recording artist, the first American recording star of the phonograph.
Robert Allen Cole Jr. was an American composer, actor, playwright, and stage producer and director.
Antonio Pastor was an American impresario, variety performer and theatre owner who became one of the founding forces behind American vaudeville in the mid- to late-nineteenth century. He was sometimes referred to as the "Dean of Vaudeville." The strongest elements of his entertainments were an almost jingoistic brand of United States patriotism and a strong commitment to attracting a "mixed-gender" audience, the latter being something revolutionary in the male-oriented variety halls of the mid-century. Although he was a performer and producer, Pastor is best known for "cleaning up" bawdy variety acts and presenting a clean and family friendly genre called vaudeville.
Henry Clay Work was an American composer and songwriter known for the songs Kingdom Coming, Marching Through Georgia, Wreck of the Old 97 and My Grandfather's Clock.
"Carry Me Back to Old Virginny" is a song written circa 1878 by James A. Bland (1854–1911), an African-American composer and minstrel performer. It was Virginia's state song from 1940 until 1997.
James Alan Bland, also known as Jimmy Bland, was an American musician, song writer, and minstrel performer. He is best known for the song "Carry Me Back to Old Virginny" which was the official State Song of Virginia from 1940 to 1997.
Collins & Harlan, the team of American singers Arthur Collins and Byron G. Harlan, formed a popular comic duo between 1903 and 1926. They sang ragtime standards as well as what were known as "coon songs" – music sung by white performers in a black dialect. Their material also employed many other stereotypes of the time including Irishmen and farmers. Rival recording artist Billy Murray nicknamed them "The Half-Ton Duo" as both men were rather overweight. Collins and Harlan produced many number one hits with recordings of minstrel songs such as "My Gal Irene", "I Know Dat I'll be Happy Til I Die", "Who Do You Love?" and "Down Among the Sugarcane". Their song "That Funny Jas Band from Dixieland", recorded November 8, 1916, is among the first recorded uses of the word "jas" which eventually evolved to "jass", and to the current spelling "jazz".
"Dixie", also known as "Dixie's Land", "I Wish I Was in Dixie", and other titles, is a song about the Southern United States first made in 1859. It is one of the most distinctively Southern musical products of the 19th century. It was not a folk song at its creation, but it has since entered the American folk vernacular. The song likely cemented the word "Dixie" in the American vocabulary as a nickname for the Southern U.S.
Sam Lucas was an American actor, comedian, singer, and songwriter. Sam Lucas's exact date of birth is disputed. Lucas's year of birth, to freed former slaves, has also been cited as 1839, 1840, 1841, and 1850.
Billy Kersands was an African-American comedian and dancer. He was the most popular black comedian of his day, best known for his work in blackface minstrelsy. In addition to his skillful acrobatics, dancing, singing, and instrument playing, Kersands was renowned for his comic routines involving his large mouth, which he could contort comically or fill with objects such as billiard balls or saucers. His stage persona was that of the dim-witted black man of the type that had been popularized in white minstrel shows. Modern commentators such as Mel Watkins cite him as one of the earliest black entertainers to have faced the dilemma of striking a balance between social satire and the reinforcement of negative stereotypes.
"Miss Lucy Long", also known as "Lucy Long" as well as by other variants, is an American song that was popularized in the blackface minstrel show.
Coon songs were a genre of music that presented a stereotype of Africans. They were popular in the United States and Australia from around 1880 to 1920, though the earliest such songs date from minstrel shows as far back as 1848, when they were not yet identified with "coon" epithet. The genre became extremely popular, with white and black men giving performances in blackface and making recordings. Women known as coon shouters also gained popularity in the genre.
Henry Hart (1839–1915) was an American composer, singer, and violinist. He led the Henry Hart Minstrels, was proclaimed a "social necessity" in Indianapolis, Indiana, and was the leader of a family musical group that Emma Lou Thornbrough called "the best-known group of colored entertainers in the state."
Hugo Cannon, publishing as Hughie Cannon, was an American songwriter and pianist whose best-known composition was the popular ragtime song "(Won't You Come Home) Bill Bailey".
John F. Perry & Co. was a music publisher in Boston, Massachusetts in the mid-19th century.
