Casa Lamm

Last updated
Casa Lamm Cultural Center ArtGalleryRomaDF.JPG
Casa Lamm Cultural Center

The Casa Lamm Cultural Center was built in the early 20th century when Colonia Roma was a new neighborhood for the wealthy leaving the historic center of Mexico City. [1] [2] In the 1990s the house was restored, and since 1994 it hosts exhibits as well as offering classes in art and literature.

Contents

History

Casa Lamm was a project to rehabilitate one of the old mansions which was supported by local authorities. [3] The house was originally constructed as part of Colonia Roma, which was a development in the late 19th and early 20th century on a former horse farm owned by Pedro Lascurain. While Lascurain was part of the project initially, Lewis Lamm took over in 1914, building houses for the wealthy moving out of the city center. The house itself was finished in 1911 situated on Alvaro Obregon Street #99 where it still stands. Like others built during this time, the architecture broke with that of the colonial period, heavily influenced by European, especially French, trends of the late 19th and early 20th centuries. It initially was meant to be the residence of Lewis Lamm and his family, but he never lived there. He rented the property to the Marists, it became the Colegio Francés Jalisco, a school for boys. During the Cristero War, Lamm asked for the return of his property. He received it but in poor condition. Upon Lamm’s death in 1939, his widow sold the property to the García Collantes family who kept it until 1990, keeping the house from being demolished like many of the Colonia in the latter 20th century for redevelopment. [4]

In 1993, restoration work on the house began although much of the house’s original elements were lost due to time and neglect. When restoration work was finished, it became the Casa Lamm Cultural Center in 1994. [4] When the Center opened there was no bookstore, or galleries and the workshops will still in progress. Beatriz Espejo inaugurated the space dedicated to literature, which as hosted names such as Guillermo Arreola, Álvaro Mutis and Octavio Paz . [5] It was part of a larger project to make Colonia Roma a center for the visual arts in Mexico and attract more galleries, artists and others to set up shop here. The ongoing project has had mixed success. It has attracted the participation of entities such as the Salón de la Plástica Mexicana, the Universidad de la Comunicación, Jomart, the Universidad Interamericana de México and the Casa de Francia, and various galleries have has full and profitable shows. However, security problems and lack of maintenance of public areas in the colonia by the city government have sometimes made it difficult to attract or keep artists and institutions. [2]

Facilities

Courtyard inside Casa Lamm Casa Lamm CCRC 05.jpg
Courtyard inside Casa Lamm

The institute consists of art exhibition space and management, some graduate level programs in the fine arts and a restaurant and bookstore, which are open to the public. Since it opened, it has hosted numerous art exhibitions. [1] The art exhibitions are held in the various galleries that are in the building. There is a committee which chooses the artists to exhibit which includes known names as well as new talents. [5] In 2010, the Center held over fifteen exhibitions related to painting, photography and other disciplines, including those by Jacinto de Marín, and Francisco Toledo . [6]

In 1999, it received custody of Televisa’s large art collection, which was formerly housed in the Centro de Arte Contemporaneo in Polanco. [1] [7] The main challenge in accepting the collection was to build adequate facilities for its preservation. One of the downstairs galleries was converted for the purpose. The space contains four areas: the vault (which is fifty cm off the floor to control humidity), a research and consultation room for experts, one for the general public and a space for exhibitions of pieces selected on a rotating basis. The walls of the vault are isolated from those of the room which contains controls for temperature and humidity. The collection contains 2,294 images that Manuel Álvarez Bravo collected over twenty years. It contains works by pioneers such as Charles Gerard, William Henry Fox Talbot, Henri Cartier-Bresson, Kati Horna, Karl Blossfeldt, Man Ray, Guillermo Kahlo, Edward Weston, Tina Modotti, Graciela Iturbide, Pablo Ortiz Monasterio and Rafael Doniz as well as by Alvarez Bravo himself. The entire collection has also been digitalized. [7]

On the ground floor of the building, facing the street are the bookstore and restaurant. The Liberia Pegaso bookstore contains large selections in English and Spanish, especially in art-related books, but there are also books on literature, history and poetry. [1] [4] The Las Flores del Mal restaurant was last remodeled in 2003, and is considered to be a very fashionable place to eat. Most of the dining area is centered on an open-air patio accented by a black fountain. Many of the restaurant’s patrons are those dedicated to the arts and media. It can also be rented for special events. It has a wide variety wines from various countries but the menu is not extensive containing international cuisine with Mexican touches such as huitlacoche, epazote and tamarind. [8] [9]

The center offers bachelor’s in art history, as well as masters in art, art appreciation and literary creation and a doctorate in art history. [4] The bachelor’s is offered in conjunction with Secretariat of Public Education . [5] It also offers courses, certificate programs, seminars and workshops in various disciplines such as art history, Mexican history, archeology, painting, sculpture, philosophy, music and cinema. It also contains an art library with almost 12,000 volumes, just over 680 videos. [4] [10]

Related Research Articles

<span class="mw-page-title-main">Coyoacán</span> Borough in Mexico City, Mexico

Coyoacán is a borough in Mexico City. The former village is now the borough's "historic center". The name comes from Nahuatl and most likely means "place of coyotes", when the Aztecs named a pre-Hispanic village on the southern shore of Lake Texcoco dominated by the Tepanec people. Against Aztec domination, these people allied with the Spanish, who used the area as a headquarters during the Spanish conquest of the Aztec Empire and made it the first capital of New Spain between 1521 and 1523.

<span class="mw-page-title-main">Manuel Álvarez Bravo</span> Mexican photographer

Manuel Álvarez Bravo was a Mexican artistic photographer and one of the most important figures in 20th century Latin American photography. He was born and raised in Mexico City. While he took art classes at the [Academy of San Carlos], his photography is self-taught. His career spanned from the late 1920s to the 1990s with its artistic peak between the 1920s and 1950s. His hallmark as a photographer was to capture images of the ordinary but in ironic or Surrealistic ways. His early work was based on European influences, but he was soon influenced by the Mexican muralism movement and the general cultural and political push at the time to redefine Mexican identity. He rejected the picturesque, employing elements to avoid stereotyping. He had numerous exhibitions of his work, worked in the Mexican cinema and established Fondo Editorial de la Plástica Mexicana publishing house. He won numerous awards for his work, mostly after 1970. His work was recognized by the UNESCO Memory of the World registry in 2017.

<span class="mw-page-title-main">Zona Rosa, Mexico City</span> Neighborhood in Cuauhtémoc, Mexico City, Mexico

Zona Rosa is an area in Mexico City which is known for its shopping, nightlife, gay community and its recently established Korean community. The larger official neighborhood it is part of is Colonia Juárez, located just west of the historic center of Mexico City.

<span class="mw-page-title-main">Colonia Roma</span> Neighborhood in Cuauhtémoc, Mexico City, Mexico

Colonia Roma, also called La Roma or simply, Roma, is a district located in the Cuauhtémoc borough of Mexico City just west of the city's historic center. The area comprises two colonias: Roma Norte and Roma Sur, divided by Coahuila street.

<span class="mw-page-title-main">Lomas de Chapultepec</span> Neighborhood of Mexico City in Miguel Hidalgo

Lomas de Chapultepec is a colonia, or officially recognized neighborhood, located in the Miguel Hidalgo borough of Mexico City. It dates back to the 1920s, when it was founded with the name Chapultepec Heights. Home to some of the biggest mansions in the city and many high-net-worth individuals, it has gained a reputation of exclusivity. Its main entrance is through Paseo de la Reforma.

<span class="mw-page-title-main">Colonia Juárez, Mexico City</span> Neighborhood in Cuauhtémoc, Mexico City, Mexico

Colonia Juárez is one of the better–known neighborhoods or colonias in the Cuauhtémoc borough of Mexico City. The neighborhood is shaped like a long triangle with the boundaries: Paseo de la Reforma on the north, Avenida Chapultepec on the south, and Eje 1 Poniente on the east.

Demián Flores Cortés is a contemporary Mexican artist who works in multiple media. He has worked in graphic arts, painting, serigraphy and more producing work which often mixes images from his rural childhood home of Juchitán with those related to modern Mexico City. It also often including the mixture of pop culture images with those iconic of Mexico’s past. Much of Flores’ work has been associated with two artists’ workshops he founded in Oaxaca called La Curtiduría and the Taller Gráfica Actual. This work has included events related to the 2006 uprising in Oaxaca and the restoration of an 18th-century church. His work has been exhibited in Mexico City, Europe, Guatemala and Cuba.

Santos Balmori Picazo was a Spanish-Mexican painter whose heavily European style was not appreciated by his contemporaries of the Mexican muralism movement, but he had influence with the succeeding Generación de la Ruptura artists. He trained and began his art career in Europe moving later to Mexico City. He became a professor and researcher at the Escuela Nacional de Artes Plásticas training younger artists such as Rodolfo Nieto, Pedro Coronel, Carlos Olachea and Juan Soriano. As a teacher, he did not stop drawing but he did not paint professionally again until after retirement, having a number of exhibitions later in life.

<span class="mw-page-title-main">Salón de la Plástica Mexicana</span>

Salón de la Plástica Mexicana is an institution dedicated to the promotion of Mexican contemporary art. It was established in 1949 to expand the Mexican art market. Its first location was in historic center of the city but today it mostly operates out of a building in Colonia Roma. The institution is run by a membership of almost four hundred recognized artists and holds multiple exhibitions each year. Although it operates autonomously, it is part of the Instituto Nacional de Bellas Artes y Literatura.

<span class="mw-page-title-main">Condesa</span> Neighborhood of Mexico City in Cuauhtémoc

Condesa or La Condesa is an area in the Cuauhtémoc Borough of Mexico City, south of Zona Rosa and 4 to 5 km west of the Zócalo, the city's main square. It is immediately west of Colonia Roma, together with which it is designated as a "Barrio Mágico Turístico". Together they are often referred to as Condesa–Roma, one of the most architecturally significant and bastion of the creative communities of the city.

<span class="mw-page-title-main">Colonia San Rafael</span> Neighborhood of Mexico City in Cuauhtémoc

Colonia San Rafael is a colonia of the Cuauhtémoc borough of Mexico City, just west of the historic city center. It was established in the late 19th century as one of the first formal neighborhoods outside of the city center and initially catered to the wealthy of the Porfirio Díaz era. These early residents built large mansions, many with French influence, and many still remain. Middle class residents moved in soon afterwards, and building and rebuilding over the 20th century has introduced a number of architectural styles. These buildings include some of the first works by Luis Barragán and today 383 are classified as having historic value.

<span class="mw-page-title-main">Jardín del Arte Sullivan</span>

The Jardín del Arte Sullivan is an outdoor art gale which takes place every Sunday near the historic center of Mexico City in a neighborhood called Colonia San Rafael. This gallery began in the 1950s, when young artists who could not show their works in traditional galleries and shows decided to set up in front of their studios and in local parks to exhibit and sell their work. A number began to do so at the base of the Monumento a la Madre at Sullivan Park and in 1959, the Asociación Jardín del Arte, a non profit civil association was established affiliated with the Instituto Nacional de la Juventud Mexicana. Since then the outdoor gallery has shown works by a number of artists who moved on to better things such as Rodolfo Morales, established a second and third art market in the San Ángel neighborhood and has grown to 700 members.

<span class="mw-page-title-main">Sandra Pani</span>

Sandra Pani is a Mexican artist.

<span class="mw-page-title-main">Centro Cultural Mexiquense</span>

Centro Cultural Mexiquense is a cultural center located on the western edge of the city of Toluca in central Mexico. The center is run by the State of Mexico government through an agency called the Instituto Mexiquense de Cultura (IMC), the largest and most important of this agency, receiving about 80,000 visitors a year. It contains the Museum of Anthropology and History, the Modern Art Museum and the Museum of Popular Cultures as well as a Central Public Library and the Historical Archives of the State of Mexico, as well as facilities for research.

<span class="mw-page-title-main">Marcela Lobo Crenier</span> Mexican painter

Marcela Lobo Crenier, is a Mexican artist from Mexico City whose work is distinguished by the depiction of everyday objects in strong, bright colors, often using color schemes associated with Mexico. She began her career in 1986 in Cancun doing etching, but moved to Mexico City and into painting by 1991. Most of her work is acrylics on canvas but she is also noted for her work with painting ceramics with Uriarte Talavera. She has also done painting on wood, created ceramics, collages and even shoe decoration and has been exhibited both individually and collectively in Mexico, Europe and the United States.

<span class="mw-page-title-main">Alfredo Guati Rojo</span>

Alfredo Guati Rojo Cárdenas was a 20th-century Mexican artist who worked to restore the reputation of watercolor painting as a true art form. His preference for the technique came from seeing Diego Rivera’s work and helping with a fresco mural in his hometown of Cuernavaca as a child. When he was 16, he went to Mexico City to study law, but switched to art. He learned the various classic art techniques but kept his preference for watercolor. His career began by teaching art, founding an art institute in the Colonia Roma section of Mexico City. In the 1950s, he tried to get the area's art galleries to show watercolors but they refused, considering it to be a minor art form. He began to host exhibitions of watercolor works at his art institute with success which led to the formation of the Museo Nacional de la Acuarela or National Watercolor Museum in the 1960s. The museum remained in Colonia Roma until the 1985 Mexico City earthquake destroyed the building and led to its relocation to the Coyoacán borough, where it remains. During this time, Guati Rojo also had a career showing and selling his own artwork, almost exclusively watercolors, in various parts of the world. Most of his income from this painting went to support the museum.

<span class="mw-page-title-main">Adolfo Mexiac</span> Mexican graphic artist (1927–2019)

Adolfo Mexiac was a Mexican graphic artist, known principally for his politically and socially themed work, especially with the Taller de Gráfica Popular and with fellow graphic artist Leopoldo Méndez. He also painted several murals, the most important of which deals with the history of human law at the University of Colima. In 2011, a “national homage” was held for the artist at the Museo de la Estampa in Mexico City.

<span class="mw-page-title-main">Álvaro Zardoni</span> Mexican sculptor and architect (born 1962)

Álvaro Zardoni is a Mexican sculptor and architect of Italian descent who has been a member of the Salón de la Plástica Mexicana since 2006. Although he studied painting and drawing in the 1970s and 1980s, he is a self-taught sculptor who began showing his work regularly in 2000. Since then, he has had over thirty individual exhibitions, twenty private showings and his work has appeared in over 100 collective exhibitions. He specializes in small bronze sculptures which focus on the human face, which is almost always male, expressing something emotional and/or psychological. Objects, often common, are added to the piece to reinforce the main theme of the work, for example the addition of coins on the foreheads of pieces of the Cyclops collection.

<span class="mw-page-title-main">Aliria Morales</span> Mexican artist (born 1950)

Aliria Morales is a Mexican artist, who works in various media, including the creation of artistic dresses. Her work has been recognized with membership in the Salón de la Plástica Mexicana and various awards.

<span class="mw-page-title-main">History of Colonia Roma</span>

This article covers the history of the Colonia Roma neighborhood of Mexico City.

References

  1. 1 2 3 4 Humphrey, Chris (2005). Moon Handbooks-Mexico City . Berkeley, CA: Avalon Travel Publishing. pp.  63–66. ISBN   978-1-56691-612-7.
  2. 1 2 Blanca Ruiz (September 15, 2000). "Travesias/ Corredor de la Roma" [Journeys/Colonia Roma Corridor]. Reforma (in Spanish). Mexico City. p. 34.
  3. Diego Ayala (March 31, 1996). "Buscan su tradicion y calidad de diseno" [Searching for its tradition and quality of design]. Reforma (in Spanish). Mexico City.
  4. 1 2 3 4 5 "Historia de Casa Lamm" [History of Casa Lamm] (in Spanish). Mexico City: Casa Lamm Cultural Center. Archived from the original on May 5, 2012. Retrieved May 15, 2012.
  5. 1 2 3 Alejandro Alonso (November 8, 1996). "Corredor/ Casa Lamm" [Corridor/Casa Lamm]. Reforma (in Spanish). Mexico City. p. 26.
  6. "Recibió Casa Lamm variada oferta plástica en 2010" [Casa Lamm received a variety of arts in 2010]. NOTIMEX (in Spanish). Mexico City. December 20, 2010. p. 1.
  7. 1 2 Sergio Raul Lopez (May 25, 2001). "Tiene en Casa Lamm albergue de altura" [Casa Lamm has a high warehouse]. Reforma (in Spanish). Mexico City. p. 1.
  8. Saliba, Armando (September 2003). "Casa Lamm". Business Mexico. 13 (9). Mexico City: 62.
  9. "Casa Lamm" (in Spanish). Mexico City: Chilango magazine. Archived from the original on October 7, 2012. Retrieved May 15, 2012.
  10. Leslie Aguirre. (June 25, 2007). "Casa Lamm: Para tu escritor interno" [Casa Lamm: For your inner writer]. Reforma (in Spanish). Mexico City. p. 28.

19°25′6.8″N99°9′34.46″W / 19.418556°N 99.1595722°W / 19.418556; -99.1595722