Derek Fordjour is an American interdisciplinary artist and educator of Ghanaian heritage who works in collage, video/film, sculpture, and painting. Fordjour lives and works in New York City.
Shirley Jaffe was an American abstract painter. Her early work is of the gestural abstract expressionist style, however in the late 1960s she changed to a more geometric style. This change was initially received with caution by the art world, but later in her career she was praised for the "idiosyncratic" and individual nature of her work. She spent most of her life living and working in France.
Chris Martin is an American abstract painter who lives and works in Brooklyn, New York and the Catskills region of New York State.
Joe Bradley is an American visual artist, known for his minimalist and color field paintings. He is also the former lead singer of the punk band Cheeseburger. Bradley has been based in New York City and Amagansett.
Minus Space is an art gallery located in Dumbo, Brooklyn, NY. It specializes in abstract art and reductive art.
Cordy Ryman, an artist based in New York City. Ryman earned his BFA with Honors in Fine Arts and Art Education from The School of Visual Arts in New York in 1997. He is the son of artist Robert Ryman (1930-2019). Cordy Ryman is represented by Freight and Volume Gallery, New York, NY.
Richard Aldrich is a Brooklyn-based painter who exhibited in the 2010 Whitney Biennial.
Trudy Benson is an American abstract painter who lives and works in Brooklyn, NY.
Amy Feldman is an American abstract painter from Brooklyn, New York.
Rebecca Morris is an abstract painter who is known for quirky, casualist compositions using grid-like structures. In 1994 she wrote Manifesto: For Abstractionists and Friends of the Non-Objective, a tongue-in-cheek but sincere response to contemporary criticism of abstract painting. She is currently a professor of painting and drawing at UCLA. Prior to that, she lectured at numerous colleges including Columbia University, Bard College, Pasadena City College, USC's School of Fine Arts, and the University of Chicago.
Molly Zuckerman-Hartung is an American painter from Olympia, Washington. Since 2015 she has been faculty in Painting and Printmaking at the Yale School of Art.
Gabriele Evertz is an American painter, curator and professor who is applying the history and theory of color in her work. She is known for abstract color painting and Geometric abstraction.
Gary Stephan is an American abstract painter born in Brooklyn who has exhibited his work throughout the United States and Europe.
Keltie Ferris is an American abstract painter who currently lives in Brooklyn, New York. He earned a BFA from the Nova Scotia College of Art and Design and an MFA from the Yale School of Art (2006).
Clarity Haynes is a queer feminist American artist and writer. She currently lives and works in New York, NY. Haynes is best known for her unconventional painted portraits of torsos, focusing on queer, trans, cis female and nonbinary bodies. She is a former member of the tART Collective and the Corpus VI Collective.
Jackie Saccoccio was an American abstract painter. Her works, considered examples of gestural abstraction, featured bright color, large canvases, and deliberately introduced randomness.
Sharon Butler is an American artist and arts writer. She is known for teasing out ideas about contemporary abstraction in her art and writing, particularly a style she called "new casualism" in a 2011 essay. Butler uses process as metaphor and has said in artist's talks that she is keenly interested in creating paintings as documentation of her life. In a 2014 review in the Washington Post, art critic Michael Sullivan wrote that Butler "creates sketchy, thinly painted washes that hover between representation and abstraction.Though boasting such mechanistic titles as 'Tower Vents' and 'Turbine Study,' Butler’s dreamlike renderings, which use tape to only suggest the roughest outlines of architectural forms, feel like bittersweet homages to urban decay." Critic Thomas Micchelli proposed that Butler's work shares "Rauschenberg’s dissolution of the barriers between painting and sculpture," particularly where the canvases are "stapled almost willy-nilly to the front of the stretcher bars, which are visible along the edges of some of the works."
Harriet Korman is an American abstract painter based in New York City, who first gained attention in the early 1970s. She is known for work that embraces improvisation and experimentation within a framework of self-imposed limitations that include simplicity of means, purity of color, and a strict rejection of allusion, illusion, naturalistic light and space, or other translations of reality. Writer John Yau describes Korman as "a pure abstract artist, one who doesn’t rely on a visual hook, cultural association, or anything that smacks of essentialization or the spiritual," a position he suggests few post-Warhol painters have taken. While Korman's work may suggest early twentieth-century abstraction, critics such as Roberta Smith locate its roots among a cohort of early-1970s women artists who sought to reinvent painting using strategies from Process Art, then most associated with sculpture, installation art and performance. Since the 1990s, critics and curators have championed this early work as unjustifiably neglected by a male-dominated 1970s art market and deserving of rediscovery.
Amanda Church is an American artist known for abstract paintings that reference the human figure and other discernible elements. Her works straddle representational and formalist art traditions, suggesting recognizable body parts, objects, and perspectival elements in an otherwise abstract field. Church's distinctive use of contrasting style elements has been consistently noted by critics such as Hyperallergic's Cora Fisher, who described Church's work as "whimsically overruling the left-right brain dichotomy as well as the traditionally gendered axis that divides geometric and decorative art." Church received a Guggenheim Fellowship in 2015 and a Pollock-Krasner Foundation grant in 2017, among other awards. Her work has been covered in publications such as The New York Times, The Boston Globe, ARTnews, Hyperallergic and Forbes Magazine. Her paintings have been exhibited in major U.S. cities as well as internationally, in galleries and museums such as the Brooklyn Museum of Art and the Aldrich Museum. She lives and works in New York.
Supports/Surfaces was an art movement in the late 1960s and early 1970s which came out of the south of France. It has significantly impacted contemporary art. The group combined a material examination of the formal elements of painting with a rigorous political and philosophical stance.
