The naval Battle of Texel or Battle of Kijkduin took place off the western coast of the island of Texel on 21 August 1673 between the Dutch and the combined English and French fleets. It was the last major battle of the Third Anglo-Dutch War, which was itself part of the Franco-Dutch War (1672–1678), during which Louis XIV of France invaded the Republic and sought to establish control over the Spanish Netherlands. English involvement came about because of the Treaty of Dover, secretly concluded by Charles II of England, and which was highly unpopular with the English Parliament.
Hendrik Christoffel "Henk" van de Hulst was a Dutch astronomer.
Leiden University Libraries is a library founded in 1575 in Leiden, Netherlands. It is regarded as a significant place in the development of European culture: it is a part of a small number of cultural centres that gave direction to the development and spread of knowledge during the Enlightenment. This was due particularly to the simultaneous presence of a unique collection of exceptional sources and scholars. Holdings include approximately 5,200,000 volumes, 1,000,000 e-books, 70,000 e-journals, 2,000 current paper journals, 60,000 Oriental and Western manuscripts, 500,000 letters, 100,000 maps, 100,000 prints, 12,000 drawings, 300,000 photographs and 3,000 cuneiform tablets. The library manages the largest collections worldwide on Indonesia and the Caribbean. Furthermore, Leiden University Libraries is the only heritage organization in The Netherlands with five registrations of documents in UNESCO's international Memory of the World Register.
The Royal Library of the Netherlands is the national library of the Netherlands, based in The Hague, founded in 1798.
The Royal Library of Belgium is the national library of Belgium. The library has a history that goes back to the age of the Dukes of Burgundy. In the second half of the 20th century, a new building was constructed on the Mont des Arts/Kunstberg in central Brussels, near the Central Station. The library owns several collections of historical importance, like the Library of the Dukes of Burgundy, and is the depository for all books ever published in Belgium or abroad by Belgian authors.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
This is a timeline of significant events in comics prior to the 20th century.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Antoon Sallaert or Anthonis Sallaert (1594–1650) was a Flemish Baroque painter, draughtsman and printmaker who was active in Brussels. Sallaert produced many devotional paintings for the Brussels court of Archdukes Albert and Isabella as well as for the local churches. Sallaert was an innovative printmaker and is credited with the invention of the monotype technique. He was an important tapestry designer for the local weaving workshops.
The Beudeker Collection is a collection of maps and views of the Netherlands and Belgium in the British Library, created by the Dutch merchant Christoffel Beudeker.
Paulus Pontius was a Flemish engraver and painter. He was one of the leading engravers connected with the workshop of Peter Paul Rubens. After Rubens' death, Pontus worked with other leading Antwerp painters such as Anthony van Dyck and Jacob Jordaens.
The Eerste Schilderijenzaal, or Painting Gallery I, is one of two art gallery rooms in Teylers Museum and is the oldest art gallery for contemporary Dutch art in the Netherlands. It was built onto the back of Teylers Oval Room in 1838. It was the young museum's first exhibition space for paintings and could be entered through the Oval Room, which was itself located behind the Fundatiehuis, the former home of Pieter Teyler van der Hulst.
The Great Theatre of Dutch Painters and Paintresses, or De groote schouburgh der Nederlantsche konstschilders en schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Arnold Houbraken. It was published in three volumes as a sequel to Karel van Mander's own list of biographies known as the Schilder-boeck. The first volume appeared in 1718, and was followed by the second volume in 1719, the year Houbraken died. The third and last volume was published posthumously by Houbraken's wife and children in 1721. This work is considered to be a very important source of information on 17th-century artists of the Netherlands. The Schouburg is listed as one of the thousand most important works in the Canon of Dutch Literature from the Middle Ages to the present day.
Petronella Oortman was a Dutch woman whose elaborate dollhouse is part of the permanent collection of the Rijksmuseum in Amsterdam.
Text comics or a text comic is a form of comics where the stories are told in captions below the images and without the use of speech balloons. It is the oldest form of comics and was especially dominant in European comics from the 19th century until the 1950s, after which it gradually lost popularity in favor of comics with speech balloons.
The Stadstekenacademie was an 18th-century art academy in Amsterdam. It was the precursor of the Koninklijke Academie and the Rijksakademie van beeldende kunsten. Other Dutch towns such as Haarlem also had a drawing academy.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
