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Catherine Capozzi is an American rock guitar player, and film composer, best known for her eclectic artistic style. [1] She was named one of Guitar World's "10 Female Guitarists You Should Know" in 2012. [2]
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Catherine Capozzi is an American rock guitar player, and film composer, best known for her eclectic artistic style. [1] She was named one of Guitar World's "10 Female Guitarists You Should Know" in 2012. [2]
Capozzi started playing guitar at age 10 at her home in Connecticut before moving to Boston to join rock bands. [3]
Capozzi was a founding member of Ziaf, a tribute to French singer and cultural icon Édith Piaf. She was also the founder and lead guitarist of the now defunct electronic rock band, All the Queens Men. [4] Her primary current project is the psychedelic instrumental rock outfit, Axemunkee. [5] She also occasionally plays in side projects, including Darling Pet Munkee, a band inspired by items sold in the backs of comic books. [6] [7]
Capozzi also created the multimedia performance piece, Bring Us Your Women, which "looks to share the untold, recontextualized, or reimagined stories of iconic women who have often been overlooked or defined only by their role in the context of men" through music, film, dance, and poetry. [8]
Her film composing work has been done under her name and under a collaboration name, Night Kisses, along with filmmakers Sophia Cacciola and Michael J. Epstein, scoring their films, TEN, Magnetic , Blood of the Tribades , Clickbait , and The Once and Future Smash.
Mary Isobel Catherine Bernadette O'Brien, known professionally as Dusty Springfield, was an English singer whose career spanned over five decades. With her distinctive mezzo-soprano sound, she was a significant singer of blue-eyed soul, pop and dramatic ballads, with French chanson, country, and jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/beehive hairstyle, heavy makeup and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties.
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