Catherine Gonnard | |
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Nationality | French |
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Catherine Gonnard is a French art critic, journalist, essayist and LGBTQ+ historian. [1]
She worked at Homophonies and served as editor in chief of Lesbia Magazine. [2] [3]
With Elisabeth Lebovici she co-edited Femmes Artistes / Artistes Femmes: Paris, de 1880 à Nos Jours, which was published in 2007, and has authored or co-authored other pieces on the intersection of art and feminism. [4] [5] [6]
Hélène Cixous is a French writer, playwright and literary critic. During her academic career, she was primarily associated with the Centre universitaire de Vincennes, which she co-founded in 1969 and where she created the first centre of women's studies at a European university. Known for her experimental writing style and great versatility as a writer and thinker, she has written more than seventy books dealing with multiple genres: theater, literary and feminist theory, art criticism, autobiography and poetic fiction.
Luce Irigaray is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst, and cultural theorist who examines the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum of the Other Woman (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977), which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible, and in The Forgetting of Air in Martin Heidegger (1999), Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.
Marjorie Jewel "Marlow" Moss was a British Constructivist artist who worked in painting and sculpture.
Élisabeth Badinter is a French philosopher, author and historian.
Antoinette Fouque was a French psychoanalyst who was involved in the French women's liberation movement. She was the leader of one of the groups that originally formed the French Women's Liberation (MLF), and she later registered the trademark MLF specifically under her name. She helped found the publishing house Éditions des Femmes as well as the first collection of audio-books in France, "Bibliothèque des voix". Her position in feminist theory was primarily essentialist, and heavily based in psychoanalysis. She helped author Le Dictionnaire universel des créatrices (2013), a biographical dictionary about creative women.
Colette Guillaumin, was a sociologist at the French National Centre for Scientific Research and a French feminist. Guillaumin is an important theorist of the mechanisms of racism and sexism, and relations of domination. She is also an important figure in materialist feminism.
Dana Wyse is a Canadian writer and visual artist.
Jacqueline Marval was the pseudonym for Marie Josephine Vallet, who was a French painter, lithographer and sculptor.
Lucie Cousturier was a French painter and writer. She was known for the sympathetic books she wrote about her experiences traveling in French West Africa in 1921-22.
Agnès Thurnauer is a French-Swiss contemporary artist. Primarily a painter, she also works with a number of other media and techniques.
Élisabeth Lebovici (born 1953) is a French art historian, journalist, and art critic.
Global Feminisms was a feminist art exhibition that originally premiered at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, New York City, United States, in March 2007. The exhibition was co-curated by Maura Reilly and Linda Nochlin and consists of work by 88 women artists from 62 countries. Global Feminisms showcased art across many mediums, all trying to answer the question "what is feminist art?". The show was visually anchored by the installation of Judy Chicago's Dinner Party.
Sylvia Bossu was a French conceptual artist. After exhibiting her works in Paris, Antwerp, Vienna, Munich or Berlin in the early 1990s, Bossu died prematurely in a car accident in 1995, aged 33. Standing in the tradition of Marcel Duchamp, Bossu "used the language of the ready-made to construct machines that become metaphors for alienation, isolation, and death in everyday life."
Emma De Vigne was a Belgian still life and portrait painter, who came from a family of artists from Ghent. Her paintings were exhibited in Europe, as well as in South America.
Jacqueline Feldman is a French sociologist and author. She worked as a researcher for the French National Centre for Scientific Research until retirement in 2001, but has continued to publish until 2020. She co-founded FMA, one of the ancestors that later would become Mouvement de libération des femmes in 1970.
Martine Aballéa is a French-American artist born in 1950.
Françoise d'Eaubonne et l'écoféminisme is a book written by Caroline Goldblum and published in 2019 by Passager Clandestin. The book appeared in the context of renewed interest in ecofeminism in France and the republishing of essays by Françoise d'Eaubonne, including “Écologie et féminisme, révolution ou mutation ?" in 2018 and “Le Féminisme ou la mort" in 2020. It aims to understand the foundation of d’Eaubonne's conception of ecofeminism and is the first book dedicated exclusively to the subject.
Younousse Sèye is a Senegalese artist and actress. Considered Senegal's first woman painter, she is best known for her mixed-media works incorporating cowrie shells. Having no formal training in either visual art or acting, she achieved success in the post-independence Dakar art scene and appeared in several major films by the Senegalese director Ousmane Sembène.
Anne Zelensky is a French feminist author and activist.
Françoise Thébaud is a French historian, professor emeritus of history, and specialist in the history of women. In 2017, she was awarded the Chevalier of the Légion d'honneur.