Cathrine Raben Davidsen (born 1972), is a Danish artist, who works in textiles, ceramics, printmaking, drawing, and painting. She is best known for her paintings depicting grief, in particular her portraits, which have been described as "eerie".[1][2] She has cited Mamma Andersson and Kai Althoff as influences in her work, as well as her former teachers in Italy, Rose Shakinovsky and Claire Gavronsky.[3]
Rabe Davidsen studied art in Denmark, Italy, and the Netherlands before establishing herself in Copenhagen where her work has most extensively been exhibited. She has been the recipient of a number of awards and grants. In 2015, she was made a Knight of the Order of Dannebrog.
Biography
Cathrine Rabe Davidsen was born in Copenhagen in 1972.[4] Her father died when she was 13; he was one of the first Danes to die of causes related to HIV/AIDS. Her grief led her to pursue painting as a means of connecting with his memory despite the stigma that surrounded his death.[1] Her father had been a fashion designer, and initially, she made fashion illustrations in his memory.[5] These early works were executed in oil, charcoal, and pencil and are considered to be emotional and wild in character.[1]
Raben Davidsen has collaborated with the Royal Danish Ballet, where she created a scenography for the ballet Virtuosi Steps by August Bournonville.[6] She began working with ceramics around 2010, and was invited to collaborate with Royal Copenhagen. The multimedia exhibition their collaboration produced, "Totem", was on display in 2019.[3][5]
Awards and fellowships
In 2004 she received funding from the Danish Arts Foundation, a grant which she would receive more than five times. She was awarded Den Danske Bogdesignpris in 2008. In 2009, she received the Grant of Honour from the Niels Wessel Bagge Art Foundation and the silver Creative Circle Award for her project White Ink. She has also received grants from the Beckett Foundation, L. F. Foghts Foundation, the Toyota Foundation, and Oda og Hans Svenningsens Fond.[4]
Pen Pencil Poison, Horsens Museum of Art, Horsens, Denmark, 2003
Selected group exhibitions
10.000Hours, Trapholt Museum of Modern Art, Kolding, DK, 2014
The Nordic Influence, curated by Glenn Adamson, MAD, Museum of Art and Design/ represented by Vance Trimble, Collective2/Designfair, New York, 2014[11]
På Kant med Kierkegaard, Holstebro Kunstmuseum, Denmark, 2014
Andratx on Paper, CCA Andratx Kunsthalle for Contemporary Art, Mallorca, Spain, 2013[13]
MARKET Stockholm, represented by Martin Asbæk Gallery, Stockholm, Sweden, 2013
WONDERS – Masterpieces from Private Collections in Denmark, KUNSTEN, Museum of Modern Art Aalborg, Denmark, 2012
A Journey Through A Nordic Fairytale, Pop Up Space, Guided By in Voices, Chelsea, New York City, 2012
Ten years of DANSK, Dansk Design Center, Copenhagen, 2012
Art Moves, GL. STRAND, Copenhagen, 2011
1–4. A Private Collection of Contemporary Art, ACC Showroom, Copenhagen, 2011
Hp & Jo 07, Litografisk, Valby, Denmark, 2007
Groupshow with gallery artists, Martin Asbæk Gallery, Copenhagen, 2007
Selected monographs
Pen, Pencil, Poison (in Danish). Horsens: Horsens Kunstmuseum. 2003. ISBN9788788985726.
Raben Davidsen, Cathrine; Smaldone, Andrew (2006). Penelopes Web. Martin Asbaek Gallery. ISBN9788788223576.
Raben Davidsen, Cathrine; Dambsbo, Mads (2008). White Ink (in Danish). Horsens Kunstmuseum. OCLC1073461999.
Behrndt, Helle; Hatla Krogsgaard, Sara (2012). House of The Ax. Copenhagen: GL STRAND. Texts by Helle Behrnt, Sara Hatla, 2012. Copenhagen: Kunstforeningen Gl. Strand. OCLC927269816.
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