Cavendish Crescent | |
---|---|
Location | Bath, Somerset, England |
Coordinates | 51°23′32″N2°22′12″W / 51.39222°N 2.37000°W |
Built | c.1815-30 [1] |
Architect | John Pinch the Elder [1] |
Architectural style(s) | Georgian |
Listed Building – Grade II | |
Official name | 1-11 Cavendish Crescent |
Designated | 12 June 1950 [2] |
Reference no. | 1395392 |
Cavendish Crescent in Bath, Somerset, England, is a Georgian crescent built in the early 19th century to a design by the architect John Pinch the elder. [1] At 11 houses, it is the shortest of the seven Georgian crescents in Bath. It also has one of the plainest facades, with no central feature, the only decoration being the consoles over the central first floor window of each house. [1]
Cavendish crescent was undertaken by William Broom, a builder by trade. [1] Broom leased the land on which the crescent is built and then engaged Pinch to design the facade. However all did not go according to Broom's plans and he went bankrupt in 1825. [1] The crescent was finished some 5 years later.
Sir William Holburne lived at No. 10 between 1829 and 1874. The house was home to his art collection, which was later formed into the Holburne Museum of Art, at the end of Great Pulteney Street. [1]
Bath is a city in the ceremonial county of Somerset, England, known for and named after its Roman-built baths. At the 2021 Census, the population was 94,092. Bath is in the valley of the River Avon, 97 miles (156 km) west of London and 11 miles (18 km) southeast of Bristol. The city became a UNESCO World Heritage Site in 1987, and was later added to the transnational World Heritage Site known as the "Great Spa Towns of Europe" in 2021. Bath is also the largest city and settlement in Somerset.
The Royal Crescent is a row of 30 terraced houses laid out in a sweeping crescent in the city of Bath, England. Designed by the architect John Wood, the Younger, and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a Grade I listed building. Although some changes have been made to the various interiors over the years, the Georgian stone facade remains much as it was when first built.
Pulteney Bridge is a bridge over the River Avon in Bath, England. It was completed by 1774, and connected the city with the land of the Pulteney family which the family wished to develop. Designed by Robert Adam in a Palladian style, it is highly unusual in that it has shops built across its full span on both sides. It has been designated as a Grade I listed building.
Lansdown Crescent is a well-known example of Georgian architecture in Bath, Somerset, England, designed by John Palmer and constructed by a variety of builders between 1789 and 1793. The buildings have a clear view over central Bath, being sited on Lansdown Hill near to, but higher than, other well-known Georgian buildings including the Royal Crescent, St James's Square, Bath and The Circus, Bath. It forms the central part of a string of curved terraces, including Lansdown Place East and West, and Someset Place, which were the northernmost boundary of the development of Georgian Bath.
John Wood, the Elder was an English architect, working mainly in Bath.
John Wood, the Younger was an English architect, working principally in the city of Bath, Somerset. He was the son of the architect John Wood, the Elder. His designs were highly influential during the 18th century and the Royal Crescent is considered to be one of the best examples of Georgian Neo-Classical architecture in Britain.
Beckford's Tower, originally known as Lansdown Tower, is an architectural folly built in neo-classical style on Lansdown Hill, just outside Bath, Somerset, England. The tower and its attached railings are designated as a Grade I listed building. Along with the adjoining Lansdown Cemetery it is Grade II listed on the Register of Historic Parks and Gardens of special historic interest in England.
John Pinch was an architect working mainly in the city of Bath, England. He was surveyor to the Pulteney and Darlington estate and responsible for many of the later Georgian buildings in Bath, especially in Bathwick.
Great Pulteney Street is a grand thoroughfare that connects Bathwick on the east of the River Avon with the City of Bath, England via the Robert Adam designed Pulteney Bridge. Viewed from the city side of the bridge the road leads directly to the Holburne Museum of Art that was originally the Sydney Hotel where tea rooms, card rooms, a concert room and a ballroom were installed for the amusement of Bath's many visitors.
Thomas Baldwin was an English architect in the city of Bath, who was responsible for designing some of Bath's principal Georgian buildings.
The Holburne Museum is located in Sydney Pleasure Gardens, Bath, Somerset, England. The city's first public art gallery, the Grade I listed building, is home to fine and decorative arts built around the collection of Sir William Holburne. Artists in the collection include Gainsborough, Guardi, Stubbs, Ramsay and Zoffany.
Sydney Place in the Bathwick area of Bath, Somerset, England was built around 1800. Many of the properties are listed buildings.
Norfolk Crescent in Bath, Somerset, England was built between c.1793 and c.1822 and has been designated as a Grade II* listed building. The original design was by John Palmer, but minor alterations were later made by John Pinch.
The buildings and architecture of Bath, a city in Somerset in the south west of England, reveal significant examples of the architecture of England, from the Roman Baths, to the present day. The city became a World Heritage Site in 1987, largely because of its architectural history and the way in which the city landscape draws together public and private buildings and spaces. The many examples of Palladian architecture are purposefully integrated with the urban spaces to provide "picturesque aestheticism". In 2021, the city was added to a second World Heritage Site, a group of historic spa towns across Europe known as the "Great Spas of Europe". Bath is the only entire city in Britain to achieve World Heritage status, and is a popular tourist destination.
Nelson Place West is a Grade II listed Georgian terrace of houses in Bath, Somerset, England. It was built as "Nelson Place" in the early 19th century, and the suffix "West" was added to avoid confusion with Nelson Place East on the other side of the city. The end houses have Ionic pilasters and there is a wrought iron balcony on the second floor of Nos. 2–8. These features match the adjacent Norfolk Crescent, which was built as part of the same urban development.
Nile Street in Bath, Somerset, England is a short street of Georgian houses linking Norfolk Crescent and Nelson Place West with the Upper Bristol Road.
John Pinch (1796–1849) was an architect, working mainly in the city of Bath, England, and surveyor to the Pulteney and Darlington estate. He was the son of John Pinch the elder, also an architect and surveyor to the estate.
Buxton Crescent is a Grade-I-listed building in the town of Buxton, Derbyshire, England. It owes much to the Royal Crescent in Bath, but has been described by the Royal Institution of British Architects as "more richly decorated and altogether more complex". It was designed by the architect John Carr of York, and built for the 5th Duke of Devonshire between 1780 and 1789. In 2020, following a multi-year restoration and redevelopment project supported by the National Heritage Memorial Fund and Derbyshire County Council, The Crescent was reopened as a 5-star spa hotel.
The Buxton Baths using natural thermal spring water are in Buxton, Derbyshire, England. The baths date back to Roman times and were the basis for developing Buxton as a Georgian and Victorian spa town. The present buildings of the Thermal Baths and the Natural Mineral Baths were opened in the 1850s. They are positioned either side of the Buxton Crescent at the foot of The Slopes in the town's Central Conservation Area. They are both Grade II listed buildings designed by Henry Currey, architect for the 7th Duke of Devonshire.
Sir Thomas William Holburn, 5th Baronet (1793–1874), generally known as William, was a Lieutenant of the British Navy and part of the last of the Holburn baronets. He is mostly known as the owner of the collections that are currently on display in the Holburne Museum.