Celia Herrera Rodriguez (born November 26, 1952, in Sacramento, California[1]) is an American educator, painter, and performance and installation artist.[2]
Rodriguez is originally from Sacramento, California, and she was born on November 26, 1952.[3] She has taught programs including Chicano Studies at the University of California, Berkeley for seventeen years.[4] She has also been an adjunct professor in the Diversity Studies program at California College for the Arts of the San Francisco Bay Area. Herrera Rodriguez is also the co-founder and co-director of Las Maestras Center for Xicana[x] Indigenous Thought, Art and Social Practice at UCSB, where she teaches Chicana[x] art history and studio practice in the Department of Chicano and Chicana Studies.[5]
Education
Rodriguez received her B.A. in art and ethnic studies from CSU-Sacramento. She also received her M.F.A. in painting from the University of Illinois, Urbana-Champaign. She went on to study art history, in 1987, theory and criticism at the Art Institute of Chicago.[6]
Artworks
Un rezo en cuatro caminos
This work was originated presented in III Bienal Internacional de Estandartes Tijuana 2004.[7] Its title means " A Prayer on Four Roads".
The Hungry Woman: A Mexican Medea
This production was created by Cherrie Moraga in 2005, with Herrera Rodriguez creating the set and costume concepts.[8]
A Prayer to the Mother Waters for Peace
The multimedia performance was created in 2006 and presented at the Glass Curtain Gallery, in Chicago, Illinois.[9]
Exhibitions
2006Sola, pero bien acompañada: III Bienal Internacional de Estandartes Tijuana 2004[10]
2010La Semilla Caminante: Mission Cultural Center, San Francisco, California
Glass Curtain Gallery at Columbia College of Chicago
CN Gorman Museum, UC-Davis
The DeSaisset Museum at Santa Clara University
The Institute of American Indian Art Museum in Santa Fe
The Oakland Museum of California
Tufts University Gallery
The Mexican Museum of San Francisco
Name Gallery in Chicago
Publications
Her series of artworks was published in 2011, in a collection of essays by Cherrie Moraga: “Xicana Codex of Changing Consciousness, Writing 2000- 2010". Alexander, Jacqui. “Pedagogies of Crossing.” Google Books, Duke University Press , 2005[12]
Bibliography
Alexander, Jacqui. “Pedagogies of Crossing.” Google Books, Duke University Press , 2005
Casiano, Catherine, and Elizabeth C. Ramirez. “La Voz Latina.” Google Books, University of Illinois Press, 2011
Moraga, Cherríe, and Celia H. Rodriguez. A Xicana Codex of Changing Consciousness: Writings, 2000-2010. Durham, NC: Duke University Press, 2011.
Perez, Laura E. “Chicana Art.” Google Books, Duke University Press, 2007
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