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Cherríe Moraga is a Chicana feminist, writer, activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English. Moraga is also a founding member of the social justice activist group La Red Chicana Indígena which is an organization of Chicanas fighting for education, culture rights, and Indigenous Rights.
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Ana Castillo is a Chicana novelist, poet, short story writer, essayist, editor, playwright, translator and independent scholar. Considered one of the leading voices in Chicana experience, Castillo is most known for her experimental style as a Latina novelist and for her intervention in Chicana feminism known as Xicanisma.
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Ester Hernández is a California Bay Area Chicanx visual artist recognized for her prints and pastels focusing on farm worker rights, cultural, political, and Chicana feminist issues.
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Mexican American literature is literature written by Mexican Americans in the United States. Although its origins can be traced back to the sixteenth century, the bulk of Mexican American literature dates from post-1848 and the United States annexation of large parts of Mexico in the wake of the Mexican–American War. Today, as a part of American literature in general, this genre includes a vibrant and diverse set of narratives, prompting critics to describe it as providing "a new awareness of the historical and cultural independence of both northern and southern American hemispheres". Chicano literature is an aspect of Mexican American literature.
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Sandy Rodriguez was born in 1975 in National City, California. She is a Los Angeles based artist who grew up on the US-Mexico border, in Tijuana, San Diego, and Los Angeles. She has exhibited her works with numerous museums and galleries, including the Denver Art Museum, The Huntington Library, Art Museum and Botanical Garden, the Amon Carter Museum of American Art, Los Angeles County Museum of Art, Museum of Contemporary Art San Diego, MOCA Busan Busan Bienniale, Crystal Bridges Museum of American Art, The Cheech Marin Center for Chicano Art, Art+Practice, and Self Help Graphics. Her work focuses on the ongoing cycles of violence on communities of color by blending historical and recent events in the Los Angeles area and along south-west US-Mexico border. A transitional moment for Rodriguez happened in 2014 on a visit to Oaxaca, a southern Mexican Region, where she first procured a red pigment called cochineal, coming from the pre-Columbian era. Prior to this, Rodriguez had painted exclusively in modern paint. The encounter with cochineal happened at the same time she was painting fire paintings and the protests began in Ayotzinapa Mexico in response to forty-three missing college students, which included setting fire to palacio nacional and an Enrique Peña Nieto effigy pinata. The alignment of content, form, and the materials magnified how material can signal cultural identity, history, and politics. A goal of her work is to disrupt dominant narratives and interrogate systems that are ongoing expressions of colonial violence witnessed regularly, including Customs Border Enforcement, Police, and Climate Change.
The term Chicanafuturism was originated by scholar Catherine S. Ramírez which she introduced in Aztlán: A Journal of Chicano Studies in 2004. The term is a portmanteau of 'chicana' and 'futurism', inspired by the developing movement of Afrofuturism. The word 'chicana' refers to a woman or girl of Mexican origin or descent. However, 'Chicana' itself serves as a chosen identity for many female Mexican Americans in the United States, to express self-determination and solidarity in a shared cultural, ethnic, and communal identity while openly rejecting assimilation. Ramírez created the concept of Chicanafuturism as a response to white androcentrism that she felt permeated science-fiction and American society. Chicanafuturism can be understood as part of a larger genre of Latino futurisms.
Felicia “Fe” Montes is a Xicana indigenous artist working and living in Los Angeles, who is dedicated to spreading the message of women and indigenous empowerment through arts activism. Montes is a multimedia artist, poet, performer, educator, professor, and emcee. She is the co-founder and coordinating member of two creative woman's collectives, Mujeres de Maiz and In Lak Ech and El MERCADO y Mas. She also assists with organizing transnational art exhibitions including Zapatistas, Peace Dignity Journeys and La Red Xicana Indigena.
Graciela Carrillo is a Chicana artist and muralist in San Francisco and member of the all-female Chicana/Latina artist group Mujeres Muralistas. She is a co-founder of Galería de la Raza, a gallery utilized to showcase the everyday lives of the Chicano community through art during the Chicano Civil Rights movement through the Chicano muralist movement.
References
- ↑ "CELIA HERRERA RODRIGUEZ – Las Maestras Center" . Retrieved 2019-05-01.
- ↑ Ramírez, Elizabeth C.; Casiano, Catherine (2011). La Voz Latina. ISBN 9780252036224 . Retrieved 2019-05-01.
- ↑ "CELIA HERRERA RODRIGUEZ – Las Maestras Center" . Retrieved 2019-05-01.
- ↑ "Galería de la Raza: Celia Herrera Rodriguez". www.galeriadelaraza.org. Retrieved 2019-05-01.
- ↑ "CELIA HERRERA RODRIGUEZ – Las Maestras Center" . Retrieved 2019-05-01.
- ↑ "Bio – Celia Herrera Rodriguez" . Retrieved 2019-05-29.
- ↑ "Sola, pero bien acompanada: Celia Herrera Rodriguez". gormanmuseum.ucdavis.edu. Retrieved 2019-05-01.
- ↑ "Hungry Woman… A Mexican – Celia Herrera Rodriguez" . Retrieved 2019-05-29.
- ↑ "Celia Herrera Rodriguez - Prayer to Mother Waters for Peace (2006)". celiahrodriguez.turnpiece.net. Retrieved 2019-05-29.
- ↑ "Sola, pero bien acompanada: Celia Herrera Rodriguez". gormanmuseum.ucdavis.edu. Retrieved 2019-05-29.
- ↑ "Drawings by Celia Herrera Rodríguez | A Xicana Codex of Changing Consciousness: Writings, 2000–2010 | Books Gateway | Duke University Press". read.dukeupress.edu. 17 May 2011. Retrieved 2019-05-29.