The Cello Concerto of Mason Bates is an American concerto for cello and orchestra, dating from 2014. The work was a joint commission by the Seattle Symphony, the Columbus Symphony Orchestra, and the Los Angeles Chamber Orchestra. It received its premiere on December 11, 2014 by the cellist Joshua Roman, former principal cellist of the Seattle Symphony and for whom Bates composed the concerto, and the Seattle Symphony, conducted by Mirga Gražinytė-Tyla. [1] [2]
Mason W. Bates is a Grammy award-winning American composer of symphonic music and DJ of electronic dance music. Distinguished by his innovations in orchestration and large-scale form, Bates is best known for his expansion of the orchestra to include electronics. The second-most performed living composer in the United States, he has worked closely with the San Francisco Symphony, as well as the Chicago Symphony Orchestra where he worked as composer-in-residence. In 2015 he was named composer-in-residence of the Kennedy Center for the Performing Arts, and recently had his contract renewed for another two years though 2019-20.
A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.
The cello ( CHEL-oh; plural cellos or celli) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a string instrument. It is played by bowing or plucking its four strings, which are usually tuned in perfect fifths an octave lower than the viola: from low to high, C2, G2, D3 and A3. It is the bass member of the violin family, which also includes the violin, viola and the double bass, which doubles the bass line an octave lower than the cello in much of the orchestral repertoire. After the double bass, it is the second-largest and second lowest (in pitch) bowed string instrument in the modern symphony orchestra. The cello is used as a solo instrument, as well as in chamber music ensembles (e.g., string quartet), string orchestras, as a member of the string section of symphony orchestras, most modern Chinese orchestras, and some types of rock bands.
The Cello Concerto has a duration of roughly 25 minutes and is composed in three movements: [2]
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".
A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
The work is scored for solo cello and orchestra, where the orchestra consists of two flutes (2nd doubling piccolo and alto flute), two oboes, two clarinets (2nd doubling bass clarinet), two bassoons (2nd doubling contrabassoon), four French horns, three trumpets, two tenor trombones, bass trombone, tuba, timpani, three percussionists, harp, and strings.
The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.
The alto flute is a type of Western concert flute, a musical instrument in the woodwind family. It is the next extension downward of the C flute after the flûte d'amour. It is characterized by its distinct, mellow tone in the lower portion of its range. It is a transposing instrument in G, and uses the same fingerings as the C flute.
Reviewing the world premiere, Melinda Bargreen of The Seattle Times praised the work for its "audience-friendly tonal language" and Techno-inspired orchestration. Bargreen wrote, "Attractive and tonal, featuring a first-rate soloist, this was a premiere that an audience could really appreciate, and the standing ovation was so enthusiastic that Roman finally returned for a solo encore". [3] Philippa Kiraly of the Classical Voice North America also lauded the piece, saying its "classical lyricism and melody combine fluidly with blues, jazz elements, and techno rhythms that come straight from the 21st-century electronic club scene." [2] Lynn Green of The Columbus Dispatch commended Bates for "capitaliz[ing] on the natural, organic aspects of musicianship in his cello concerto." Green added, "This challenging work is not so much about melody as expressions of color, texture and energy." [4]
The Seattle Times is a daily newspaper serving Seattle, Washington, United States. It has the largest circulation of any newspaper in the state of Washington and in the Pacific Northwest region.
Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of sub-genres have been built.
The Columbus Dispatch is a daily newspaper based in Columbus, Ohio. Its first issue was published on July 1, 1871, and has been the only mainstream daily newspaper in the city since The Columbus Citizen-Journal ceased publication in 1985.
Roman has since performed the concerto to critical acclaim with such orchestras as the Berkeley Symphony, the Oklahoma City Philharmonic and the Fort Worth Symphony Orchestra. [5] [6]
The Oklahoma City Philharmonic is an American symphony orchestra in Oklahoma City, Oklahoma.
The Fort Worth Symphony Orchestra (FWSO) is an American symphony orchestra based in Fort Worth, Texas. The orchestra is resident at the Nancy Lee and Perry R. Bass Performance Hall. In addition to its symphonic and pops concert series, the FWSO also collaborates with the Fort Worth Opera, Van Cliburn International Piano Competition, Southwestern Seminary Master Chorale. and the Children’s Education Program of Bass Performance Hall. The FWSO also presents the Concerts In The Garden summer music festival at the Fort Worth Botanic Garden.
Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s she had shifted to a post-modernist, neo-romantic style. She has been called "one of America’s most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich currently serves as the Francis Eppes Distinguished Professor at Florida State University.
Esa-Pekka Salonen is a Finnish orchestral conductor and composer. He is principal conductor and artistic advisor of the Philharmonia Orchestra in London, conductor laureate of the Los Angeles Philharmonic, and music director-designate of the San Francisco Symphony.
The Cello Concerto in B minor, Op. 104, B. 191, is the last solo concerto by Antonín Dvořák. It was written in 1894–95 for his friend, the cellist Hanuš Wihan, but was premiered by the English cellist Leo Stern.
Richard Danielpour is an American composer.
Christopher Chapman Rouse is an American composer. Though he has written for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, eleven concertos, and five symphonies. His work has received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. Rouse was the composer-in-residence for the New York Philharmonic from 2012 to 2015.
Alisa Weilerstein is an American classical cellist. She was named a 2011 MacArthur Fellow.
Margaret Brouwer b. Ann Arbor, Michigan, February 8, 1940 is an American composer and composition teacher. She founded the Blue Streak Ensemble chamber music group.
Joshua Roman is an American cellist.
Benjamin Yusupov is a classical composer, conductor and pianist.
Fabian Müller is a Swiss composer.
Toby Saks was an American cellist, the founder of the Seattle Chamber Music Society and a member of the New York Philharmonic.
The Concerto for Orchestra is a four-movement concerto for orchestra written in 1969 by the American composer Elliott Carter. The work was commissioned by the New York Philharmonic to commemorate their 125th anniversary and was premiered by the orchestra under the conductor Leonard Bernstein in New York City, February 5, 1970.
Alternative Energy is a symphony for electronica and orchestra in four movements by the American composer Mason Bates. The work was commissioned by the Chicago Symphony Orchestra, for whom Bates was then composer-in-residence. It was premiered by the orchestra under conductor Riccardo Muti at Symphony Center in Chicago, February 2, 2012.
The Cello Concerto is a concerto for solo cello and orchestra by the American composer Nico Muhly. The work was commissioned by the Barbican Centre for the Britten Sinfonia and cellist Oliver Coates, to whom Muhly dedicated the piece. It was first performed on March 16, 2012 at the Barbican Centre by Coates and the Britten Sinfonia under conductor André de Ridder.
The Cello Concerto No. 3, Legend of the Phoenix, is a composition for cello solo and orchestra by the American composer Augusta Read Thomas. The work was commissioned by the Boston Symphony Orchestra with contributions from Bill and Solange Brown. It was first performed in Boston on March 14, 2013, by the cellist Lynn Harrell and the Boston Symphony Orchestra under the conductor Christoph Eschenbach. Thomas subsequently adapted the piece into a viola concerto in 2013.
The Cello Concerto No. 2 is the second cello concerto by the Finnish composer Magnus Lindberg. It was commissioned by the Los Angeles Philharmonic in June 2013 to fill the planned premiere date of Oliver Knussen's then delayed Cello Concerto. The work was first performed in the Walt Disney Concert Hall, Los Angeles, on October 18, 2013 by the Finnish cellist Anssi Karttunen and the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen.
The Concerto for Cello and Orchestra is a cello concerto by the Polish composer Witold Lutosławski. The work was commissioned by the Royal Philharmonic Society with support from the Calouste Gulbenkian Foundation. It received its world premiere at the Royal Festival Hall on October 14, 1970 by the cellist Mstislav Rostropovich and the Bournemouth Symphony Orchestra under the direction of Edward Downes.
Geoffrey Gordon is an American composer of classical music.
The Cello Concerto is a composition for cello and orchestra by the Finnish composer Esa-Pekka Salonen. The work was co-commissioned by the Chicago Symphony Orchestra, the New York Philharmonic, the Barbican Centre, and the Elbphilharmonie. It was completed in 2017 and was first performed by the cellist Yo-Yo Ma and the Chicago Symphony Orchestra under the direction of Salonen on March 9, 2017. The piece is dedicated to Yo-Yo Ma.
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