Related Research Articles
Johann Adam Bernhard Ritter von Bartsch was an Austrian scholar and artist. His catalogue of old master prints, Le Peintre Graveur is the foundation of print history, and he was himself a printmaker practicing engraving and etching.
Charles-Émile Jacque was a French painter of Pastoralism and engraver who was, with Jean-François Millet, part of the Barbizon School. He first learned to engrave maps when he spent seven years in the French Army.
The Benezit Dictionary of Artists is an extensive publication of bibliographical information on painters, sculptors, designers and engravers created primarily for art museums, auction houses, historians and dealers. It was published by Éditions Gründ in Paris but has been sold to Oxford University Press.
Baldassare Aloisi, or Baldassare Galanino, was an Italian history and portrait painter and engraver. He was also known as Il Galanino.
Peintre-graveur is a term probably invented and certainly popularized by the great scholar of the old master print, Adam Bartsch. The term, meaning "painter-engraver", is intended to distinguish between printmakers, whether working in engraving, etching or woodcut, who designed images with the primary purpose of producing a print, and those who essentially copied in a print medium a composition by another, to produce what is known as a "reproductive print", or who produced only essentially non-artistic work in print form, such as maps for example.
Antoine Masson was a French painter, but above all a line engraver, born at Loury, near Orléans.
Edme-Louis Daubenton was a French naturalist.
Henri Loÿs Delteil, also known as Léo Delteil was a French engraver, lithographer, illustrator, and art historian.
Adamo Scultori, also referred to as Adamo Ghisi, was an Italian engraver, sculptor and artist.
Alfred-Georges Regner, was a French surrealist painter and engraver.
Alexis Leon Louis Valbrun was a prominent French painter specialized in portraits of the European aristocracy. He studied under Nicolas Gosse and was a pupil of Antoine-Jean Gros. He entered the École nationale supérieure des Beaux-Arts in Paris in 1817 and exhibited his work at the Salon (Paris) between 1831 and 1843. Some of his paintings are displayed at the Fondation Calvet in Avignon, the Palace of Versailles and the Chateau de Chantilly. His historic painting La mort de Saphire was exhibited at the Salon in 1843. In 1846 he decorated the church Saint-Paul-Saint-Louis in Paris.
Jollain was the name of a family of French engravers and engraving publishers who lived and worked in the 17th and 18th centuries, mainly in Paris. Their engravings were often published under the name Chez Jollain. The atelier Jollain was responsible for the first engraving of harpsichord music in France.
Jacques-Édouard Gatteaux was a French sculptor and medal engraver. Born in Paris, he studied under his father Nicolas-Marie Gatteaux and Jean-Guillaume Moitte.
Alexis Peyrotte was a French decorator painter.
Paul-Joseph Blanc was a French painter who specialized in scenes from ancient history and mythology.
Frédéric-Désiré Hillemacher was a Belgian engraver also active in France, most notable for his etchings.
Etienne Villequin was a French painter and engraver.
Jacques Houplain was a French painter and engraver.
Christian Zeimert was a French painter.
References
- ↑ Johann David Passavant, Adam von Bartsch, Jean Duchesne, Le peintre-graveur: Suite des maîtres italiens du XVe. et XVIe. siècle..., 1864 (online version)
- ↑ Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 363.
 | This article about an Italian painter born in the 16th century is a stub. You can help Wikipedia by expanding it. |