Chandayan (poem)

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Chandayan
by Maulana Daud
Written1379 CE
Language Awadhi
Genre(s)Sufi epic poem
Form masnavi
Meter doha and chaupai

Chandayan, or The Story of Chanda, [1] is the first Hindi literary poem which established the genre of Sufi premkhyan or love story. [2] It was written in 1379 CE by poet Maulana Daud who was a Chishti Sufi. [3] The poem is composed in masnavi form (or a poem in couplets) [4] and in the Awadhi dialect, the regional language of the eastern Gangetic plains, [5] but was written in the Persian-Arabic script. [6] Daud had composed the poem for the entertainment of a provincial court in North India. [7]

Contents

History

Chandayan is recognized as an important literary text in the history of Hindi literature [8] because it pioneered a new genre of literature called Awadhi premkatha which mixed literary conventions from Persian, Apabhramsha, and oral Awadhi folk traditions. [9] [10] Traditionally, the masnavis that were composed for the courtly states of India were written in the Persian language and style. [5]

manuscript of Chandayan from the Prince of Wales Museum India, Sultanate, 16th Century - Page from the "Prince of Wales Museum Chandayana" - 1981.55 - Cleveland Museum of Art.tif
manuscript of Chandayan from the Prince of Wales Museum

The word masnavi, taken from a Hebrew and Arabic word, means a story that can be interpreted on many levels. As such, Chandayan is an allegory about a man on a spiritual journey who follows the Sufi path to become closer to God as well as a love story about two characters named Chanda (the moon) and Lorik (the sun). [5] The plot of the story takes inspiration from a popular oral folktale and epic called Candaini which was sung by Ahir singers of northern India. [11] Candaini was also a love story about two characters called Lorik and Canva. [12]

Succeeding poets used Chandayan as a template to create their literary works, [13] some of which include Mirigavati, composed in 1503 by Sultan Husain Shah Sharqi of Jaunpur, Padmavat which was composed in 1540 by Malik Muhammad Jayasi, and Madhumalati which was composed by Mir Sayyid Manjhan Rajgiri in 1545. [3] [14]

Author

Chandayan was composed by poet Maulana Daud who was a Chishti Sufi during the reign of Firoz Shah. He lived in the city of Dalmau, present day Rai Bareilli district in Bihar. [15]

Structure

The format and structure of Chandayan served as a model for many masnavis that were created later. The poem uses meters and verse forms like doha and chaupai. [10]

Manuscripts

Chanda talking to a Friend, Folio from a manuscript of Laur Chanda. Probably Delhi - Jaunpur belt. Sultanate Period, 1525-1575. Chhatrapati Shivaji Maharaj Vastu Sangrahalaya Chanda talking to a Friend.jpg
Chanda talking to a Friend, Folio from a manuscript of Laur Chanda. Probably Delhi - Jaunpur belt. Sultanate Period, 1525-1575. Chhatrapati Shivaji Maharaj Vastu Sangrahalaya

A complete Chandyan manuscript does not exist and there are only several damaged and incomplete copies which includes five illustrated versions [16] and two unillustrated version from the 15th and 16th centuries. [10] Folios of the manuscript are housed in the Staatsbibliothek in Berlin, John Rylands Research Institute and Library at the University of Manchester, the Bharat Kala Bhavan, in Benaras, [15] the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya in Mumbai and the Lahore Museum. [6]

References

  1. ↑ Lande, Joel B.; Feeney, Denis (2021-07-20). How Literatures Begin: A Global History. Princeton University Press. p. 88. ISBN   978-0-691-18652-8.
  2. ↑ Truschke, Audrey (2025-06-03). India: 5,000 Years of History on the Subcontinent. Princeton University Press. p. 238. ISBN   978-0-691-22122-9.
  3. 1 2 Manjhan (2001-02-01). Madhumalati: An Indian Sufi Romance. OUP Oxford. pp. xiv–xvii. ISBN   978-0-19-158751-1.
  4. ↑ M. S. Asimov (2000). The Age of Achievement A.D. 750 to the End of the Fifteenth Century. UNESCO. p. 400. ISBN   978-9231036545.
  5. 1 2 3 Dāūda (2023). The English Translation of Candayan, the Pioneer Indo-Sufi Masnavi of Maulana Daud. Translated by Hines, Naseem Akhtar. London: Routledge. pp. 23–37. ISBN   978-1-032-52078-0.
  6. 1 2 Bhuyan, Avantika (2024-05-05). "'Chandayan': A translation of an epic proportion | Mint". mint. Archived from the original on 2025-02-08. Retrieved 2025-05-11.
  7. ↑ Sheikh, Samira (2017). "Review of Love's Subtle Magic: An Indian Islamic Literary Tradition, 1379–1545". Journal of the American Oriental Society. 137 (3): 634. doi:10.7817/jameroriesoci.137.3.0634. ISSN   0003-0279.
  8. ↑ "The Chandayan: A Sufi Tale of Ishq between Languages, Cultures & People". San Diego Museum of Art. Retrieved 2025-03-04.
  9. ↑ Orsini, Francesca (2023). East of Delhi: Multilingual Literary Culture and World Literature. Oxford University Press. p. 28. ISBN   978-0-19-765829-1.
  10. 1 2 3 Williams, Tyler W. (2024-10-01). If All the World Were Paper: A History of Writing in Hindi. Columbia University Press. ISBN   978-0-231-55875-4.
  11. ↑ Mohamed, Malik (2023-12-01). The Foundations of the Composite Culture in India. Taylor & Francis. ISBN   978-1-003-83095-5.
  12. ↑ Shaikh, Sanahadbegam (2023-05-16). "Rare Slides of Chandayan Manuscript now a part of UW Libraries - South Asia Center". South Asia Center. Archived from the original on 2025-01-20. Retrieved 2025-03-26.
  13. ↑ Behl, Aditya (2016-07-01). Love's Subtle Magic: An Indian Islamic Literary Tradition, 1379-1545. Oxford University Press. ISBN   978-0-19-062882-6.
  14. ↑ Meri, Josef W. (2006). Medieval Islamic Civilization: L-Z, index. Taylor & Francis. p. 620. ISBN   978-0-415-96692-4.
  15. 1 2 Behl, Aditya; Doniger, Wendy (2012). Love's subtle magic: an Indian Islamic literary tradition, 1379-1545. New York: Oxford University Press. pp. 36–59. ISBN   978-0-19-514670-7.
  16. ↑ Sheikh, Samira (2017). "Review of Love's Subtle Magic: An Indian Islamic Literary Tradition, 1379–1545". Journal of the American Oriental Society. 137 (3): 634–636. doi:10.7817/jameroriesoci.137.3.0634. ISSN   0003-0279.
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