The chapelle royale (chapel royal) was the musical establishment attached to the royal chapel of the French kings. The term may also be applied to the chapel buildings, the Chapelle royale de Versailles.
The establishment included a choir, organist and instrumentalists and was separate from the musique du chambre which performed secular music.
In 1511 Louis XII decided the responsibilities of the treasurer of the Sainte-Chapelle and the master of the chapelle royale. [1] The death, and sumptuous 40-day funeral of Louis' wife, Anne of Brittany in 1514 marks the origin of a unified chapelle royale combining the chapels of both Louis and Anne. Though at Anne's funeral the two chapels sang separately for the last time. Louis' Chapelle du Roi led by Antoine de Févin, included Johannes Prioris, Costanzo Festa, and Antoine de Longueval but not Jean Braconnier (died 1512). Anne's Chapelle de la Reine led by Antoine Divitis included Jean Mouton, Jean Richafort, Claudin de Sermisy, and Pierre Moulu.
Henri IV was the king whom legend tells said "Paris is worth a Mass."
On the 1683 retirement of Henry Du Mont and Pierre Robert the position of maître of the chapelle was divided into four positions:
1761 Four posts reduced to two.
La Chapelle Royale founded in 1977 in Paris by the Belgian conductor Philippe Herreweghe.
Antoine Houdar de la Motte was a French author.
André Cardinal Destouches was a French composer best known for the opéra-balletLes élémens.
Henri Desmarets was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works.
Jean-Joseph de Mondonville, also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin claimed, "If I couldn't be Rameau, there's no one I would rather be than Mondonville".
François-Eustache du Caurroy was a French composer of the late Renaissance. He was a prominent composer of both secular and sacred music at the end of the Renaissance, including musique mesurée, and he was also influential on the foundation of the French school of organ music as exemplified in the work of Jean Titelouze.
Henri Dumont was a baroque composer of the French school, born in the Southern Netherlands.
Nicolas Bernier was a French Baroque composer.
The present chapel of the Palace of Versailles is the fifth in the history of the palace. These chapels evolved with the expansion of the château and formed the focal point of the daily life of the court during the Ancien Régime.
Henry Madin was a French composer at the Chapelle royale and music theorist.
Guillaume Minoret was a French baroque composer.
The Sainte-Chapelle was the name for the chapelle, the men of the clerical and musical institution which attached to the building, the Sainte-Chapelle, in Paris.
Thomas Gobert was a French priest and composer.
Jean Veillot was a French composer and priest.
Eustache Picot was a French musician and composer. He was maître de musique of the maîtrise Saint-Evode at the cathedral of Rouen (1601-1604), and sous-maître of the chapelle royale of Louis XIII, following Nicolas Formé, from 1609 till his death. He was succeeded by Thomas Gobert. Despite his reputation in his own lifetime only fragments of his works survive. The king gave him the abbaye de Chaulmoy and a canonry at the Sainte Chapelle.
Louis-Nicolas Le Prince was a French priest and composer. He was maître de chapelle at Lisieux Cathedral, then from 1668 priest at Ferrières-Saint-Hilaire.
Antoine Aimable Elie Elwart was a French composer and musicologist.
Jacques Thomelin, also named Jacques-Denis or Alexandre-Jacques-Denis, was a 17th-century French composer and organist.
Pierre Gabriel Expilly was a 17th-century French viol player and composer.
Jean Cathala was a French singer, composer and cornettist, active in the years.
Marie-Jeanne Larrivée, born Marie-Jeanne Lemière was a French soprano.