Charles-Edgar de Mornay

Last updated
Yuliya Samoylova
(m. 1863;div. 1863)
Charles-Edgar de Mornay
Portrait du comte Charles-Edgar de Mornay.jpg
French Ambassador to Morocco
In office
mid-October 1831 April 4, 1832
Domestic partner Mademoiselle Mars


Charles-Edgar de Mornay (February 4, 1803 in Paris - December 5, 1878 in Fresneaux-Montchevreuil), was a French diplomat and the first French ambassador to Morocco, a politician and collector of French painting.

Contents

He was a Gentleman of the Bedchamber of Charles X of France.

Mission to North Africa

In mid-October 1831 Louis Philippe I sent de Mornay on a mission to Abd al-Rahman of Morocco. His task was to negotiate a peace treaty and a border delimitation with the Alawite emperor. Following the French conquest of Algeria the mission needed to establish neighbourly relations between the two countries. [1]

His mission had an immediate success: On April 4, 1832 he was able to send a letter declaring to the general-in-chief of the staff of Algiers, Anne Jean Marie René Savary, that Morocco would abandon its claims on the region of Tlemcen and Oran, promise to remain neutral and withdraw their troops from Algeria.

At first Eugène Isabey had been approached to join the diplomatic mission to North Africa. However, when the painter returned from Algiers he had declined, unwilling to make a second trip to Africa. It was therefore Eugène Delacroix who had been chosen to accompany the mission, at his own expense. It was not until the end of 1831 that the painter and Mornay became acquainted, thanks to Henri Duponchel and Armand Bertin  [ fr ], at the request of Mademoiselle Mars, Mornay's official mistress and a friend of both Duponchel and Bertin. She was keen to find a pleasant traveling companion for her lover. Mornay and Delacroix dined together on New Year's Eve, accompanied by the actress.

Continuation of his career

Charles-Edgar de Mornay was resident minister in Baden-Baden, then minister plenipotentiary in Stockholm.
In 1845 he was named a Peer of France. [2]
He returned to private life in 1848.


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References

  1. Nabila Oulebsir, Les Usages du patrimoine: Monuments, musées et politique coloniale en ..., p. 160
  2. Christoph Otterbeck, Europa verlassen: Künstlerreisen am Beginn des 20. Jahrhunderts, p. 97